|Awas, Dadah "Zombie" Flakka Mula Menular Ke Asia..|
Sejenis dadah sintetik baru yang dinamakan FLAKKA kini telah menggemparkan negara Amerika.
Effek individu yang mengambil dadah ini dikatakan akan menjadi "zombie", dan yang menyedihkan mereka TIDAK AKAN KEMBALI NORMAL.
Kesan kerosakan kimia terhadap otak sesiapa yang mengambilnya akan menjadi KEKAL SELAMAnya.
Difahamkan, dadah FLAKKA ini sebenarnya masih lagi dalam fasa eksperimen namun ianya telah dicuba di pasaran untuk melihat reaksi dan effek terhadap penagih agar ianya boleh diperbaiki lagi.
Difahamkan juga, pembuat dadah ini telah mencuba untuk masuk ke pasaran Asia, terutamanya Asia Tenggara kerana ramai pengguna dadah sintetik murah di sini.
Bentuk fisikal kristal FLAKKA, yang lebih mirip seperti BATU @ SYABU @ METAPHAMINE @ KETAMINE, dan juga pil ekstasi, yang banyak digunakan di Malaysia, namun ia dikatakan jauh lebih murah harganya maka dikhuatiri ianya akan dicampur oleh pengedar dadah dengan dadah yang disebut di atas demi untuk keuntungan berlipat ganda.
Kaedah pengambilan dadah FLAKKA juga adalah seperti dadah sintetik yang lain, samada menggunakan suntikan atau dihisap, ianya jua sering dihisap menggunakan rokok elektronik atau VAPE.
Jadi, berhentilah mengambil dadah.. jangan terjadi mangsa seperti didalam video di bawah ini.-UnReportedNews™®
|Comment on A Conversation with Gov. Christie and Steve Adubato by Bill Brennan||https://www.youtube.com/watch?v=vh2cv-3EZ1w|
|I robot stanno arrivando|
Spettacolare (via Engadget):
Ralph Langner: Cracking Stuxnet, a 21st-century cyber weapon.
Stuxnet è arrivato su TED.
|YouTube star killed during prank||A PREGNANT 19-year-old has been arrested after shooting her boyfriend dead in front of their daughter, three, in a bid by the pair to be famous.|
|CIUDADANOS defiende la PNL a favor de la custodia compartida en el Congreso de los Diputados 20-06-2017||Martes, 20 de Junio, 2017|
La proposición no de ley instado en la cámara parlamentaria por el grupo de CIUDADANOS se ha presentado hoy. En su defensa habló Melisa Rodríguez.
Una España que en pleno Siglo XXI maltrata a través de la legislación a los niños cuando considera que tras la separación el poder seguir bajo la crianza, el amparo y la educación de tanto el padre como la madre, debe ser la excepción.
Sólo algunas comunidades autónomas se distinguen del resto, pues en su legislación foral han contemplado la custodia compartida diferente a la excepción del artículo 92 del Còdigo Civil.
CIUDADANOS exige la custodia compartida como preferente para terminar con los hijos huérfanos de padre vivo
Melisa Rodriguez en Congreso de los Diputados (20 de Junio de 2017)
|Ciudadanos exige la custodia compartida como preferente para terminar con los hijos huérfanos de padre vivo||Martes, 20 de Junio, 2017|
Por parte de CIUDADANOS, la noticia cita a Melisa Rodríguez, y por el PP sale la ministra de Sanidad, Servicios Sociales e Igualdad, Dolors Montserrat,
moción en la que insta al Gobierno a que en el plazo de tres meses se realicen las modificaciones oportunas para que el Código Civil y las leyes concordantes recojan la guardia y custodia compartida como una modalidad preferente, tal y como recoge la jurisprudencia del Tribunal Supremo para casos de separación y divorcio.
Ciudadanos exige la custodia compartida como preferente
No más niños/as huerfanos de padres y madres vivos
|Un secretario judicial en contra de la custodia compartida, José Miguel de Frutos, Juzgados de Logroño||Lunes, 19 de Junio, 2017|
En este caso el protagonista de la entrada es un secretario judicial, cargo que ha pasado a la denominación de "Letrado de la Administración de Justicia". Ejerce su cargo en los juzgados de Logroño.
Tras sus declaraciones se hace visible su postura feminista opuesta a una reforma en el Código Civil, que elimina la excepción que contempla el artículo 92 con respecto a establecer la custodia compartida. Argumentar que la custodia compartida no puede aplicarse en la misma medida que ahora mismo se impone la custodia materna es pretender mantener vigente la práctica machista que aparta a los hijos de sus figuras paternas sólo porque sus padres se separan. Si no fuera por lo delicado que es el tema, y el dolor que acarrea para las familias, menores y adultos, diríamos que es para reír tras las declaraciones de este hombre.
Que una persona a quien se atribuye terminados unos estudios de Derecho, y que además ha accedido a una plaza de la administración del sistema judicial, y sobre quien recae la gran responsabilidad de muchas de las decisiones que los juzgados adoptan y que contribuyen en no pocas ocasiones a la orfandad del menor de un padre que vive y que lucha y emplea con todas sus fuerzas el ejercer sus responsabilidades parentales con sus hijos, manifiesta en público la duda de que los jueces no van a poder valorar en cada caso que protege el interés del menor, tiene como dirían por tierras andaluzas, "guasa":
«Encuentro bastante difícil el legislar la situación de la guarda y custodia compartida. Hay dos caminos: dejarle al juez amplias facultades para que la establezca o la acuerde o regular con unos requisitos y un casuismo exhaustivo que tampoco creo que sería conveniente»,
A este tipo de personas afincadas en el sistema de género que busca por todos medios apartar a los hijos de su figura paterna, les aterroriza que nuestro actual Código Civil deje el machismo que aún pervive y considera que la custodia compartida en pleno siglo XXI es nociva para los hijos.
Este hombre numera, según su opinión personal, unas razones por las cuales el sistema judicial no debe considerar que para privar a los hijos del derecho a la custodia compartida deba justificarse unas argumentos de peso, y pretende que dicho sistema de custodia compartida bajo el cual son criados y educados los menores antes de la llegada de sus progenitores al juzgado, puede desde la instancia judicial romperse y de inmediato aplicar la práctica más que machista de la custodia a la madre.
Una de las excusas que coloca es la del mutuo acuerdo o la del entendimiento entre el padre y la madre, y hay es donde se quita el disfraz, ya que en la actualidad la práctica de la imposición de la custodia a la madre genera que la madre cuando se enfrenta al procesa se sienta con el poder, un poder que lleva al hombre a la aceptación de una serie de puntos que impuestos por la madre, pues sino acudirán al juzgado, y allí todavía un 90% de posibilidades dispone la madre para obtener la custodia monoparental materna.
Un ejemplo el caso del vídeo de la entrada expuesto por debajo del enlace al artículo fuente.
«Encuentro difícil legislar la situación de la guarda y custodia compartida»
|Una madre alienadora mata a sus 3 hijos porque el juez ordena que los menores vuelvan a recuperar el contacto con su padre||Miércoles, 14 de Junio, 2017|
El padre se llama Leopoldo Olvera y la asesina, la madre, Mireya Agraz. La abogada del padre, Rocío Medrano, es quien habla del dolor de este padre que ahora ya no podrá ver a sus hijos más. Otro letrado que aparece también vinculado a la defensa del padre es el abogado Miguel Saucedo.
Murieron en la Avenida San Bernabé. Eran tres niños de seis, ocho y diez años de vida. La madre y el abuelo materno también murieron. En el lugar de los hechos, en la cama, había una Biblia con un cristo de madera y una pistola del calibre 25, con una carta póstuma, así como un mensaje dentro de un fólder.
La abuela materna fue la única sobreviviente a los fármacos utilizados para causar la muerte.
Padre de niños envenenados, una víctima más
Leopoldo Olvera es padre de los tres niños que murieron envenados.
|Programa E aí Doutor Especial de Natal - Parte 1|
Espero que todos estejam bem...
Eu estou ótima Graças a Deus!!!!
Conforme prometido segue as imagens do Programa E aí Doutor - Especial de Natal que eu participei e que foi ao ar no mês de dezembro...
Como postei primeiro no Youtube tive que fazê-lo em três partes já que lá eles só aceitam vídeos de até 15 minutos...
O programa realmente é uma lição de vida... fomos em seis convidados... todos com lindas histórias de luta e superação...
Segue a primeira parte....
|Programa E aí Doutor Especial de Natal - Parte 2||Lá vai a segunda parte do programa....|
|Programa E aí Doutor Especial de Natal - Parte 3||Segue a terceira parte do programa...|
Espero que gostem...
Fiquem com Deus!!!!
Beijos no coração...
|SEJA BEM VINDO 2012!!!|
Espero que todos estejam bem...
Eu estou ótima Graças a Deus!!!
Recebi um e-mail da nossa querida amiga Lane e quero dividí-lo com vocês...
Espero que gostem...
“...Por que recomeçar? E o que é recomeçar? Quantos de nossos dias são vividos com a esperança de que o amanhã será melhor? A vida, na sua rotina dia-noite-dia, é um eterno reinício, um eterno recomeçar.
A cada instante há um recomeço na vida, um recomeço da confiança, de fé, em dias de alegria e realização.
Na repetição de dias e noites, pode-se encontrar a significância do recomeço. Se errarmos hoje, por que não buscar o acerto no amanhã? Se ofendermos ontem, por que não pedir desculpas hoje?
....A simplicidade do existir… nela está a razão para recomeçar. Esquecer o que se passou há anos, há meses, há dias, há horas, há instantes. Por que e para que lembrar, relembrar o que perturbou a paz, o que infamou a alegria?
...A vida não é um acaso. O reinício não é uma circunstância. Felicidade não é um estado de espírito. Crer não é casual. Viver é recomeçar… todos os dias, pelo alvorecer da nossa compreensão, pela confiança do nosso entardecer, pela infância da brandura que todo ser humano deve ter no coração.
Recomeçar é acreditar que a vida se renova… nos nossos pensamentos e, sobretudo, nas nossas atitudes, no fazer e refazer de nossa conduta. É preciso agir, pois, não se pode, de si para si, pensar que a oportunidade de recomeçar é inexaurível, pois, a cada dia, vidas se iniciam e se findam.
....Não deixemos que o tempo passe e, com ele, a ocasião de recomeçar… um dia que podemos encher de felicidade.
Recomeçar… de um ponto… de um lugar. Recomeçar com um gesto, com uma palavra, com um abraço… O sucesso nessa empreitada depende de nós."
Aproveito para deixar também uma música que sempre escuto no primeiro dia do ano...
MARCAS DO QUE SE FOI...
Este ano quero paz
No meu coração
Quem quiser ter um amigo
Que me dê a mão...
O tempo passa e com ele
Caminhamos todos juntos
Nossos passos pelo chão
Marcas do que se foi
Sonhos que vamos ter
Como todo dia nasce
Novo em cada amanhecer...
Este ano quero paz
No meu coração
Quem quiser ter um amigo
Que me dê a mão...
O tempo passa e com ele
Caminhamos todos juntos
Nossos passos pelo chão
Marcas do que se foi
Sonhos que vamos ter
Como todo dia nasce
Novo em cada amanhecer...
Meus queridos amigos, novamente desejo-lhes um Ano Novo de muita FÉ, sonhos, conquistas, amor e muuuuuuuuuuuuuita saúde....
E que estejamos juntos em 2012 para compor belas histórias.
Beijos no coração...
"Viva como se fosse morrer amanhã. Aprenda como se fosse viver para sempre." Gandhi.
|GSIS (Hong Kong) | Virtual World|
This video illustrates how Hong Kong schools can use a virtual world to continue teaching in the case of swine flu related school closings.
Hong Kong's virtual school - swine flu free
Note: Schools seems to be GSIS .. German Swiss International Schools in Hong Kong ... and the VW seems to be Second Life
|International Society for Technology in Education : ISTE Second Life|
Explore the world of possibilities as you go along on the journey of several educators working and learning in Second Life. With your host, Kittygloom Cassady, find out how ISTE Island created a powerful educator network and supports this ongoing collaboration within Second LIfe. . --- Knowclue Machinima
|YouTube Videos "Shamblesguru VW Playlist"|
|Science Learning Opportunities in Second Life|
Science Learning Opportunities in Second Life
|Second Life and Public Health|
Second Life and Public Health
Public Health simulations in Second Life
|Star City: One Night Only Concert|
A special charity event featuring a unbelievable gathering of super-stars!Maggie & Hopey, The Teen Titans, Dazzler & Pixie, Black Canary, Wonder Woman, Zatanna, The Archies, Josie & the Pussycats and Lila Cheney!
New Mechanics - Florence & the Machine - Only if for a Night
New Mechanics - Juliette Lewis - Hardly Wait
New Mechanics - Cat Power - Cherokee
Teen Titans Go-Go - Ed Sheeran - Sing
Teen Titans Go-Go - MGMT - Electric Feel
Teen Titans Go-Go - The XX - VCR
Pixeldust ft. Dazzler - Blondie - One Way or Another
Pixeldust ft. Dazzler - Poe - Angry Johnny
Pixeldust ft. Dazzler - The Bird and the Bee - One on One
The Dee-Cee Chicks - Joan Jett and the Blackhearts - I Love Rock N Roll
The Dee-Cee Chicks - Hole - Gold Dust Woman
The Dee-Cee Chicks - Ting Tings - That's Not My Name
Canary Cry - Eurythmics - I Need a Man
Canary Cry - Lykke Li - Get Some
Canary Cry w/The Dee-Cee Chicks - Rogue Traders - Watching You
The Archies - Gotye - Somebody I Used to Know
The Archies - Modest Mouse - Float On
The Archies - Feist - Islands in the Stream
Josie & the Pussycats - Stevie Nicks - Stand Back
Josie & the Pussycats - Yeah Yeah Yeahs - Maps
Josie & the Pussycats - Nena - 99 Red Balloons
Lila Cheney - PJ Harvey - Rid of Me
Lila Cheney - Lana Del Rey - Off to the Races
Lila Cheney - Jane Siberry - It Can't Rain All the Time
All-Band Jam - Tina Turner - Better Be Good to Me
|2008 Metaverse Tour|
Over 50 virtual worlds in 7 minutes
|Furcadia - Good Memories|
|World OF Warcraft|
|Bad Day - Club Penguin|
|There (Virtual World)|
|Second Life - BRANDS IN SECOND LIFE|
A short compilation (using the cool joystick cam feature!) of some of the branded builds in Second Life (part of a 30minute longer video) - from the likes of Reuters, BMW, Sony BMG and Ericcson, BigPond, Reebok, Vodafone, IBM, ABC TV, Showtime, Pontiac, American Apparel, Virgin, Dell, NBC, Apple (unofficial), Sears, Circuit City and AOL.
|Metaverse Meetup: 3D data for real world virtual worlds|
Metaverse Meetup: 3D data for real world virtual worlds
Mike Liebhold speaking at Stanford University on: Abstract 3D data, maps, and software will change the way we compute and interact with ...
65 minutes on YouTube
|A Child's War - a video made in Second Life by Global Kids|
This video was the year-end project for the Global Kids youth leaders in Queens, New York who spent the year working in Global Kids' Virtual Video Project, at the Museum of the Moving Image, funded by the MacArthur Foundation.
The video is based on research done by the youth about the situation of child soldiers in Uganda and the upcoming trial and the International Criminal Court.
|Global Kids PSAs on Digital Media, in Second Life|
This collection of five 30 second Public Service Announcements were created in Teen Second Life by Global Kids after school program, the Virtual Video Project, funded by the MacArthur Foundation and developed with the support of the Museum of the Moving Image. These were the first videos created by the students, to learn the basic of creating machinima around social issues.
Their final project will focus on child soldiers. www.HolyMeatballs.org
|Edusim 3D in your class|
Edusim in a 3D virtual environment ... this example is being used by students with an interactive whiteboard.
It free and opensource (built on Croquet) here: http://edusim3d.com
|Croquet : Virtual Worlds Platform|
Croquet Software Demo Movie (August 2007)
This is an edited screen capture from a Croquet demo given by Julian Lombardi in August 2007. It shows some of the capabilities of the open source Croquet software development environment. Croquet is designed for use in creating and deploying large-scale distributed multi-user virtual 3D applications and metaverses.
The Croquet architecture supports synchronous communication, collaboration, resource sharing and computation among large numbers of users on multiple platforms and multiple devices.
|Second Life : Health|
A virtual hospital campus in Second Life to illustrate what healthcare of the future could look like.
|Iskreno (i neiskreno) sta mislite o osobi iznad||a evo ga i ovde...
|Iskreno (i neiskreno) sta mislite o osobi iznad|
ono blato joj je mnogo skodilo
i naravno 8)
|IMdetonator Best Video Marketing Software – Videos On Steroids||via internet-marketing-product-launches.blogspot.com http://IMDetonator.info – Proven way to guarentee you are squeezing thousands of more views to your videos on YouTube. Simply Best Video Marketing Software Around**|
ความอ้วนก็เป็นปัญหาใหญ่สำหรับคนในยุคปัจจุบัน รวมถึงเจ้าของบล็อกด้วย จากนักลงทุนเริ่มเป็นนักลงพุงละ หลังจากเริ่มศึกษาวิธีลดน้ำหนักมาซักพัก ก็รวบรวมความรู้ไว้ตรงนี้ละกันครับผม เผื่อใครมาเจอจะได้ไม่ต้องเสียเวลาค้นหาเยอะ
กินน้อยไประบบเผาผลาญก็พัง เยอะไปก็ไม่ดี กินเท่าไรจึงพอดี บทความและการคำนวณ Taawut Kla-ngan จากกลุ่ม Eat lean กินให้หุ่นสวย เขียไว้ดีมากครับผม แต่การคำนวณเสียเวลามากผมทำเป็นไฟล์ excel ไว้ให้เลย กดโหลดลงเครื่องตรงมุมขวาล่างของตาราง หรือนั่งจิ่มๆตัวเลขบนเว็บได้เลยครับผม
ในไฟล์มีแค่ อกไก่ ข้าวสวย กะถั่ว ถ้าต้องการอย่างอื่นเพิ่มเข้าไปดูได้ที่
2.ออกกำลังกายออกกำลังกายเหมาะสม นำหนักก็ลดลงได้ แนะนำช่องวิดิโอของมหิดลครับ มีคลิปให้ความรู้เยอะแยะมากมายเป็น 100 คลิปเลย แปะให้ทั้ง player list เลย
สำหรับสาวๆ เพจของ เบเบ้ ดาราชื่อดังก็น่าสนใจครับ กดติดตามได้เลย www.facebook.com/bebefitroutine
อันนี้เป็นตัวอย่างการวางตารางออกกำลังกาย เล่นกล้าม อก / แขน / ไหล่ / หลัง / ท้อง โดย ดร. เชิดชาย ปันจัยสีห์ ขอกราบงามๆเลย
ยังไม่จุใจไปดูวิดีโอสอนเล่นกล้าม ที่บ้านเพิ่มเติมได้ที่ : www.youtube.com/user/sixpackhome
1. อก (Chest)-
แต่ง อก ให้คม
สร้างหน้า อก ไม่ใช้อุปกรณ์ (Bodyweight)
2. แขน (Arm)-
สร้างแขนหลัง ไม่ใช้อุปกรณ์ (Bodyweight)
3. ไหล่ (Shoulders)-
4. หลัง (Back)-
5. ท้อง (Abs)-
สร้าง sixpack 1/2
สร้าง sixpack 2/2
เพจนี้ดีงามพระรามแปด ให้ความรู้ท่าทางการออกกำลังกายที่ถูกต้องแบบวิชาการ ยืดเหยียดอย่างไร วิ่งอย่างไรไม่ให้เข่าพัง น่าตามมาก www.facebook.com/Befiteatwell
4.สร้างวินัยเสริมพลังจิตใจโปรแกรมลดอ้วนต้องใช้เวลาเยอะ เผลอก็ท้อ ถ้ามีเทรนเนอร์เขาก็ช่วยบิ้วอารมณ์ได้ ถ้าไม่มีก็ต้องบิ้วเอง ใช้คำพูดแบบไหนคุยกับตัวเองให้มีพลังไปดูได้ที่
สุดท้ายขอขอบคุณทุกท่านที่ช่วงแบ่งปันความรู้นะครับ บทความนี้แค่รวบรวมมา นำหนักเหมาะสม สุขภาพดี ทุกท่านนะครับผม
ติดตามเราได้ที่ Website : http://www.investidea.in.th
Facebook : http://www.facebook.com/investidea.in.th
Line ID : @investidea.in.th ใส่@นำหน้าด้วย
หรือสอบถามราบละเอียดและลงทะเบียนได้ที่ Line; pat4310, หรือโทร 086-503-5023
|Tristany Jonestano Here||He needs no introduction. But here’s the quick and dirty: Anthony Fantano, aka TheNeedleDrop, is one of the most prevalent music resources on the net. He has nearly a million YouTube followers. He’s been blogging for a decade, and vlogging for roughly eight years. Fantano has an impressive output, and uploads videos at a voracious […]|
|Comment on No Pants Subway Ride 2014 Global Reports by Joni||This is SPARTA....ähm....MUNICH. Cold. Funny. Perfect People.
|Comment on No Pants Subway Ride 2014 Global Reports by Laura||OOOPS WRONG VIDEO lol
|Comment on No Pants Subway Ride 2014 Global Reports by Laura||AMAZING EXPERIENCE IN PARIS
|Everything about Pussy Fingering: Making Her Touch The Sky|
Fingering is one of the most erotic ways of making your wife or girlfriend reach orgasm. If done well, this sexual technique can make your partner experience maximum pleasure – even harder than what your penis or mouth can do. If you are not confident with yourself, do not fret! There are a few tips on how you can make your chick scream for more.
Fingering vagina requires that know how many fingers will make your girl feel the heavens. Start with one finger, then two… depending with what she is ok with. But before penetrating inside her pussy, aim for her clit; the main point of stimulation for every woman. The clit, better known as clitoris, is located at the upper part of the pussy-lips above the entrance of the vagina. You’ll have to spread her lips so as to see it – it resembles a small bean seed.
Many girls like it slow, soft and very gently. Make sure your finger is nice and wet when handling the 'stimulator' -- clit; use a lube or better still, your mouth to keep them dripping. There is also another option; if her cunt is really wet, dip two of your fingers gently in her hole to get them wet enough before going for her bean.
If she is not wet, don’t rush to play with her G-spot. Start by touching and kissing her on her mouth, including other places like the ears, the neck, suck her earlobes going down to the nipples. Kiss her tummy, then her inner thighs, legs and toes; suck the toes, then finally passionately kiss her ass whispering dirty talk gently up her ear. Do whatever it takes to get her pussy wet, you can even ask her how she likes it best, or get some heads-up from fingering vagina at EroticVideosex.com tube.
When she’s wet, this means she is ready. Gently place the two fingers – the index and the middle finger are great candidates for this – over her clitoris, then softly rub and tease side to side, up and down, and around it. As you do this, always try to be as delicate and light as you can. Tease and play with it as if you are playing with delicate petals of a rose flower. When she gets turned on, you’ll start to feel it swelling and expanding. In case your fingers get dry, spit on her clit or use a pussy juice to keep them really wet.
Know how to set the right amount of tempo by finding the regular motion that she likes, and do it again and again. When she is squirming and getting into it, work your way inside her hole using the two fingers touching the top of the vagina in such a way that feel a rough part when you are about 3 inches inside her. The fleshy patch of skin situated inside on the top is what we call the G-spot! Push up and down ensuring that you reach the G-spot, and as you do this, licking and sucking her clit will work wonders – trust me.
Repeat the motion slowly increasing the tempo, and when she starts to get into her sexual might, do not stop! With the nice pussy fingering, she should start throbbing, gyrate, and then have a really powerful orgasm. For additional information, please check how guys do it in free porn movies.
|Рыбинск,как он есть)||Представляю вашему вниманию собрание видеороликов, рассказывающих о насыщенных моментах в сезоне и не только…|
Монотонность городских джунглей так надоедает, что иногда хочется взять и… оседлать эндуро и рвануть в лес, что из этого получилось? Смотрим!
А это у нас покатушки в городе, немного шалим)Все самое-самое в этом сезоне собрано в этом ролике, смотрим!
Сезон 2011 выдался насыщенным, бывало всякое, смотреть всем)
Постоянный адрес публикации: bikepost.ru
|Adele - Rolling in the Deep (Vocal Version) ThePianoGuys - YouTube|
|gorgeous george - tonite - youtube||none|
|the gorgeous george show! - youtube||none|
|re gorgeous george - youtube||none|
|Treatment for Hemorrhoids||Treatment for Hemorrhoids - Is there are real cure for hemorrhoids?|
Sadly we are living in a fast paced world which, although it has its good sides, it has its drawbacks as well. One of them is the fact that more and more people get hemorrhoids. This didn't use to be the case earlier on, but now, whenever I speak with a friend or relative or just someone that I met recently, and somehow the discussion invariably turns to the issue of hemorrhoids, or piles, as they are also called.
Some of the common things we all have is the fact that we eat junk food, which lacks valuable nutrients. We live more stressful lives, we are more tense than ever before and we are basically living very unhealthy lives. No wonder hemorrhoids flare up like mushrooms after rain!
Having hemorrhoids is humiliating as best and taboo to talk about in public at worst. No wonder since they are located in a very private part of our bodies. Many people sadly live a life struggling to overcome their hemorrhoidal problem and don't consult a doctor or try to find a good treatment for hemorrhoids, simply because they are ashamed. Whereas a proper hemorrhoid treatment should be used before they get a chance to become a real chronic condition for each of us.
Treatment for Hemorrhoids
Of course, the best option is prevention. Cure comes next. For example, if you are portly, you should limit your intake of large meals to reduce the clot. Reducing the junk food should be a regular part of our preventive measure to avoid getting hemorrhoids in the first place. Eating a diet full of fibers, meaning fruits and vegetables, whole wheat and salads is one of those things that should replace junk food right away.
Once you have hemorrhoids though, prevention is a moot point. This is where you need to find a good treatment for hemorrhoids which provide you not only a long lasting cure, but also instant relief. Just like with toothache, knowing that the dentist will eventually fix the tooth doesn't help us much when we are pacing the floor every night in utter pain. Instant relief is the first thing that anyone cares about, along with a proper hemorrhoid cure.
Truth is, there are several hemorrhoid cures, most of them are working great, but not all offer the best instant relief there is. Some, sadly, don't work at all. It is a bit difficult to figure out what works and what doesn't, and going through one treatment after the other for most of us is not a real option anyway. You need to find one cure that works best and stick with it.
Hemorrhoid Miracle is one of the best treatment for hemorrhoids there is out there at the moment. I have tried this cure and it works. It works because it is one of the most effective, fastest, natural cure for your problems without side effects and elaborate procedures that will take ages to get rid of your hemorrhoids.
How it all started
I actually came across this book quite by accident. Embarassingly enough, I was suffering from hemorrhoids for quite a while now, didn't even mention this to my partner, and one day I was down having a chat with the pharmacist (who is also my friend) at the pharmacy nearby. He offered me a chair and a coffee, and I wouldn't sit down. Eventually I poured out my soul to him and then he went behind the counter and handed me over a binded manual (was quite torn actually around the edges) and gave it to me to read. He told me if I don't find in this book a final cure for my hemorrhoids, I should be the only one that didn't get a proper treatment for hemorrhoids, because it really helped everybody else before me. I took the book with a skeptical face, but I said to myself, it can't get worse than that. If nothing else, it will be a great bedtime read to put me asleep.
Well, about a week later I returned the book to John, my pharmacist friend and showed him my own copy. I bought my book in the meantime as well, knowing that I have to return the other copy to John eventually. He asked me how did it go and offered me a chair. I sat down this time without any effort from my part.
I told him that after using only one of the cures from the book the bleeding stopped overnight and as I continued with that cure, I haven't had a bleeding 'bum' ever since. Couple that with a few other natural techniques from the book, I have to proudly say that my hemorrhoid is really shrunk. The pharmacist's eyes were smiling at me and with an 'I told you so' look on his face he just nodded and took his book from my hands and put it back behind the counter, no doubt waiting for the next person who will be plagued by the same problem.
Truths about Hemorrhoids
I did ask him one thing though. He is a pharmacist and yet, he hasn't tried to sell me on any creams or pills or anything else from his shop. He told me in confidence that most of these creams do not work, plain and simple. Or they do work short term and you have to keep going back and buy the expensive cream over and over again, as without it, hemorrhoids return. He is a very honest and honorable person and likes to do the right thing, not to sell people on creams and gels and the pharmaceutical companies want us to get dependant on.
I really hope you can use this information to get the proper treatment for hemorrhoids that you deserve. Also I hope that my story has inspired you to keep your own dog eared copy in a drawer and hand it out for freely to any friends who are struggling with hemorrhoids so they read through it and try the 'miracle' cures out for themselves. Once they find the treatment really works, they will buy their own copy and happily return yours.
Click here to visit the official website of the Hemorrhoid Miracle
|De una manera simple se explica como funciona el sistema capitalista videos sobre el tema, imperdibles...|
…Gracias Profe Magol por el aporte…!!!
|Compartimos registros fílmicos para los que no pudieron presenciar la charla|
Alumnas y profesoras asistieron a la Feria del Libro en Santa Fe "Los libros hacen historia en la Estación Belgrano" se compartió la propuesta “Conversando con María Teresa Andruetto sobre libros y literatura para chicas y chicos” organizaron Asociación Abracuentos “Libroteca ambulante” y el ISP Nº8 “Almirante Brown”.
Compartimos registros fílmicos para los que no pudieron presenciar la charla, con la autorización María Teresa Andruetto.
Seguir los links, consta de dos partes.
|Fotos de la excursión...|
" Cuentos enredados" por Fernanda Cantero y Ana Carles / obra de teatro en una escuela en Cayastá :
|Download Lagu Sari Simorangkir - Yang Terbaik Mp3||Lagurohanikristen.net - Kali ini kita akan update lagu terbaru kita dari blog sederhana ini kita akan berusahan untuk selalu menghadirkan lagu-lagu rohani terbaru terbaik dan terpopuler untuk kalian semua bisa download dan dengarkan sebagai hiburan dari pada kalian hanya mendengarkan lagu duniawi yang hanya bikin galau dan baper mending download lagu diblog kita aja guys semuanya full lagu rohani dan juga keren-keren kok gak kalah keren dengan lagu duniawi saat ini. Untuk kalian yang mau download lagu rohani silahkan kunjung aja blog kami tiap hari untuk dapatkan update link download full rohani pujian kristen baik yang single atau nonstop juga dalam bentuk video dan mp3 jadi kalian gak bakal bosan the, semoga kalian semua suka dengan koleksi-koleksi kita yah guys nah tunggu apa lagi langsung aja download dibawah ini lagunya cekidot..|
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Download Lagu Yang Terbaik - Sari Simorangkir
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DowNload Lagu Rohani Citra Scholastika - Aku Lebih Perlu
|Download Lagu NDC Worship - Tak Sedetikpun Mp3||Lagurohaikristen.net - Kali ini kita akan bagikan lagu dari NDC Worship yang menurut admin keren banget lagunya guys pokoknya nyesal kalau gak dengar karena memang semua lagu-lagu yang bagikan disini adalah lagu rohani pilihan yang kalian bisa download dan unduh secara gratis terbagi dalam 2 format yang video dan mp3 silahkan dipilih dan didownload sesuai selera guys, hanya disini kalian bisa temukan lagu lagu rohani yang kalian cari selama ini dan bisa didownload karena linknya bukan hoax belaka, Jika kalian suka sama blog kami silahkan bookmark halaman kami ini untuk kalian bisa kunjungi tiap hari sesuka hati kalian karena kami akan update setiap hari jika admin gak sibuk karena memang admin hanya seorang diri mengurus blog ini semoga kalian semua menyukai dan gak bosan-bosan mampir keblog kami yah guys nah untuk kalian yang mau download langsung aja cekidot..|
Silahkan nih yang mau download lagu dari NDC Worship jangan lama-lama mikirnya karena lagunya joss banget dijamin mantap dan menghibur cekidot.
Download Lagu Tak Sedetikpun - NDC Worship
|Download Lagu Yesus padaMu Ku Berseru - Fandy Santoso||Lagurohanikristen.net - Syaloom Teman-teman, maaf yah baru update lagi karena kesibukan admin didunia nyata/offline membuat blog ini sedikit terabaikan karena sudah sekitar 2 hari gak posting namun jangan kwatir kali ini kita akan gass full heheeheh, untuk kesempatan ini kami hadirkan yang keren-keren sebagai yang spesial. Kami bagikan lagu dari Fandy Santoso yang berjudul " Yesus Padamu Ku Berseru " hhmm judulnya aj udah keren gitu yah guys kalau penasaran mau dengar lagunya nih langsung aja didownload lagunya keren banget pokoknya gak nyesal the kalau kalian download, disini semua lagu rohani sudah kami bagikan meskipun belum lengkap namun kami akan berusaha untuk menyempurnakannya, jadi buat kalian yang merupakan pengunjung setia kami silahkan berkunjung aja setiap hari keblog kami untuk mengetahui update terbaru dari blog kami langsung saja yang mau download cekidot..|
Nah untuk kalian yang mau download lagunya atau sudah tidak sabar pengen dengar langsung aja diunduh dibawah ini via google drive admin jamin kalian sudah pada pintar downloadnya cekidot..
Download Lagu Fandy Santoro - Yesus PadaMU Ku Berseru
|Download Lagu Citra Scholastika - S'bab Kau Besar Mp3||Lagurohanikristen.net - Kembali kita akn update lagu rohani diblog ini setelah beberapa hari gak udpate karena mudik liburan bersama keluarga, karena begitu padatnya kegiatan dan juga tugas hingga admin harus pandai-pandai dalam mengatur waktu dan disini admin akan share lagu dari Citra Scolastika yang kita kenal sebagai penyanyi cantik dan imut banget heheeh, selain cantik juga mempunya suara yang merdu. Oya guys admin mau curhat mengenai statistik pengnjung blog ini ada sedikit penurunan mungkin karena efek mudik lebaran dan juga kesibukan teman-teman dalam mengaturs skedul liburan hingga gak sempat mengunjungi web kita namun semua itu wajar dan admin mengerti sekali karena admin sendiri mengalaminya, nah semoga kedepannya minat teman-teman makin besar dalam mengunduh dan mendengarkan lagu-lagu rohani kristen lagi yah cekidot..|
Nah tunggu apa lagi guys buat kalian yang mau download lagu dari blog kita kali ini diberi judul " S'bab Kau Besar " dan dibawakan oleh penyanyi cantik pasti kalian sering dengar lagu ini silahkan didownload dibawah ini cekidot..
Download Lagu Citra Scholastika - S'bab Kau Besar Mp3
|Download Lagu JPCC Worship - More Than Enough Mp3||Lagurohanikristen.net - Kalau dengan lagu rohani jpcc worship tuh bikin hati tersentuh bukan cuman yang versi indonesia namun dari sekian banyak lagu-lagu mereka admin paling suka dengan yang versi English meski tidak paham-paham banget bahasa inggris namun admin sangat menyukainya, Liriknya dan musiknya begitu keren bikin merinding banget dengarnya apalagi lagu yang berjudul " More Than Enough " hhhmm sungguh admin sangat kagum sama mereka-mereka grup musik ini sungguh banyak menginspirasi admin dan banyak orang dalam terus berkarya, Nah buat teman-teman yang menyukai lagu lagu rohani jpcc worship atau kangen dengar lagu rohani barat nih download aja yang ini dijamin mantap banget guys gak nyesal the downloadnya, admin aja sering banget mutar-mutar nih lagu di laptop admin kalau lagi posting diblog biar lebih semangat dan admin gak pernah bosan sangat keren guys dicoba aja cekidot..|
Langsung aja nih didownload dibawah ini lagunya untuk kalian semua pengunjung sejati kami terimakasih atas kesetiaan kalian dalam berpartisipasi dalam blog ini, jangan bosan-bosan untuk mampir yah guys cekidot..
Download Lagu More Than Enough - JPCC Worship
|Download Lagu JPCC Worship - RohMu Yang Hidup Mp3||Lagurohanikristen.net - Kembali lagi kami bagikan untuk kalian semua lagu rohani terbaru dari JPCC Worship yang keren dan joss banget guys, yah judulnya adalah " RohMu Yang Hidup " hhmmm dari judulnya aja udah keren banget gimana kalau dengarnya pasti klepek-klepek. Untuk kalian yang suka dan fans sama grup musik rohani ini silahkan kunjungi terus aja blog kami tiap hari karena kami akan hadirkan lagu-lagu rohani kristen terbaru terbaik terpopuler yang pernah kami dengar dan akan kami share untuk kalian yang membutuhkan. Sudah sekitar 300 lebih lagu yang kami posting disini semoga kedepannya makin banyak dan admin makin semangar heheheh, jadi jangan bosan-bosan yah mampir keblog kami yang sederhana ini teman-teman karena hanya disinilah kita bisa bertemu dan berbagi kasih dan pelayanan lewat media online kiranya kita semua semakin kuat dan terhibur dengan adanya lagu rohani dari blog kami cekidot..|
Nah untuk sobat yang ingin download lagunya atau sudah tidak sabar dengan koleksi terbaru blog kami ini langsung aja didownload yah unduhnya mudah dan cepat kok guys, tersedia dalam bentuk video dan juga mp3 silahkan dipilih saja cekidot..
Download Lagu RohMU Yang Hidup - JPCC Worship
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Silahkan didownload yah lagu kami dibawah ini sudah kami sediakan link downloadnya semoga kalian suka dan terhibur dengan koleksi demi koleksi blog kami cekidot..
Download Lagu Rohani Edward Chen - Yang Selalu Ku Andalkan
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Silahkan didownload nih koleksi lagu dari maria shandi yang berjudul " Ada Harapa " semoga kalian semua suka dan terhibur dengan apa yang kami sajika diblog ini dan semoga kalian tidak bosan-bosan untuk mampir terus keblog kami yah guys. Terimakasih.
Download Lagu Rohani Ada Harapan - Maria Shandi
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Download Lagu Detak di Hidupku - Maria Shandi
|Download Instrument Piano Rohani Saat Teduh 1 Jam (KemurahanMU)||Lagurohanikristen.net - Kembali kita bagikan atau mengupdate koleksi daftar lagu rohani krsiten kita diblog ini namun kali ini admin tidak akan share lagu melainkan hanya Music Instrument Rohani yang merupakan Instrument Rohani Saat Teduh Nonstop 1 Jam Full KemurahanMu yang tentunya buat sebagian para pecinta musik Instrument Piano Rohani Terbaik tidak akan melewatkannya, bagi admin musik instrument itu penting banget buat kita karena selain malatih nalar juga membuat kita lebih enjoy dan tenang seakan-akan kita terbawa suasana dan membuat kita damai. Musik ini juga cocok banget buat menemai tidur saat disetel dengan volume yang pelan hingga membuat kita seakan-akan kedunia mimpi selain itu dalam musik ini terdapat beberapa lagu rohani yang hanya dibawakan dalam bentuk musik intrument tanpa vocal, Buat yang suka atau pengen download langsung aja diunduh dibawah ini untuk kalian semua kami share cekidot..|
Sekarang tunggu apa lagi guys link download sudah kami siapkan dibawah jika kalian sudah tidak sabar ingin download langsung unduh aja dari google drive dengan ukuran file sekitar 85 MB dalam format Mp3 akan membuat kalian semua menikmatinya dalam waktu Kurang lebih 1 jam lamanya enak buakn cekidot..
Download Instrument Piano Rohani Saat Teduh 1 Jam (KemurahanMU)
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Download Lagu Jalan Kebenaran dan Hidup - Grezia Epiphania
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Download Lagu Rohani Trias - Terang KasihMU
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Download Lagu Cornelia - Bapa Kau Cukup Bagiku
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Download Lagu Rohani Kasih Tuhan - UX Singers
|Download Lagu Biarkan Ku Menyembah - Citra Scolastika||Lagurohanikrsiten.net - Citra Scolastika adalah penyanyi jebolan ajang pecarian bakat yang mempunya suara yang khas, selain mempunya wajah yang cantik jgua suaranya enak banget dan pokoknya keren, Tak disangka ternyata penyanyi cantik ini juga banyak menyanyikan lagu-lagu rohani kristen yang bsia menjadi daftar palylist kalian karena lagunya memang keren-keren semua. Bagi pecinta lagu citra scolastika pasti kalian pernah dengar lagu ini, nah untuk kalian yang pengen dengar atau pengen download kami sudah miliki lnik download nay dibawah ini dari google drive biar kalian dengan mudah mengunduh atau mencobanya sebelum mengunduhnya, Jika kalian suka dengan koleksi kami segera bergabung dengan Grup Kami di Facebook biar kalian tidak ketinggalan saat mendengarkannya lagu-lagu diblog kami ini karena kami berusaha untuk tiap hari update cekidot..|
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Download Lagu Rohani Citra Scolastika - Biarkan Ku Menyambah
|Download Lagu Tuhan Gembala Keluargaku - Pdt Victor Abraham||Lagurohanikristen.net - Suka dengan lagu-lagu rohani untuk keluarga ? Salah satu lagu-lagu rohani rekomendasi untuk kalian adalah koleksi lagu dari Pdt Victor Abraham salah satu penyanyi lagu rohani senior yang banyak sekali lagu-lagunya admin sukai. Buat teman-teman yang juga kangen atau pengen download lagunya disini kami sudah sediakan dalam bentuk mp3 dan juga video yang bisa kalian putar dan juga dengarkan dirumah sebagai Hiburan keluarga daripada harus dengerin lagu Duniawi yang selalu bikin baper dan jgua galau mending dengar ini bisa menambah iman dan pengetahuan. Kalau kalian butuh banyak disini banyak sekali koleksi kami silahkan dipilih aja sesuai selera kalian karena memang tujuan kami adalah menyediakan kalian semua kebutuhan lagu rohani yang bisa membantu kalian dalam pelayanan kasih, nah tunggu apalagi yang ingin download lagunya langsung aja cekidot..|
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Download Lagu Victor Abraham - Tuhan Gembala Keluargaku
|Download Lagu Tiada Nama Lain - PPL Music||Lagurohanikristen.net - Sebelumnya kami minta maaf karena kemarin gak sempat posting lagu terbaru diblog kami karena ada hal teknis dan satu dari lain hal membuat amdin sibuk sehingga gak sempat dan kali ini kembali kami hadirkan lagu rohani yang terbaru dari blog kami yang kali ini hadir dari perdana kami share lagunya dilblog ini yakni PPL Music. Yah lagu ini keren banget guys membuat kita semangat menjalani hari-hari dan juga musiknya yang unik dan mantap banget, silahkan didownload nih lagu terbaru dari blog kami yang pastinya sobat bakal suka karena berbeda dari yang kami share sebelumnya lagunya sedikit lebih gembira dan juga alunan musiknya yang enak banget, Buat kalian yang ingin download lagu-lagu rohani terbaru terbaik silahkan kunjungi aja blog kami tiap hari dijamin gak nyesal cekidot..|
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Download Lagu PPL Music - Tiada Nama Lain
|freaked out already.|
freaked out already.
|Download Lagu Rohani Judika - Dia Jamah Mp3||Lagurohanikristen.net - Siapa yang gak kenal dengan Judika penyanyi tampan yang berkarisma dan juga mempunyai suara yang merdu ini ternyata juga banyak menyanyikan lagu-lagu rohani selain dari yang pernah juga kami share sebelumnya yakni " Kasih Bapa " ternyata ada banyak koleksi lagu rohaninya dan salah satunya dari itu juga akan kembali kami share lagi disini yang berjudul " Dia Jamah" Lagunya keren banget guys bagi yang paham maknanya, nah untuk penasaran ingin download lagunya berikut kami share link downloadnya untuk kalian. Dan bagi teman yang suka sama lagu-lagu rohani bisa kunjungi aja blog kami karena kami berusaha untuk tiap hari bisa memposting lagu untuk kalian jadi jangan sampai dilewatkan yah guys sudah ada sekitar 300 lagu yang sudah kami share diblog ini semoga kalian suka dan terhibur cekidot..|
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Download Lagu Dia Jamah - Judika Sihotang
|Download Lagu GMB - Jadikan Aku Indah Mp3||Lagurohanikristen.net - Satu lagi koleksi lagu rohani GMB yang keren dan joss banget buat teman-teman sekalian wajib dengarkan lagunya berjudul " Jadikan Aku Indah " hhhmmm dari judulnya aja udah mantap banget jadi yang mau download lagu dari Giving My Best ini emang mantap dan keren-keren semua. Untuk kalian yang ingin download jangan kwatir karena kami sudah sediakan link downloadnya yang tentunya mudah untuk kalian jangkau dan juga dengarkan dari link download google drive bisa kalian tes dulu lagunya kalau suka go download kalau gak suka bisa dilewatkan. Kami juda sediakan dalam bentuk video yang bisa kalian unduh juga sambil nonton dan dengarkan jadi gimana gak enak banget download lagunya diblog kami, nah tunggu apa lagi dari pada terlambat langsung download aja gratis untuk kalian guys cekidot..|
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Download Lagu Jadikan Aku Indah - Giving My Best (GMB)
|Download Lagu Pilihan Yang Terbaik - Franky Kuncoro||Lagurohanikristen.net - Kembali kita akan update koleksi lagu rohani terbaru untuk blog sederhana kita ini yang kali ini koleksi kita hadir daari penyanyi ganteng atau tampan yang berkarisma dan bersuara bagus banget siapa lagi kalau bukan Franky Kuncoro. Lagunya keren-keren dan Slow gitu membuat kita seakan ikut merenung jika mendengar lagunya terutama lagu yang kali ini kita akan share yakni lagu " Pilihan Yang Terbaik " hhhmm dari judulnya aja udah keren banget apa lagi kalau udah dengar yah guys tunggu apa lagi bagi teman-teman yang ingin download lagunya silahkan didownload aja dibawah ini karena kami sudah sediakan link downloadnya gratis untuk kalians emua juga tersedia dalam bentuk video dan mp3 silahkan dipilih sendiri karena emang kami sengaja biar kalau kalian suka juga versi videonya bisa nonton sambil dengarnya cekidot..|
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Download Lagu Franky Kuncoro - Pilihan Yang Terbaik
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Download Lagu Kamasean - Tak Pernah Sendiri
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Download Lagu Tak Pernah Terlambat - Veren
|Download Lagu Anugerah Terindah - Regina Idol||Lagurohanikristen.net - Siapa yang gak kenal dengan Regina Idol salah satu penyanyi Jebolan ajang pencarian bakat Indonesia Idol yang mempunyai suarau merdu dan juga keren banget, Ada banyak lagu-lagu rohani yang juga dinyanyikan oleh penyanyi yang bersuara emas ini, nah bagi kalian yang cinta atau suka sama lagunya bsia download salah satu dibawah ini yang akan kami bagikan link downloadnya dibawah ini bsia kalian unduh gratis mudah dan cepat. Jika kalian butuh lagu rohani terbaru terbaik terpopuler kunjungi aja blog kami tiap hari karena kami selalu update sekitar 1 sampai 3 lagu setiap hari kadang lebih pokoknya dijamin kalian bakal menemukan lagu rohani yang hanya kalain bisa download atau jumpai disini dengan format video dan juga Mp3 sekaligus kalian bisa pilihs sesuai dengan selera kalian guys tunggu apa algi segera didownload aja cekidot..|
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Download Lagu Regina Idol - Anugerah Terindah
|Download Lagu Rindu Selalu - One Worship GMS Live||Lagurohanikristen.net - Ada banyak lagu-lagu One Worship GMS yang keren-keren dan juga bagus banget buat kita dengarkan dan disini kami mencoba untuk membagikan salah satunya yang pastinya sobat sekalian suka dan memamgn lagunya keren dan joss banget, jika kalian suka dengan lagu-lagu GMS Live kami nanti akan mencoba untuk share albumnya dan kiranya kalian semua terhibur dengna apa yang kami bagikan disini. Yah kali ini yang mau mencoba untuk mendengarkan lagu "Selalu Rindu" Silahkan download gratis dengan unduhan mudah dan cepat dibawah ini kalian akan mudah untuk mendengarkannya dan kami juga menyediakan dalam bentuk Mp3 dan Video yang bisa kalian download atau unduh gratis dari youtube, diblog kami ini fokus membagikan lagu-lagu rohani terbaru silahkan didownload aja bagi yang berminat karena link sudah kami sediakan dibawah cekidot..|
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Download Lagu One Worship GMS Live - Rindu Selalu
|a galega mais linda do youtube  [gladiadora]||gladiadora|
|McCann & Ogilvy...|
Perhaps not this chap...but someone like him..
Hello adgrad folk.
It's 2013, and given that the dust has settled from quite a lot of schemes pre-Christmas, I thought it might be an idea to draw your attention to a few agencies' successful candidates - how they got on and in.
Who knows, it might help you redouble your efforts for next time, or - if you're due to graduate the year after, provide you with some much needed tips for your first application.
The first is a short video McCann have produced following their 'McCademy' graduate scheme. Find out more here. The video's below:
A successful Ogilvy planning fellow, John Hillier, has written a very good blog post on the topic of his application to the 2012 scheme. Read it here. His twitter account is here, should you have any questions/tweet yourself.
I hope those two are useful. As ever, check the adgrads archives - there are a fair number of posts about how to prepare application forms/interview successfully.
|PHD & Leo Burnett...|
Yes - preferably not via a load of disembodied hands.
Two things to update you on (with more coming next week).
1) PHD Worldwide
The good people at PHD are looking for media graduates.
You can find more about it by clicking here.
A little bit of a blurb can be found below:
"PHD are looking for 4 to 5 Team Executives to join an exciting new Comms Planning Unit going live from 2nd January 2013. This is a terrific opportunity to develop your media career in one of the most strategic and dynamic media agencies working with one of the world’s largest and most innovative advertisers. We are looking for bright, enthusiastic and passionate Team Executives with a real passion for media/communications and an interest in consumer behaviour."
Just to note, the assessment day is on the 13th of November. So you'll have to get those applications in sharpish, by the 6th of November.
2) Leo Burnett
Leo's graduate agency (within the agency), The Foundry, have produced a stop-motion clip to advertise the scheme. Check it out below:
You can apply here. The scheme's applications close on the 31st of October, so be quick.
Good luck with both, gang.
|Shame. I hang my head in SHAME, people!|
I've not had a hot minute to sit down and say hello since....
Oh hell, last year.
We had a great holiday season in both shops, then a great Valentine's Day, as well. One of the reasons Valentine's Day was so fab (despite its being on a Tuesday) was that the Phantom Gourmet filmed an excellent piece on us. Couldn't have been nicer to work with, and the timing of the release was beyond perfect. Watch it here:
In that same week (more great timing, and lovely people to work with), our caramel apples got the spotlight on InsiderFood, here:
SO: we had a crazy amount of really wonderful publicity, and have gotten to see a ton of new faces as a result, not to mention all of our loyal customers who have made us what we are today. We are lucky dogs!
In chocolate news, we've stretched our truffle wings a little this winter, and added a couple of new flavors:
We also made a beautiful milk chocolate wild fruit ganache truffle. I'm not always a milk chocolate-with-fruit type of gal, but I have to say, it's damn good.
Of course, March is here, so the Stout Truffle is here too. Grab them while the grabbin's good, people.
See? I've been a busy bee. Too busy to write until just this moment. And actually, it was great to get back to the ole keyboard. It's really something to put it all down and see how much has actually gone on in the past few months!
Next up? Easter! Stay tuned for bunny updates! xxx
|Ch ch ch changes||Drat and blast, folks! Summer has passed us by and not a peep from yours truly. Truth be told, I just had a really exciting, fun, and busy summer. I know people were worried for their lawns, but I'm the kind of gal who loves to see the sun every damn day if I can.|
One of my favorite things about the summer in the Gloucester location is that in the last few years it really has become a destination of sorts for folks from all over the world. Our Salem shop has enjoyed this diversity for years, as the PEM lives up to its reputation as an international draw. Here in Gloucester, though, it's still new to see so many cultures and people all over the island. My favorite international tidbit so far is that what we call non pareils here are called "freckles" in Australia. Cool!
So much for the fun, folks, now on to the busy part: At the start of summer (on my birthday, actually) I was alerted that our Salem shop would have to move out of its home for the past 5 years. We're really sad to leave 177 Essex St., but had no say in the matter. We'll have our last hurrah there this October, and will be moving in November.
So here comes the exciting part: OUR NEW DIGS! We are super excited to be moving just a couple blocks away to 318 Derby St. We're really thrilled to be just around the corner from two of my favorite foodie stores in Salem, A&J King Artisan Bakers and the Cheese Shop of Salem. With us at the tip, I think we are going to make a gorgeous tasty triangle of a neighborhood. A Bermuda Triangle of Tasty Delights! The Black Hole of Deliciousness! The Golden Triangle of Temptation! I could go on...
We hope (cross your fingers, folks!) to be up and running at the start of December. In the meantime, stock up on Essex St. all the way to Halloween, which will be our last day of business in that location. Remember, too -- the Gloucester shop has all the things you need, and will be open while the Salem shop relocates. It's beautiful drive out here. Trust me!
We'll keep you posted on progress, last minute news bits, and any crazy sales we might have on our Facebook Page. Visit often!
Until next time, folks, we're here. We're making candy. It's yours for the taking. Xxx.
|Ho ho ho!||Oh December, you wacky month of comfort and joy, sore muscles and tasty beverages, and gorgeous starry skies!|
I love this month. I always have. My father hated the commercialism of Christmas, but my mother loved the whole thing. When my brother and I were kids, she hardly ever wrapped a present before we fell asleep Christmas Eve, so it really was a wonder on Christmas morning.
Of course I see it a bit differently now that I'm in a business that is so crazy during December, but not too differently. I love that people come in to buy secret Santa gifts. I love that folks come in to buy candy filled dreidels, advent calendars, all that stuff. I'm not a religious person, but I do love the bustle of it all.
After 16 years in business, one of the very coolest rewards is that we have become a tradition in some families. The idea that Turtle Alley is a known, expected treat during the holidays makes me happier than I can express, actually. It's hard to believe this all started with one machine and just me.
It's a whole different ball game now, lots of apron-clad turtles gracing both stores, and lots of candy flying out the door. Chocolate on every surface, customers coming in and going out all day, so many turtles. Soooo many turtles.
December is a month where attaining a work/life balance can be difficult, but every year it does get a bit better. One of the many added benefits to my job is that in December, it's also a lot of my social life -- I see everyone! I'm also pretty lucky that my husband is Turtle Alley's shipping manager, otherwise I might not see him at all.....
FYI: if you're in Cape Ann and watching cable on December 17th, tune in to John Ronan's TV show, "Writers Block". You'll get to see little ole me chat about my book, candy, all sorts of things!
Until next time: avoid the news at all costs, tell the people you love that you love them, smile at strangers, and by all means, do NOT make any chocolate related resolutions for the New Year!!
xxx. Happy Holidays.
|Hearty hellos and here goes!|
Such freedom! Such overwhelming freedom!
About half my life I've been messing around with chocolate. In 1999, I opened up my first shop in Gloucester, MA. A few years later, a second shop in Salem, MA. We've had a lot of luck with great reviews, and extremely loyal and devoted fans. In the past year, everything culminated in the chance to write and publish Turtle, Truffle, Bark! -- which was way more fun than I could have anticipated.
It's a lucky life I lead.
As the business has grown, our Turtle Crew has expanded (in a most excellent way, I might add), leaving me more time to play with flavors and test out new recipes, which is my favorite thing. Because I really am a lucky so-and-so.
So welcome to the blog, welcome to my world, hold on to your hats, and enjoy the ride!
PPS. currently butchering "Girl Talk" on uke.
PPPS. favorite smell on a scooter ride is beach roses on the back shore.
Over and out, good buddies!
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|How we live khmer son|
|Rhett & Link battle for artistic supremacy -- in VR||The "Good Mythical Morning" YouTube stars tackle a CNET challenge: Playing pictionary in virtual reality.|
|Iskreno (i neiskreno) sta mislite o osobi iznad||(http://www.youtube.com/watch?v=8qJppER0G8w)|
|(初學下廚篇）筍湯 滑蛋蝦仁 蘆筍炒牛肉 （自做雞高湯）||連假三天心血來潮要來下廚
材料： 竹筍 （挑選時最好選頭部彎彎的 越小的會越嫩 大大的竹筍會有苦味）
就是切筍的時候 最好切成片狀 我切成塊狀
高湯的部份 因為我不想用雞湯塊 那好假
所以我就去傳統市場 雞攤 跟老板買骨頭
然後快速取出 再把水倒掉 因為我想把最油最髒的部份倒掉
之後呢 我就用水慢小火慢慢的煮 大約煮一小時
然後我自己又突發奇想 加了些許洋蔥 和 香菇 一起煮一小時
我想說 這樣應該能提味 （我也不知）
最後煮出來的高湯非常香 一點都不難 大家可試試
筍湯 我就是把 雞高湯 加水 （比例自己試）
再加鹽 把筍子煮到軟 即可上桌
因為我個人沒有那麼愛筍湯 所以 也算是誤打誤撞
材料： 蔥 韭黃（我沒買到） 蝦仁 蛋 太白粉 油 米酒 鹽
1. （一邊在煮高湯 一邊可準備2. 3. 的食材）
將蝦仁洗過 把背面切開 用牙籤挑掉腸子
阿基師說 之後呢 應該要把蝦仁用紙巾擦乾 但我的食客說 這樣都吃到漂白紙巾的東西了
2. 把蝦仁加一點鹽 再加一點太白粉 加一點蛋白 喇一喇 醃一下
（我這步加了米酒 但阿基師說不用 下次我會試試乾一點 因為我這次有點太濕）
同時把蛋打好 （我是用約25隻蝦仁 3顆蛋 我比例有點亂抓 但這樣好像剛好）
3. 把油倒很多 在炒鍋中 把炒鍋均勻沾油 油熱後 倒著備用
留著一點點油 把切好的蔥 韭黃（阿基師有加這個 我沒買到） 下去爆香
4. 爆香後 把蝦子加入 阿基師在此加了水 我則加了我正在旁邊煮好的高湯
讓蝦子一點點浸到水 可煮熟就好 再加一點太白水
5. 這時把蝦子放鍋的一邊角落 同時在平底鍋的另一邊把剛剛的油多一點倒入
把剩下的蔥 跟油再爆一點香後 隨即倒入蛋汁
但也可以讓他再收乾一點 成品 ：
材料： 蒜 牛肉 蘆筍 辣椒 蔥 鹽 太白粉
1. 在煮高湯的同時 我把牛肉絲 用太白粉 一點米酒 醬油 蒜 先喇喇 醃一下 （大約醃半小時）
（我太愛洋蔥 還亂加洋蔥 但好像加很少也沒啥影響）
2. 用大火 炒鍋把油加熱後 加入蒜 辣椒 蔥 爆香
加入切好洗淨的蘆筍 大火炒一下 加鹽 有油綠色後 加一點太白粉水
然後再加入醃好的牛肉 均勻炒熟後 就可上桌啦
這道菜的敗筆是 一 牛肉太多 （因為我為了要把所有買的牛肉都用光 一次都倒入
所以有搶走蘆筍的風彩 本來炒蘆筍時有紅綠白 很美的 現在一上桌都被牛肉蓋掉
二是 因為我的食客一定要吃熟牛肉 所以我怕他有血色有煮久一點
下次我可以試試看 用蛋白在醃的時候不知會怎樣 然後把牛肉醃的水盡量不要不小心一起倒入菜中炒
不過基本上這幾道 我在炒時 完全沒試味道 上桌竟然濃淡 鹹度都剛好
ps 剛跟我好友說到要煮菜 本以為這消息應該會嚇壞她
我整個都忘了 為了怕我失憶 我還是記錄一下做法心得好了
|好書推薦- 我所看見的未來-一本要做經營管理 要做旅遊 要行銷的人必看的書！||
好久沒來寫好書推薦這單元啦！ 上次寫可能是"群" "牧羊少年奇幻之旅"的事了
嚴長壽這本我所看見的未來 我真的強力推薦 任何對經營管理有興趣的人一定要看
會看這本書其實也是因為IZ兄看到熱愛旅遊的我 就拿著這本書說！ 這本書你會有興趣的！！果然
不過我也是花了點時間才把它看完！ （趁這次Radiohead 排隊的時間看完了）
會有點氣說 我們台灣其實還是有很有遠見的人 像嚴長壽這樣棒的人
我們台灣其實在很多時機 可以做到非常多大躍進的機會 但是卻錯失了
剛好總統大選剛結束 我很不想提到政治 但是還是忍不住會想到
民主 有時真是弔詭 原則上 我們選出的領導人應該要為人民做事
但在不知不覺中 大企業的聲音 愚蠢媒體的聲音 漸漸取代眾人的聲音
如同自由經濟一樣 當他發展到一個程度時 因為人性的自私
東西的故事 - 完整版（The Story of Stuff ）
我們有的山河壯麗 但是一跟一些國家的大山大水一比 又顯得小巫見大巫
當我去過其他這些國家 我也會常在想 那這些國家給我的記憶點在哪
是大皇宮 是臥佛？ 是特色教堂？ 是那海岸的美？ 是那些大山大水？
我愛泰國大城的寧靜 沒有頭的佛像 荒僻像廢墟似的地方
當我回顧去過每個國家的風景時 我發現我記得的 竟然不是這些主打物
在那之前 若有人問我台北玩什麼 我真的答不出來
有一次 我去龍山寺 剛好碰到他們全寺肅靜 只剩下誦經的聲音迴蕩在廟中
所有拜拜的人 都靜止下來 雙手合十 立定下來 參與這只剩下誦經聲的氛圍裡時
我站在那 這是我第一次感受到宗教的力量 強大到我感動到都要流淚了
在台灣旅遊 說老實話 我常常覺得有種莫名的空虛感
＃＠）＃）！（＃ 抱歉 我真的記不太得了
政府該做的 是有魄力的規畫出一個方向 讓人民去遵從
要用經營 管理 行銷的手法 來經營台灣
最後整條街 整個台灣賣的東西都一樣 特色就消失了
或許會造成短期的民怨 但若為了國家好 有遠見的政府就應該制定規則來規範市場
但我覺得 最棒的一點是 你要學習嚴長壽 怎樣想事情有遠見！
（選了一個爛總統 其實他影響的 不是只有八年！！！你要改變他做過的蠢事
可能需要更長的時間..... 甚至是無法回復了.....唉！ 這是我個人的意見啦....太氣了
為了使這項發展成為帶動台中觀光的火車頭 政府還特別宣布 要開國際標
第一家 是台灣規模很大的中華開發公司 他和美國華納兄弟公司合作 打算興建一座華納影城
尤其難得的是 在初步計畫中 華納考慮要投資百分之五十
他們很快就知道 在投資與開發的同時 有些關鍵問題必須先解決 於是向政府提出兩項具體要求
其中之一是 高速公路必須有一條交流道的出口直接通到華納影城 第二是 鄰近的部分區域變更為商業用地
但是當時的政府認為"有圖利財團之虞" 各界也對此有所疑慮 於是政府一開始就公開表示 投資案不可以預設條件
總之 在當時政府的顧忌下 這個地方現在是月眉育樂世界
你覺得松山機場要建設更棒 接受更多飛機 還是要把它廢掉 蓋條桃園機場快速直達列車？
問題是 以結果論來看 怎樣才是對的呢？
歐債一爆發 可能到15 16
尹: 我去中南部看到 很多工廠都找不到工人
陳： 問題是我看到的是政府 應該是要讓企業走出國際
經營能夠國際化 讓企業更有價值 讓這些年輕人覺得他們的工作更有價值
|[電影]特殊關係 The special relationship||剛好又睡不著了 你說我該怎麼辦呀 （右手背拍左手心）
話說呀！ 台灣人的政治畢竟是小國 往往會流諸於自己人在那邊吵一些笨蛋問題
如柿子 到最後到底有沒有人想出個辦法幫幫農民呀？ 好像也沒人關心了
trailer 在此 ：http://www.youtube.com/watch?v=uWHjHMrRiE4
不過是真的 你會感到緊張 也會好奇這兩個人在面對問題時是怎麼解決的
其實我覺得看了很有幫助 是那種對處理事情和如何面對危機 把事情做大的幫助
在面對科索沃戰爭 和柯林頓誹聞時 又怎麼面對兩人的關係
But you never know who he is !
後記： 其實我實在不太能理解為何都做到總統了 還跑去跟人家在白宮做那些落人口實的事
我的意思是 總統不是應該要心機很重 讓人猜不透 要做也是做的高明一點
嘖嘖！ 真是想對他說 歹路不湯走呀！
就生物性來說 其實野心越大的 位子爬越高的
|Comment on The Return of Mr Gove! by Alan Jones||https://www.youtube.com/watch?v=mn9MCC3DLds shows you how simple using goanimate.com. Have fun!|
|Comentario en 33 por www.youtube.com||Hi there it's me, I am also visiting this website on a regular
basis, this website is in fact good and the viewers are truly sharing nice thoughts.|
|Comment on The Return of Mr Gove! by Mark||Perfect (and much needed!) antidote to Goves return. Just had my girlfriend in stitches by reading this out to her "in the style of" the TV cartoons - knock a few of these out as short animations with a decent voiceover as per the originals and you'd be a YouTube legend by lunchtime!|
|Iskreno (i neiskreno) sta mislite o osobi iznad||(http://www.youtube.com/watch?v=aB_rgInRyvA)|
|My Dying Bride - Roads|
|pul ya veten|
|recep ivedik sinema fragman|
|Sahan kim 500 bin istemezki recep ivedik 4|
|Sahan kim 500 bin istemez ki recep ivedik 3|
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|Caño Cristales - El Rio de los 7 Colores Colombia|
Pues no sé si son 5 o 7 colores lo que si les puedeo decir es que es uno de los lugares mas hermosos del planeta y uno mas de los motivos de sentirme orgullosamente Colombiano Carajo!!!
Caño Cristales el río más bello del mundo, según los entendidos se encuentra en el Parque de La Macarena, al suroccidente del departamento del Meta, en Colombia, y comprende los municipios de San Juan de Guaviare, La Macarena y Mesetas.
Por hallarse ubicado en el triángulo marcado por los ríos Guayabero, Duda y Güejar, el territorio de La Macarena abriga un sistema fluvial que drena hacia la Orinoquía Colombiana, constituida por las cuencas de los ríos Meta y Guaviare, afluentes del río Orinoco que nacen en la Cordillera Oriental, y la consolidan con un prodigioso mosaico paisajístico de ríos, caños y cristalinas cascadas de plata.
Esta inmensa área de praderas, que se prolonga hacia el este, en los Llanos venezolanos, es una de las seis regiones naturales de Colombia.
Espectaculares fotografias; vale la pena tenerlas en tu pc.. saludos.
|Przeżycia są bezcenne czyli myCAM 4K active w Azji|
Nasza najnowasza kamera sportkowa myCAM 4K active zbiera świetne recenzje na portalach branżowych. My postanowiliśmy zabrać ją do Azji. Efekty tej niesamowitej podróży możecie zobaczyć na filmie, który właśnie pojawił się na youtube.com. Materiał filmowy do zobaczenia TUTAJ. Kamerę możecie kupić u naszych partnerów handlowych oraz on-line w cenie 299 pln.
The post Przeżycia są bezcenne czyli myCAM 4K active w Azji appeared first on NavRoad.
|Know your Capital Cities|
Besides the oh-so-often confusion that Irish people speak English and, therefore, must be, for all intents and purposes, English, French people are sometimes surprising ignorant of Ireland. I’m not saying that Ireland is an equally important country, in economic terms, as France for the French, but, hey, it’s a country, with a capital, and a distinct heritage that should be universally acknowledged. That’s all I ask.
[If you’re an economist, or economically-minded, this will either help you with geography or completely confuse you! Either way, it’s interesting]
I mentioned this to a customer in my pub (there I go again saying ‘my’). He didn’t know the capital of the Republic of Ireland. Quite offensive, you must agree, if someone doesn’t know something very important about your country. The capital city, after the name of the country and where it is located, is pretty important. Turns out he didn’t know many European capitals - I was no longer offended.
The smaller the country, the more its people concern themselves with other countries and the rest of the world. The bigger the country, the less they have to. I think we are all familiar with the great Australian clip where the stunning worldly ignorance of many US citizens is proven – and then, to counter this attack, in hilariously ironic, yet stereotypical fashion, some US citizens travel to Britain to show the English (whoops, not the Australians!) how ignorant they can be.
The strength that is self-sufficiency has a weakness in self-dependency.
France isn’t regarded as world-renowned beer-producing country. So, let’s just say I’m glad the pub I work in helps the French learn more about Belgium!
|Tutorial: Organizar playlist en Sam Broadcaster con 4 canciones en Queue||Aquí les dejo un video Tutorial donde aprenderán a organizar un Playlist musical en Sam Broadcaster con 4 canciones. Esto evitará que tengas que vaciar por completo tu carpeta de música y llenar el área del playlist. Con este video no tendrás estas molestias. |
|China unveils first domestically-built bullet train|
The first high-speed train designed and manufactured entirely in China debuted on the Beijing-Shanghai line on Monday. It boasts a top speed of 400 kilometers per hour (kph).
The high-speed train is called ‘Fuxing’ which means 'rejuvenation.' There are currently two models, CR400AF and CR400BF, operated by China Railway Corporation.
A CR400AF model departed from Beijing South Railway Station at 11:05 am local time for Shanghai. At the same time, a CR400BF model left Shanghai Hongqiao Railway Station for Beijing.
The trains will run at a steady 350 kph meaning it takes three and a half hours to travel between Shanghai and Beijing. Currently, the travel time between the two cities by rail is around five hours.
The Beijing-Shanghai railway line is China's busiest, used by more than 50,000 passengers daily.
The Fuxing train has a sophisticated monitoring system which checks its performance in real time and automatically slows the train in case of emergencies or abnormal conditions.
The bullet trains provide free Wi-Fi and more legroom in all carriages.
According to Lu Dongfu, the general manager of the China Railway Corporation, the new train models were developed according to China's railway standards and technologies.
Beijing plans to export Fuxing trains to foreign countries, including Russia.
A senior researcher with the Chinese high-speed rail program, Jia Limin told China Daily the Fuxing Bullet Trains would operate on the Chinese network as well as on the Moscow-Kazan high-speed rail line in Russia.
|El Primer Tren Ligero Electrico de Supercondensadores del Mundo SIN RIELES- China|
380 pasajeros de capacidad
70KMH de Velocidad
How does China solve the country’s prevalent public transportation problems? By unveiling the world’s first autonomous train transit system that runs on a virtual track.
In this video we will know about China’s New Autonomous Train that Doesn’t Even Need Rails for its truck.
CHINA’S AUTONOMOUS TRAIN TRANSIT
The world’s first rail less train was revealed last week in Zhuzhou in central China’s Hunan province. China’s state-owned enterprise called CRRC began developing the Autonomous Rail Rapid Transit back in 2013, to provide a solution to the country’s transportation problems in congested urban areas.
The Autonomous Rail Rapid Transit in short ART is some kind of cross between a train and a bus or tram. The ART runs on roads like a bus, but only on designated paths like a tram. It's modular like a train, and carriages can be added or removed to accommodate different numbers of people. Each carriage can fit about 100 passengers.
ENVIRONMENT FRENDLY VEHICLE
It is considered to be a cheaper alternative to other commute networks as well as being sustainable and environmentally friendly. With a cross appearance between a bus and a train, the autonomous train is composed of three carriages and spans 30 meters long.
It’s part of the intelligent rail express system by CRRC, which operates on rubber tires as opposed to traditional rail tracks. Means, it runs on rubber tires and has sensors to read the dimensions of the road and plan its route.
A pair of dashed white painted lines acts as virtual tracks which the autonomous train follows. The idea is that the 'smart train' could travel without a driver or rails.
CAPACITY AND CAPABILITY
This ART system can be driven up to a maximum speed of 70 km/h and can carry up to 300 passengers in three carriages at a time. Providing a new and smart method for solving urban transport pressures, the autonomous vehicle is powered by electricity, which can journey to a distance 40 km when fully charged. It uses a lithium titanate battery and can embark on a substantial journey with only 10 minutes of charging.
Equipped with sensors, the autonomous train can process and analyze road dimensions then plan its own course. Very much like a bus-train hybrid vehicle running on a virtual track. CRRC can also add more carriages to the transit system in order to increase the passenger capacity. Moreover, the newly developed ART system can be integrated fairly easily into existing road infrastructures as it doesn’t require heavy construction works compared to rail track systems.
COST SAVING EFFORTS
In general, most medium-sized and smaller cities in China doesn’t have the budget to build expensive subway systems, or most of the time, they take too long to build.
According to Xinhua, it costs up to $102 dollar to build a kilometer of a subway track, as compared to about $2 million for a standard length ART bus.
So, this solution proves to be ideal because of its multiple advantages over conditional transit systems. It’s cheap, sustainable, and is able to transport a large volume of people in a fast and reliable manner.
The current ART system is still in its prototype stage and is driven manually by a human driver. However, the Zhuzhou city government in the Hunan province is expected to build a 6.5-kilometer ART line throughout its downtown. Operations of the autonomous train within the city will begin in 2018.
|New high-speed railway along ancient Silk Road to open||A high-speed railway linking Baoji and Lanzhou in northwest China is about to open in July. It's a key part of China's high-speed rail network and connects 2 other routes along the ancient Silk Road.|
|Africa - China (Belt and Road Initiative); East Africa Master Plan Connection "SGRLaunch"||In this instalment of our series on Kenya's new railway, we get to meet another Chinese witness to the SGR construction, Sun Liqiang. In less than three years, Sun and his team built the 480-kilometre railway project from scratch. Sun said the Chinese built Mombasa-Nairobi SGR will last for more than a century.|
|Ruta de la Seda; New passenger train leaves Xinjiang for Kazakhstan||A 198-seat passenger train left northwest China's Xinjiang to Astana, capital of Kazakhstan, on Thursday. It's the 2nd of its kind between the two countries.|
|Kenya's new railway attracts thousands as services take off||According to Kenya Railways, some 7,000 passengers have so far traveled on the newly launched Madaraka Express between Mombasa and Nairobi, the highest number ever recorded in one week.|
The first phase of the Standard Gauge Rail service, which was launched on May 31, is currently operating with scheduled passenger trains from Nairobi and Mombasa running on a daily basis.
Kenya Railways announced that plans are under way to introduce the intercounty trains that will make stops at seven railway stations.
|China launches another direct rail freight service to Europe - China's Jiangxi Province, Russia and Kyrgyzstan.|
|My Railway, My Story - Documentary about Mombasa-Nairobi Railway|
|Descubra cómo es viajar en la red ferroviaria de Rusia||Si usted piensa visitar Rusia por motivo de la Copa Confederaciones o el Mundial, desplazarse en tren entre las distintas ciudades del país puede ser una buena opción. Le invitamos a unirse a nuestro trayecto de Moscú a Kazán.|
|Africa - China (Belt and Road Initiative); #SGRLaunch: A new chapter of China-Africa cooperation (Madaraka Express)||Kenya's President Uhuru Kenyatta is on the maiden voyage of the Madaraka Express. China officially handed over the Standard Gauge Railway to Kenya at a special ceremony. High-level Kenyan and Chinese dignitaries have praised the project as a sign of deepening relations between the two countries. The SGR is the biggest infrastructure project in Kenya since independence. It runs over 4-hundred and 72-kilometres between the port of Mombasa and the capital, Nairobi. The railway will reduce the travel time from 10 hours to less than five. The name - Madaraka Express -translates as independence, freedom or liberty. Chinese and Kenyan leaders have lauded the project, which is one of the first outcomes of the ambitious Belt and Road Intitiative.|
One of the stops along the route is Mtito Andei. It's the nearest station to the Tsavo National Park. President Kenyatta is expected to stop here on the inaugural journey later on Wednesday. Kathryn Omwandho reports.
Kenya's standard gauge rail line is an ambitious project, that has taken five years to build. The SGR is Built and funded by China, and the rail line is part of China's bridge and road initiative CTGN's Robert Nagila went to the streets of Nairobi to find out what Kenyans think of this mega project
Kenya is about to witness its first modern railway. The Mombasa-Nairobi Standard Gauge Railway, or SGR, will massively boost the country's economic growth, and possibly the whole of East Africa. The railway, which is built according to Chinese standards, is another great example of China-Africa cooperation. Here is more on that story
The train is not just a milestone for Kenyan construction, but for gender equality too. Eight women were selected to go to China to learn how to drive the SGR. Four of them will be driving the inaugural train. CGTN's Maria Galang met one of these extraordinary ladies.
There's a lot of excitement in Nairobi since in a matter of hours, the new SGR train will be arriving in the Kenyan capital. CGTN's Kane Kiyo is at the Nairobi Terminal to share the excitement.
As the Kenyan President officially launches the first phase of the new Standard Gauge Railway, Kenyans say the new raiway will not only improve lives but make it easier to do business.
On the vast African savannah, a steel dragon crawls through the terrain. It is part of the East African Master Plan - the Mombasa-Nairobi Standard Gauge Railway. By introducing Chinese standards, technology, equipment and management to this fast-growing continent, Chinese builders are also bringing hope and love to the people. Today we will visit Maasai Primary School near the Nairobi South station, and listen to their story
Local manufacturers in Kenya have been major beneficiaries of the just launched Mombasa-Nairobi Standard Gauge Railway. Already, 40% sourcing of materials was dedicated to the local market, generating inflows of about 95 million dollars. Now that Kenya's first modern railway is complete, local players are still set to win big. Earlier on, I had a chat with the CEO of Kenya's manufacturers association, Phyllis Wakiaga, about the benefits of this project to the country's manufacturing sector
It is clear that East Africa is a natural extension of the Maritime Silk Road. During the Ming Dynasty, four of the famous admiral Zheng He's seven expeditions reached the east coast of Africa, where they promoted friendship between China and the continent. The Chinese-built Mombasa-Nairobi Standard Gauge Railway had to pass through Tsavo, an important wildlife reserve in Kenya. In this episode, we will see how the Kenyans and the Chinese worked together to guarantee that the project was completed successfully without affecting the local wildlife.
And ordinary kenyans who were lucky to experience the maiden trip have been speaking out as well
|Africa - China (Belt and Road Initiative); Comparing Kenya's old Railway to the new modern SGR||As Kenya moves into the era of modern transport with the new Mega Railway soon to be launched, we take a look back at the century old railway system and what the future holds with the new one.|
And now for the next installment of our special series ahead of the launch of Kenya's Standard Gauge Railway. Several Kenyan women train drivers have been sent to China to learn how to operate the SGR. They're back now, and four of them will be driving the train on launch-day. Take a look.
The Standard Gauge Railway links East Africa's biggest port -- Mombasa to Nairobi, the Kenyan capital. The official launch takes place on Wednesday the 31st of May. The 400 and 72-kilometre line will reduce travel time from 10-plus hours to less than five. The SGR is the biggest infrastructure project in Kenya since independence in 1963. It's also the first stage in a network that will eventually stretch across much of East Africa -- transforming transport, trade and economic development as part of China's Belt and Road Initiative.
The Standard Gauge Railway has been widely acclaimed as a signature feature for the East African country
The Managing Director of Kenya Railways, Atanas Maina, says the SGR will bring a range of benefits to the country.
After more than a century, Kenya is betting on a new Chinese-built route to cement its position as the gateway to East Africa. President Uhuru Kenyatta will see off the first cargo train later today, while the first passenger coach will undertake the 4-hundred and 72-kilometere journey on Wednesday. The multibillion-dollar railway links the Kenyan capital Nairobi with the port of Mombasa.
It will reduce the cost of transporting goods inland -- and cut travel time from 10-plus hours to less than five. The next leg of the SGR will connect Nairobi with the Rift Valley town of Naivasha. Authorities have hailed the economic benefits of the train.
China has officially handed over the Standard Gauge Railway to Kenya. President Uhuru Kenyatta has been joined at the Port of Mombasa by dozens of top officials from the Chinese companies that helped build and fund the railway project. The handover ceremony included traditional dancing and singing to mark this momentous occasion.
The railway will eventually link up to the entire East African region. It's been called a potential game changer for Kenya and the region. President Kenyatta is due to leave from the Mombasa station on Wednesday morning to take the inaugural train to Nairobi. Well, our team is in Mombasa and has been getting us more on the SGR, the projects that go with it, and the potential benefits. Here's Ramah Nyang with more.
|Palabra de Ingeniero - Proyecto del tren de alta velocidad del litoral Pacífico||el kilometro de tren bala en china esta 10 millones de dolares de 350kmh, osea peru tendria que meterle alrededor de 30 mil millones de dolares, con estaciones y todo lo demas para tener bala de tumbes a tacna.. pero mejor esperar al hyperloop, va aser aun mas barato y minimo a 1500 kmh, osea en media hora lima trujillo(carga y pasajeros)... mas rapido que los aviones.|
A lo largo de la ruta del hyperloop lo llenas de paneles solares que hacen mover el sistema.
|Trenes llevan productos de gama alta de China a Europa||Como parte de nuestra cobertura previa al Foro de La Franja y la Ruta que se celebrará en mayo en Beijing estamos ofreciendo una serie de reportajes sobre proyectos relacionados con esta iniciativa china. Hoy les hablaremos de las líneas férreas que están ayudando a conectar China con Europa.|
La primera entró en funcionamiento hace más de seis años. Con ella, productos de alta calidad viajan desde Chongqing, en el suroeste de China, a Duisburgo, en Alemania. Veamos cómo ordenadores portátiles que se ensamblan en Chongqing llegan a la mayor economía de Europa. Este es el mayor centro de ensamblaje de ordenadores de Asia, ubicando en Chongqing, en el suroeste de China.
Por su línea de producción pasan varios tipos de productos. Las empresas de Chongqing se benefician de una red integral de transportes. Pero para las compañías que mandan productos a destinos eruopeos, la línea intercontinental de ferrocarril es una opción de transporte relativamente rápida y barata.
|Ferrocarril Central empresam Turistico Tren nisqamanta willakmun...||Ferrocarril Central empresam Turistico Tren nisqamanta willakmun, kay hamuq 28 abril killapis Huancayoman riyta qallarinqa . Aswanta qawariykuy.|
|Parte un tren de Chengdu rumbo a Lodz en el sexto aniversario del servicio transcontinental||Los servicios ferroviarios transcontinentales entre China y Europa a lo largo de la nueva Ruta de la Seda se han ampliado rápidamente en los últimos años. Según datos del operador nacional de ferrocarriles de China, desde marzo de 2013 se han realizado 3.682 viajes entre ciudades chinas y europeas y el volumen de carga ha ido en aumento.|
|Trujillo a Lima en 30 minutos - Así es como viajaremos en el futuro: a supervelocidad y por un tubo|
Hyperloop, el futurista medio de transporte de Elon Musk, permitirá desplazarse a una velocidad supersónica en tubos sellados al vacío.
Este 6 de abril, Rob Lloyd, uno de los realizadores de Hyperloop One, el futurista proyecto del empresario sudafricano Elon Musk, ha presentado 11 rutas que conectarán varias regiones de EE.UU. mediante una gran tubería que permitirá viajar a la supersónica velocidad de 1.126 kilómetros por hora.
Los pasajeros estarán sentados en cápsulas que se desplazarán por un tubo sellado al vacío. Este transporte del futuro permitirá, por ejemplo, recorrer en 108 minutos los 1.800 kilómetros que separan las ciudades estadounidenses de Cheyenne y Houston frente a las 17 horas que se tarda actualmente en coche o las 4 horas 20 minutos que dura un vuelo en avión.
Con su proyecto Elon Musk pretende crear un 'metro supersónico global', aunque todavía no existen rutas comerciales de Hyperloop. Según Inverse, la empresa responsable de la construcción del tubo solo ha construido una pista de pruebas de unos 500 metros en el desierto de Nevada que todavía está siendo testada.
Estas son las rutas más espectaculares de las 11 presentadas este 6 de abril:
|First freight train sets off for China from UK|
A train loaded with British goods, has started a 12,000 km journey from England to China, opening a regular direct service between the countries.
It pulled away from Stanford-le-Hope in Essex on Monday to arrive in China in three weeks.
Whisky, soft drinks, vitamins, pharmaceuticals and baby products are among the items in 30 containers carried by train.
The locomotive will travel through the Channel Tunnel, and then seven countries - France, Belgium, Germany, Poland, Belarus, Russia, and Kazakhstan – before arriving on April 27.
The rail journey to China is cheaper than sending freight by air and faster than a voyage by ship, operators say.
"This new rail link with China is another boost for global Britain, following the ancient Silk Road trade route to carry British products around the world,” UK International Trade Minister Greg Hands said, adding that the rail link "shows the huge global demand for quality UK goods.”
The freight service makes London the 15th European city to have a direct rail link with China.
"This is the first export train and just the start of a regular direct service between the UK and China,” said Xubin Feng, chairman of Yiwu Timex Industrial Investment which is organizing the service.
"We have great faith in the UK as an export nation and rail provides an excellent alternative for moving large volumes of goods over long distances faster," he added.
Restoring the Silk Road route was "an important and exciting initiative,” according to Feng.
The UK’s first-ever freight train for China started its long haul on Monday along a modern-day “Silk Road” trade route, as the UK cements a new golden age of trade with China and prepares to leave the EU.
|Independence Day Special!|
Happy Independence Day to all :-)
|The pace is too fast...|
IIMB sports team is visiting Calcutta this weekend for Samhaar - the C-B sports meet. We made a build up video for the same!
(Youtube link: http://www.youtube.com/watch?v=Y9Sz8u4GcX0)
|Mexico y UNASUR - CON LOS OJOS EN CHINA-la construcción de infraestructura para el transporte||China ha revertido los reveses pasados a la construcción de infraestructuras para el transporte en América Latina. En la serie, "Con los Ojos en China", Octavio Fernández explica por qué el desarrollo de tecnología de punta, precios competitivos y buenas intenciones para colaborar con otros países no son suficientes en la iniciativa china de salir al exterior.|
|Dil Hai Hindustani|
Made a video for a course project. Check out!
Edit: The youtube link, just in case you want to embed - http://www.youtube.com/watch?v=MiAn6mszyr4. Feel free to do so :-)
|Tren de Cercanías beneficiaría a más de diez millones de personas||Gracias a apache23|
|VI Encuentro Internacional de Metros - Lima|
|Deja Vu||Proud to present - Deja Vu. A film by IITB alum, Anshul Singhal, dealing with the issue of suicides at the campuses. The film has been received very warmly, it seems.|
So impressed was Bollywood screenplay writer and actor Ranjit Kapoor (of Jaane Bhi Do Yaaron and Kabhi Haan, Kabhi Na fame) with the film that he said after the premiere, "With a little bit of trimming, the film can actually be sent to Cannes. I thought I would view Deja Vu a bit patronisingly, but this film has taught me a thing or two."While I'm not totally convinced that the suicides were totally due to the academic pressures, any step towards addressing them is appreciable. And what better way than a film by friendly neighbourhood directors & actors.
I tried searching for the movie on youtube and all, but obviously it isn't uploaded over there. They are planning to send it to various national and international film fests with the active support of IIT. Great!
In a way, they are living my dream. Me and couple of friends are also very enthu about film-making and likes. Our music video - Early Days @ Joka - was our first foray in this field. It was frantic! We didn't start with a proper script or anything; most of our ideas evolved while shooting and we learnt a lot about it, while filming. But it was fun too. We had a great time as a team! We did shoot lots of redundent footage, which now won't see the light, most likely.
Anyway, don't mind the ramblings. Looking forward, we are getting together again in June and planning to work on some short fillers, advertisments and kinds. One constraint we face is the camera. We shoot with Sreeni's panasonic and tho' we still have to try a lot with its controls, I doubt it has all that professional jazz to offer. Another constraint is the lack of actors; at the campus we can find people within certain age groups. If the story demands some child or old people, we don't have any way to get 'em. Anyway, these certainly won't dampen our spirits and we shall keep trying. You keep watching this space.
P.S. : Jagmohan Mundra (of recent Provoked fame) is the bigger name in film-making from IIT Bombay. I hope Anshul will go on to be the bigger name eventually!
|One year at Jokaland||The terms are done, exams taken & projects submitted. No matter how far it looked when I started, the end of the first year at IIM Calcutta came a little too soon. The year was more or less kind to me. Along with the usual stuff, I did many unusual things too. The campus band, JBS Baro-C, composed a song about the early days of students in IIMC ( http://music.cooltoad.com/music/song.php?id=296339 ). Song contains swearing/explicit lyrics! I made a video on the song along with some friends. Here it is -|
The response to the video has been very encouraging. In the first 4 days at youtube, it gathered around 1200 hits! This encouragement has motivated us to make more videos under the banner of "Between the Lines" production.
However, the movie-making would have to wait, for the summers are here and all of us are to leave and join our respective organizations for the summer internships. I'm leaving for London on 9th April and would be back on 2nd June, good one week before the next term start.
One regret after the first year - I virtually abandoned this blog and my photography. Since this was something I really enjoyed, I'll try my best to revive my interests and devote more time to them.
That we'll see, for the time being, please check out the video and some feedback, may be?
|Happy New Year!||Oooops! A bit late with the New Year's greetings. Been a bit hectic with moving our studio pixel by pixel. We also got transported to Atlantis for a bit by the amazing Pepe Deluxe and couldn't escape until we'd help finish this trailer...|
|Focus Pocus is GO!||Earlier this year Rumpus designed and animated all the characters and assets for a new super-de-duper game called Focus pocus that is powered by BRAINS! Here is a video featuring some of the beautiful people at Roll7 games explaining how it works.|
|A Paella dish grows in Harlem.|
This Saturday, Cynthia and I had dinner with our good friends and fellow foodies, Reva and Talo. Fellow Harlem residents, they are just a short walk from us so off we went to enjoy dinner on foot. On the menu was Paella! I was very excited to eat paella made by a true Spaniard and it was delish! Originally I was going to bring a bottle of Albariño but ended with this great Rosé from the Greek Island of Paros. It was a nice pairing. Talo's paella featured slightly spicy chorizo, mussels, shrimp, calamari, clams and the rice was perfectly cooked. That paella pan can produce some true magic. I think I had three servings?! The brownies with vanilla bean and ginger ice cream was divine for dessert. The conversation was wonderful. Their cool kitty, Sir Walter, was recovering from an illness but oh so sweet. Cynthia's amazing Spanish accent was on display and we are now hooked on Spanish insurance commercials featuring the phrase, "Me Siento Seguro" featuring Pepe Reina. Next time, I'll try to drink the wine your way! Thanks Reva and Talo for a terrific meal and evening. Our turn to cook. Some I Phone pics...
Had Grandmaster Wazz from the mystical land of Focus-Pocus pop in to visit the Rumpus studio this morning. He said the work we had done on his game was "Magic!" But he says that a lot.
|Cooking on Steinway Street - Spanakopita (Spinach Pie)|
Spanakopita is one of my all-time favorites. As a snack, part of a meal, on the run, it is savory delight that can be made in a variety of ways. I fondly remember spinach pies in Greece to the ones at Damascus Bread and Pastry next to Sahadi's on Atlantic Ave. growing up in Carroll Gardens. My aunt makes it from scratch, the pita is rolled out and then the spinach mixture is folded into the dough and comes out in a long "calzone like" shape. This was the second, and most labor intensive dish we took on that morning. We made them with and without dairy. "Don't be afraid of the flour" was my aunt's mantra while rolling out the dough. As you read the ingredients, understand this was for 5 spinach pie "loaves" and it could have been for another easy.
4 cups of all purpose flour
1 cup semolina flour
3 tablespoons of olive oil
1 tablespoon red wine vinegar
Water, use as needed
2-3 packages of spinach - quickly softened in some water and drained
2 bunches of chopped scallions
2 chopped leeks
8 stalks of chopped dill
8 stalks of chopped parsley
1 pound of crumbled feta cheese
3 eggs lightly beaten and added to bind the mixture
1 cup of olive oil
salt and pepper to taste
|Ponponpon is Godzilla|
Seb had lots of work to do this morning, so instead he made this. Encompassing his love of Japanese Girls and Joe's fondness for thrash metal.
|Cooking on Steinway Street - Gigantes|
Mid-Winter recess allows a vacationing principal some freedom, just as his faculty and students. Usually, I take to the air and fly away from NYC. This year, I decided to stay in my hometown and enjoy the city. I spent more time with my family as well and visited my aunt, uncle and cousin in Astoria. Over lunch on Monday, featuring spinach pie and stuffed cabbage leaves, we got to talking about food, this new blog and that I would appreciate learning her interpretations of some classic Greek dishes. I had the pleasure of enjoying Greek cuisine as a child, spending two years living in Athens and over several long summers (how I treasure and miss those days). She agreed and yesterday we had our first Greek culinary class in her small (but potent) kitchen. She asked me what I wanted to learn and I replied that Gigantes (Greek Baked Lima beans) were always a favorite and now that my girlfriend has embraced a vegan diet would make sense as one option. I added, Spanakopita (Spinach Pie - with and without dairy), Yiouvetsi (Beef Stew with Orzo) and Yemista (Stuffed Tomatoes and Peppers) to the request list for day one of "Cooking on Steinway Street". We're going to dedicate this post to the Gigantes dish. Let me start by staying that usually the dish is prepared in the oven but due to our schedule we used the pressure cooker to speed up the process. There are many good recipes for this dish online if you want to use the traditional method.
1 package dried large white beans - soaked overnight
2 tomatoes - diced
1 leek - sliced into small pieces
1 small onion - sliced
3 garlic cloves - sliced
5-6 stalks of parsley - chopped
1 tablespoon vegetable bouillon powder (use a substitute for salt)
1 cup olive oil
1-2 cups of water (use amount as needed)
Pepper to taste
Piece of Greek feta, for added flavor and some peasant bread to soak up the goodness
Over the last few months Joe and Seb have been busy creating assets for a new game by Roll7 what goes on the computer box and is powered by YOUR BRAIN! As a special treat for working so hard they were allowed to make a fun little trailer. Watch out, though, it's catchy!
|Nouveautés fut 17||
le nouvel opus du jeu vidéo FIFA d'EA sport va sortir fin Septembre. mais déjà des vidéos trainent sur les nouveautés du jeu et de la version fut 17 : c'est le cas des coups-francs qui seront plus faciles et plus techniques. En savoir plus sur http://www.stat-foot.fr/credits-fut-17-pas-cher-achat-vente.html
voici la vidéo des coups de pieds de FUT 17
次は、シャーメイン先生が『A. light』と『B. right』のように2つの単語の中から1つの単語を読み上げるので、それがAかBかを当てるという形式のテストです。
発音していて、どちらも同じじゃないかという気がすごいしてきますが、ぐっと堪えながら（堪えきれずに same とか言っていますが）最後まで読み上げていきます。
|USB Condenser Mic (Youtube, Recording, Podcasts) (Provo)||This mic works awesome and sounds great for the price point. I've used it to record a lot of audio in my videos and works like a charm. In like new condition. For more info check out the link on amazon. If interested text or call me. https:// [...]|
|Хвастушка: Летний топ-майка спицами укороченными рядами|
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Пчелки родные, сегодня 2 топа на разные вкусы Сиреневый - попроще и зеленый - посложнее. Все можно фантазировать и видоизменять.
Впервые попробовала что-то связать в технике укороченных рядов. Великолепная штука для творчества.
Пробуйте, творите и "вытворяйте"
|Todo Mundo é Crítico! Especial: João Amorim||Ensaio sobre a obra de João Amorim.|
Parte I de III
“Obrigado a matar”
Primeiramente queria agradecer pela oportunidade de analisar e decifrar obras tão complexas e delicadas como são as obras de João Amorim.
Como crítico de cinema e amante da sétima arte não pude, claro, deixar de sentir-me lisonjeado e envaidecido. Três grandes trabalhos desse grande autor serão discutidos em três seções. Primeiramente trataremos de sua obra mais conhecida e de maior aceitação pela crítica: Obrigado a Matar. Seguido pelo incompreendido e incompleto: Os Tropeiros. E por fim pela sua obra mais audaciosa e desafiadora: O Forasteiro. Parte I e parte II.
Espero que gostem das análises dessa obra, que podemos considerar como algo singular pela coerência e fidelidade de continuidade e que pela sua força de roteiro, sua montagem rápida vertiginosamente perspicaz e pela dinâmica de atuação poderíamos compará-la com as obras de Quentin Tarantino, Gaspar Noé e até mesmo Chan-wook Park. Mas o que seria completamente equivocado, pois como se nota, João Amorim é incontestávelmente incomparável.
Por que “Obrigado a matar”? – Essa história ilustra de forma rápida e eloqüente os perigos e os conflitos das querências do Brasil erroneamente tomadas por paraísos tranqüilos e pacíficos. Aprendemos que até mesmo o homem comum em seu habitat familiar é obrigado a tomar medidas violentas e não ortodoxas quando confrontado pela brutalidade animalesca que afeta até mesmo os lugares mais hospitaleiros, tornando-os inóspitos e selvagens. O homem comum não tendo outra escolha é obrigado a matar para defender-se das forças autoritárias dos males humanos. Não só a si, mas a toda sua família, e porque não dizer comunidade e país. Até mesmo o mais sensato enlouquece. Assim como citou a senhora Amorim aos prantos chorosos debruçada ao corpo inerte de seu marido. Uma verdadeira loucura.
Os vikings das querências – É de conhecimento geral a existência desse grupo bárbaro que invadem casas e vilas a fim de pilhar riquezas, matar senhores feudais e tomar suas mulheres para si como escravas (sendo para fins sexuais ou para fins de trabalhos domésticos). João Amorim nos apresenta de forma cuidadosa os elementos chaves desse grupo, suas intenções e métodos covardes. Arrombam a porta, matam o “homem comum” e tentam tomar a mulher para si e devido as afrontas da mesma matam-na a sangue frio. O detalhe de o tiro ter sido bem ao meio da testa não é descartável, sendo que nos informa a habilidade desses atiradores de elite que há anos empenham seus hábitos cruéis e desumanos. Uma sátira á raça humana, que desde que aprendeu a manejar armas de fogo, o fazem para motivos torpes e vis.
A semiótica de João Amorim – Tudo nesse filme tem um porquê. Ou em questões filosóficas ou em questões políticas. Primeiramente João Amorim, o personagem principal. Certamente um homem da alta estirpe em sua sociedade capitalista. Sendo que não estão trabalhando nem ele, nem sua esposa. Passam os dias sentados tomando chimarrão e divagando o quanto suas vidas são perfeitas e confortáveis. Se João Amorim e sua esposa estivessem carpindo um lote ou plantando algum grão dificilmente a tragédia aconteceria em meio à sala traumatizando uma criança e mutilando uma família inteira a troco de nada. Outro caso curioso de simbolismo é o fato da criança ter sido interpretada por duas meninas. O que João Amorim quis dizer. Aquela menina na verdade, não existe de fato, é só um fruto da vontade de João Amorim, o macho alfa, ter uma cria a quem possa defender. Isso nos é dito pela utilização de duas meninas, ou seja, não importa quem seja a criança, mas o fato dela se fazer presente em meio á confusa e trágica realidade que assola a maligna mente humana. Duas garotinhas distintas representam em Obrigado a matar todas as crianças indefesas do mundo que já passaram por esse tipo de violência.
A redenção de Santana – Santana é um daqueles personagens ímpares que carregam em si as qualidades mais puras e verdadeiras de um ser humano. Inquestionavelmente o herói dessa história. Muitos acreditam que Santana seja um policial infiltrado na gangue de mal feitores e que no momento certo acionou reforços para que, de uma vez por todas, acabassem as ondas de mortes pelas mãos cruéis de seu suposto líder. O gaucho. Isso explicaria o fato da policia chegar ao local do crime exatamente no momento em que ele foi executado. Mas eu, particularmente, acredito que não. Acredito que o caso é muito mais profundo e delicado. Conhecendo João Amorim como conheço, acredito no fato de Santana ter se redimido no decorrer da trama, passando de um dos vilões para um dos heróis. O primeiro sinal de mudança de comportamento acontece quando Santana é ordenado por seu chefe á matar a mulher indefesa bem á sua frente. Mas reparem que o executor da ordem não foi Santana e sim outro capanga qualquer que nem ao menos tem nome na história. Onde estaria então Santana na hora da morte? Relatos dizem que parte da fita em que isso é explicado se perdeu no grande incêndio dos estúdios de João Amorim, infelizmente uma perda irreparável. Mas acredito, pela lógica, que nessa hora, Santana escandalizado com tamanha violência e arrependido por seus crimes, chama a policia escondido. O que nos leva á questão da “eficiência policial”. O segundo forte sinal é que quando confrontado pela garotinha indefesa se ele a mataria Santana fraqueja e explica que não mata crianças. A criança como sabemos não era nada além de fruto da imaginação de João Amorim, e nesse caso também podemos associá-la á uma forma de “espírito da criança interior”. A qual Santana teve contato e desde que decidiu não “matá-la” sua vida nunca mais foi a mesma. O ultimo caso foi que, podemos ver quando a gangue sai “escafedida” do lugar do crime, Santana não foge. Ou seja, até que a policia chegasse, foi ele quem prestou socorro á João Amorim, mantendo-o vivo. E após isso, fugiu para viver sua vida como um justiceiro anônimo. Um anti-herói. Ou simplesmente: Santana.
João Amorim e sua dura crítica á eficiência policial – Esse tópico é bastante polêmico e deve ser tratado com cuidado, pois João Amorim aborda um tema crucial e de extrema importância. Serão os policiais adequadamente preparados e qualificados para lidarem com casos de homicídio? A participação cômica e até mesmo aparvalhada da patrulha a qual João Amorim usa como exemplo em Obrigado a matar nos diz que: Não. E isso pode ser destacado em vários exemplos. Primeiramente. Ao invés de perseguir os criminosos suspeitos que pularam a cerca á pé correndo a estrada acima os policiais que estavam em meios de transporte resolvem deixar todo mundo fugir para se espremerem todos em volta dos violentados. E isso sem prestar socorro ao homem que atingiram na cerca, deixando-o morrer ao relento sem o mínimo de atenção. Seria essa uma ilustração do descaso de certos agentes da lei com a vida humana? E seria também um exemplo de sede de reconhecimento e busca de status entre todos os agentes que se aglomeraram em volta de um homem claramente rico e de grande importância local? Outro exemplo é a hierarquia que esse tipo de órgão sofre. O simples policial ao implorar que alguém chame uma ambulância nem ao menos é levado em consideração. Chaves, o homem que tinha um celular, só obedece as ordens de seu comandante, não importando se isso traz riscos á vida de civis inocentes. Aprendemos que uma única cabeça controla todo o corpo armado, e se essa cabeça sofre delírios de grandeza e, por mais que seja uma cabeça lesada e confusa, será seguida cegamente por seus fieis “lacaios” se assim podemos dizer. João Amorim além de gênio nas artes cinematográficas ainda é um insatisfeito observador dos erros grosseiros daqueles que deveriam impedir que atrocidades como essa acontecessem.
Claro que poderia relatar outras dezenas de tópicos até esgotar todas as nuances e intenções desse grande mestre. Mas até então já conseguimos compreender um pouco mais de sua obra e de sua genialidade. Mago em destorcer a realidade sem medo de mesclá-la com ficção e brincalhão que corre livremente entre a fantasia e o drama. Agora tire você, caro leitor, suas próprias conclusões e suas próprias teorias a respeito dessa inesgotável fonte de conhecimento e sabedoria a qual chamamos por dois nomes. João Amorim.
E daqui a uma semana: “Os tropeiros” O fragmento que se salvou do grande incêndio nos Estúdios João Amorim embora tenha apenas 4.46 minutos de duração aborda temas delicados como: Homossexualismo, zoofilismo e transformismo.
|Usb Podcasting Microphone Samson Meteorite Usb Mic High|| makes it the ideal microphone for podcasting, creating audio for YouTube videos and recording music|
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|Летний берет Summer openwork beret|
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|Masmorra do Zumbi Intergaláctico|
O trailer épico da nova série mais doidinha da internet! É só o começo... A invasão está próxima!
|Masmorra do Zumbi Intergaláctico!||Tem rolado boatos ai pela internet de que a destruição do mundo vai aconteçer ainda antes de 2012... A data exata não puderam dizer mas a proximidade seria lá pela metade desse mês... =O|
A internet como conhecemos nunca mais será a mesma, as séries como conhecemos nunca mais serão as mesmas, E os zumbis que... Epa. Peraí... Afinal, cadê o zumbi!??!
Masmorra do Zumbi Intergaláctico
|O 1° Post da maravilhosa série: "Rick convida" Não poderia ter outro convidado...|
Primeiramente gostaria de agradecer a todo o pessoal do blog, pelo convite que recebi, mas vamos logo ao que interessa!
The Symphony of Life!
1º Movimento: The Keeper of Light:
No princípio tudo era Luz!
Uma luz fria, como o topo das mais altas montanhas, e este frio era o que conservava o coração do guardião relativamente gelado, mantendo-o paciente e estático em sua posição, ignorando os acontecimentos ao seu redor.
E esta luz era suficiente para manter a personalidade do guardião intacta, podendo ser preservada eternamente a salvo de qualquer alteração vinda do mundo exterior, continuando o mesmo sábio de sempre, o sedentário que usa camisetas gola pólo e é fã de certo encanador bigodudo.
Porém o guardião notou que a mesma luz que o protegia do mundo exterior, também acabava ofuscando sua visão para determinados assuntos; E foi ai que começaram os problemas...
2º Movimento: Chaotic Space
E o Caos se espalha!
...Após descobrir que a mesma luz que o protegia durante todo o tempo, também ofuscava sua visão, o guardião acabou entrando em uma crise existencial.
Então através de sua sabedoria, o guardião notou que duas forças interiores estavam entrando em conflito, pois uma pequena sombra começava a tomar forma em meio à luz, e esta sombra começou a aumentar de tamanho e disputar por espaço, causando um Caos que não poderia ser controlado tão facilmente, obrigando aquele que antes era tido como Iluminado, a fazer duras escolhas, pois este já não sabia distinguir Luz de Trevas, Passado de Futuro, Quem era e o que Queria...
3º Movimento: Darkness
As Trevas aumentam de tamanho!
...Então, após o Caos ter sido instalado devido ao surgimento das Trevas no guardião, um mundo novo de escolhas e possibilidades aparenta ter surgido diante de seus olhos, porém, estas escolhas levariam a um aumento do seu lado sombrio.
Sendo este um mundo mais escuro que o normal, é muito fácil se perder nele, necessitando de mais força física do que intelectual. E devido a ser um território fora de sua área de conforto, mais precisamente em sua área de conflito, alguns pensamentos sombrios começam a surgir em sua mente, sendo necessário certo cuidado para não expor demais tais pensamentos. Porém, devido sua sabedoria ainda estar preservada, o guardião nota que deve dissipar todo esse lado negro antes que seja corrompido por ele, então começa a fazer coisas que ninguém imaginaria que ele fosse capaz de fazer, porém acaba sendo criticado por seus mais próximos.
Sendo este, um prólogo para o 4º Movimento, onde tudo deverá ser decidido, se as Trevas tomarão conta do guardião, ou a Luz voltará a iluminar (Só o tempo poderá dizer!)...
4º Movimento: Equilibrium in Time
Sir. Eduardo Hösel Miranda
|Dos quatro cabeludos de Liverpool:|
"Would you believe in a love at first sight?
Yes I'm certain that it happens all the time."
|Acordei meio poeta hoje, mas acho que foi o frio.|| Sei lá, me deu vontade de postar algo legal nessa noite fria de junho... Hoje eu me sinto inspirado... O que é raro, pois normalmente eu me sinto expirado... Acho que foi a overdose de fofurices ao descobrir (tardiamente) esses dois no youtube. Ou sei lá, hoje eu achei um gibi americano da Liga da Justiça Europa que eu tanto queria achar na vida (É a saga daquelas estrelas aliênigenas que grudam no rosto das pessoas as transformando em seus escravos... - Clááááááássiiiico!! - ). Hoje ouvi muito e tentei tocar de ouvido "Simple twist of fate" na Marianne (Minha gaita). E não saiu lá essas coisas =D. Mas continuo tentando U.U|
E é ela que eu quero postar aqui hoje. Não. Não a Marianne. A música. Vou postar a letra original (sem traduções) Pros canadenses poderem ler de boa... Há sim. Hoje eu descobri russos no Rick! Uma pessoa da Russia nos visitou... Fico feliz em poder estar (talvez) criando algo diplomático que vai unir todas as nações um dia em paz e amor. Hahahaha. Bom. Agora dou a palavra ao tio Bob. Fiquem todos na paz e que Deus esteja com todos nessas noites frias de junho. Shalom!
They sat together in the park
As the evening sky grew dark.
She looked at him and he felt a spark
Tingle to his bones.
It was then he felt alone
And wished that he'd gone straight
And watched out for a simple twist of fate.
They walked alone by the old canal.
A little confused, I remember well,
And stopped into a strange hotel with a neon burning bright.
He felt the heat of the night hit him like a freight train
Moving with a simple twist of fate.
A saxophone someplace far off played
As she was walking on by the arcade
As the light bust through a beat up shade
Where he was waking up.
She dropped a coin into the cup of a blind man at the gate
And forgot about a simple twist of fate.
He woke up; the room was bare.
He didn't see her anywhere.
He told himself he didn't care ;pushed the window open wide;
Felt an emptiness inside to which he just could not relate
Brought on by a simple twist of fate.
He hears the ticking of the clocksPeople tell me it's a sin
And walks along with a parrot that talks.
Hunts her down by the waterfront docks
Where the sailers all come in.
Maybe she'll pick him out again. How long must he wait
One more time for a simple twist of fate.
To know and feel too much within.
I still believe she was my twin, but I lost the ring.
She was born in spring, but I was born too late.
Blame it on a simple twist of fate.
|NEXTANY 3.5MM Professional Podcast Studio Mic Microphone w/||NEXTANY® 3.5MM Professional Podcast Studio Mic Microphone w/ Stand Skype Webcast Youtube Video|
gde se suncate?
|Dave & Mahoney Episode 101|
We gave Group Therapy to a gentleman by the name of Jeremy who is thinking of blackmailing his female boss with the compromising photos and videos he has of her because he thinks he could get fired and the listeners weigh in; did Mahoney make a bet to get waxed on air if he lost the ping pong challenge at OBC?; a YouTube video claiming aliens exist kept making the news, so NASA debunked that; and .....
It's Dave's birthday!
|Бухта Котора. Фьорд Адриатики youtube.com Хотя мне больше нравится Будва.|
Бухта Котора. Фьорд Адриатики youtube.com Хотя мне больше нравится Будва.
A look at North America's Most Westerly Highway Point, Anchor Point, Alaska. This video presents the history and attraction of Anchor Point and the Anchor Ri...
Video highlighting all there is to do in Homer, Alaska www.homeralaska.org Video by Brian G. Smith Music by JoAnn & Monte.
Take a trip to the Homer Spit in this slideshow. The Spit is a great place for kiteboarding, fishing, jogging, beach combing, and camping.
To find out more about our guided fishing tours for Halibut, Salmon, Rock Fish & more, located on the Homer Spit in Homer Alaska, visit our pages at: Double ...
Hiked down to the bluff from Alaska Adventure Cabins to enjoy the beach and the views. The tide was high so not a lot of opportunity to discover cool rocks o...
|Gustav Schäfer Instagram Story ɪɪ [28.06.2017] - 🌳🌳🌳🌳|
Hiking on the Matanuska Glacier with MICA Guides.
|This is the Water: Twin Peaks, Roswell and the Siren's Song (UPDATE)|
Please tell me you're watching the new season of Twin Peaks.
Like nearly everyone else my jaw is still on the floor after last night's episode. All the more so since it seems to very closely align with a topic I explored in great detail last year and that's the explosion of the atom bomb seeming to open some kind of doorway that allowed something dangerous to enter into our reality.
And whatever it is that crossed over seems to possess us and use us to its own ends, as we seem to be seeing in recent posts.
Lynch paints this picture in a way that simultaneously feels like a fever dream, Stanley Kubrick's lost masterpiece and some kind of bizarre MK Ultra conditioning session. As we'll see, this episode drew heavily on the work of Leslie Stevens and Joseph Stefano's Outer Limits, so much so that it played like a tribute.
It's going to take time to sort through but this series seems like a oracle. It feels less like television and more like revelation. Lynch is tapped into something very deep, very dark and very important.
And it's only because of the conjunction of Chris Cornell's death and the return of Twin Peaks that I got thrown back down the Siren's well. I really thought I was done and good with the story but it so happened that the story wasn't done with me.
It wasn't until I started putting some of the pieces together that I began to see how Twin Peaks, Chris Cornell and the Siren's song have been locked in a spiderweb of synchronicity since the very beginning.
Pay attention here- someone may be trying to tell us a story in the same nonlinear manner David Lynch is telling the new Twin Peaks.
Chris Cornell 's only acting credit is the Cameron Crowe film Singles. He appears onscreen with Bridget Fonda.
Bridget Fonda also appears onscreen with Bill Pullman in Singles.
Bill Pullman appears in the David Lynch film, Lost Highway, which features Elizabeth Fraser's version of 'Song to the Siren'
UPDATE: Still don't believe in the dark power of the Siren's Song?
In Lost Highway, Bill Pullman plays a musician falsely accused of murdering his wife, played by Patricia Arquette (who was cast as Jeff Buckley's mother in an unproduced biopic). Though never really explained it's implied that the Mystery Man, played by Robert Blake, is responsible for the murder.
In May 2002- same month the Jeff Buckley biography Everyone Here Wants You aired on British television- Robert Blake was accused of murdering his wife, Bonnie Lee Bakely, in back of a restaurant in Los Angeles.
Just months after David Lynch's Mulholland Dr - a film about an actress (Naomi Watts†) who has her lover killed - had depicted a memorable scene about a looming horror in back of a Los Angeles restaurant.
Mulholland Dr was originally produced as a TV movie after Lynch made Lost Highway.
Blake was acquitted on account of there was no evidence to tie him to the crime, and the only testimony came from two stuntmen associated with Bakely's former lover, the convicted murderer Christian Brando.
Brando shot and killed his sister's lover at Marlon Brando's residence on- wait for it- Mulholland Dr.
The name Bakley belongs to the early history of Britain, its origins lie with the Anglo-Saxons. It is a product of their having lived in any of the places named Buckley, or Buckleigh, in England.Bakely's daughters later successfully sued Blake for wrongful death.
Lost Highway was Jack Nance's last role. He died under mysterious circumstances before the film was released. David Lynch produced a documentary in his honor, released 2002.
A special thanks to longtime Shemsu Sunner Devin. I knew there was something I was overlooking.
Patricia Arquette is featured in the Lost Highway's 'Song to the Siren' scene.
Arquette also stars in True Romance, which she plays the lover of a young man who is channeling Elvis Presley, who died in Memphis and whose statue overlooks the site of Jeff Buckley's death. Arquette was cast to play Jeff Buckley's mother in the unproduced docudrama Mystery White Boy.
True Romance also features Brad Pitt and this memorable use of Chris Cornell's MDD anthem, 'Outshined'.
Brad Pitt appears in Jeff Buckley documentary Everybody Here Wants You, which also features Elizabeth Fraser.
Chris Cornell's tribute to Jeff Buckley, 'Wave Goodbye,' is played on the TV series Roswell, set (of course) in New Mexico
Roswell star William Sadler played Death in Bill and Ted's Bogus Journey, starring Keanu (or Ki-Anu) Reeves
Keanu Reeves played Buddha in Little Buddha, with Bridget Fonda and Chris Isaak
Chris Isaak starred in Twin Peaks: Fire Walk with Me, the franchise's last chapter until 2017.
Ben Rosenfield appears in its next chapter.
Rosenfield's first feature film role is portraying Tim Buckley in the Jeff Buckley biopic, Greetings From Tim Buckley.
Roswell's William Sadler portrays Lee Underwood (the guitarist on the Starsailor version of 'Song to the Siren') in Greetings from Tim Buckley.
Tim Buckley's first public recording of 'Song to the Siren' first heard on the "Frodis Caper" episode of The Monkees, whose plot revolved around the capture of a flying saucer.
The 1994 TV movie Roswell revolved around the capture of a flying saucer in New Mexico.
It aired the very same day Soundgarden played the Fox Theater in Atlanta. Cornell died after Soundgarden played the Fox Theater in Detroit.
Soundgarden performs live in Singles, playing 'Birth Ritual'. Singles co-star Bill Pullman later stars in Independence Day which centers on a UFO captured at Roswell.
Roswell starred Kyle MacLachlan, who portrays Dale Cooper on Twin Peaks.
Cooper emerges from the Black Lodge into a storeroom where characters played by Rosenfeld and Madeline Zima were last seen.
Madeline Zima starred on Californication (itself loaded with Siren symbolism) alongside David Duchovny.
David Duchovny played a cross-dressing FBI agent on Twin Peaks. He'd later play another FBI agent on The X-Files.
Duchovny would later be replaced on The X-Files by Robert Patrick, brother of original Nine Inch Nails guitarist Richard Patrick (whose band Filter recorded the rock theme for the first X-Files movie).
Robert Patrick first appears on X-Files same episode 'Scully's Theme' first heard, which was based on Elizabeth Fraser's 'Song of the Siren'.
Don Davis, who portrayed Major Garland Briggs on Twin Peaks, appeared as Scully's father on The X-Files. Davis's first appearance on The X-Files was in 'Beyond the Sea', which also guest-starred Brad Dourif.
Brad Dourif appeared in Blue Velvet, the film where Lynch tried and failed to secure rights to Elizabeth Fraser's version of 'Song to the Siren'. That film starred Laura Dern, who also appears on the new Twin Peaks.
Laura Dern first appears in Episode 6, which also features this very Blue Velvet-like performance by Balthazar Getty, Patricia Arquette's lover during Lost Highway's playing of 'Song to the Siren'.
'Song to the Siren' was produced by John Fryer, who also produced the prophetic 'In the Gold Dust Rush.'
Fryer also produced the first Nine Inch Nails album.
Nine Inch Nails toured with David Bowie in 1995.
David Bowie appears in Twin Peaks: Fire Walk with Me.
Nine Inch Nails appear on Twin Peaks episode that centers around a locust chimera that possesses a girl through the mouth.
The Nine Inch Nails' album The Downward Spiral was released the same day as Soundgarden's Superunknown.
Trent Reznor appears in 2014 documentary Beautiful Noise, about Cocteau Twins and the movement they inspired.
Nine Inch Nails and Soundgarden toured together in 2014. They opened in Las Vegas.
Downward Spiral, which was recorded at Manson-massacre house 10050 Cielo Drive, features a sample from the original Texas Chainsaw Massacre on the song 'Reptile'.*
Texas Chainsaw Massacre's 2003 remake features cover of Fraser's cover of "Song to the Siren."
David Bowie and Trent Reznor sang "Reptile" as a duet on their 1995 tour.
Three days before Downward Spiral released Jeff Buckley and Elizabeth Fraser began their love affair in Atlanta, sparked by Fraser's version of 'Song to the Siren'.
Fraser is from the Falkirk council area of Scotland, which boasts two enormous statues of the Kelpie, the Scottish water-demon version of the Siren, that shapeshifts from horse to human.
Falkirk is a half-hour's drive from Rosewell, the town that borders the Rosslyn Chapel.
There's locusts in her honey mouth
In the final scene of Episode 8, the possessed young girl is mesmerized by the incantation of a demon who chants an incantation that wouldn't sound out of place on Garlands:
"This is the water and this is the well. Drink full and descend. The horse is the white of the eyes, and dark within."
Like the Sirens and the mermaids, the entity is a chimera of a frog and a locust, both plagues that Moses brought down on Egypt in Exodus.
Elizabeth Fraser's only solo releases are the singles 'Underwater' and 'Moses'.
The girl in Twin Peaks is played by Tikaeni Faircrest. Tikeani is an Inuit word meaning "Wolf."
After the girl is possessed you hear horses in the desert. Or perhaps it's the Kelpie.
• Blue Velvet released. Includes 'Mysteries of Love', song written when Lynch was unable to license 'Song of the Siren'. September 1986
• Ccoteau Twins release Love's Easy Tears EP September 1986.
• Elizabeth Fraser's first child born September 1989• Soundgarden release first major label album Louder than Love, September 5, 1989
• Julee Cruise releases her first album Floating into the Night, featuring debut of Twin Peaks theme 'Falling'. Also features 'Mysteries of Love'. Released September 12, 1989
• Nine Inch Nails releases first single, 'Down in It', September 15, 1989
• Jeff Buckley moves to New York February 1990
• Andrew Wood dies of overdose March 1990
• Twin Peaks premieres April 1990
• Lynch's Wild at Heart is shown at Cannes. Laura Dern stars. May 1990
• Elizabeth Fraser and Jeff Buckley first meet in New York's Roseland Ballroom, April 1991
• Jeff Buckley makes his public debut at a tribute to late father Tim Buckley in April 1991
• Chris Cornell releases Temple of the Dog, tribute to late friend Andrew Wood, in April 1991
• Twin Peaks put on hiatus April 1991 (canceled June)
• Elizabeth Fraser and Jeff Buckley begin relationship March 5, 1994 in Atlanta.
• Superunknown by Soundgarden and The Downward Spiral by Nine Inch Nails released March 8, 1994
• Kurt Cobain is murdered April 5, 1994. Body is discovered morning of April 8, 1994. Cocteau Twins tape appearance on Tonight Show that same afternoon.
• Soundgarden play in Paris that night, where Cocteau Twins' death-omen "Road, River and Rail" is set.
• Holy Matrimony opens same day, starring Lost Highway's Patricia Arquette and Joseph Gordon-Levitt. Levitt would later star in UFO-themed Mysterious Skin which features Cocteau Twins' 'Crushed' and score by Cocteau Twin (and Fraser's ex-husband) Robin Guthrie
• Trent Reznor clashes in media with Courtney Love over liaison, Spring 1995
• X-Files airs Roswell-themed 'Anasazi', set in New Mexico, featuring actor Bernie Coulson, who former roommate Brad Pitt based his character in True Romance on, Spring 1995
• Courtney Love and Jeff Buckley date, Spring- Summer 1995
• David Bowie and Nine Inch Nails tour begins featuring duet on 'Reptile'
early September 1995
• Cocteau Twins release Elizabeth Fraser's love letters to Jeff Buckley, Twinlights and Rilkean Dreams, September 1995
• Lost Highway, featuring 'Song of Siren' released February 1997
• The X-Files airs UFO-capture two-parter in March 1997, guest-starring Tom O'Brien, who later stars on The Dead Zone, whose theme song is Jeff Buckley's 'New Years Prayer', from album co-produced by Chris Cornell.
• Chris Cornell quits Soundgarden in April 1997
• Elizabeth Fraser records 'Teardrop', a love letter to Jeff Buckley, same day he drowns in May 1997
• Air Force Roswell Report released June 1997
• Twin Peaks revival announced 2014
• Soundgarden and Nine Inch Nails tour together 2014
• Cocteau Twins documentary Beautiful Noise released 2014.
• X-Files Season 11 schedule announced May 15, 2017• Chris Cornell dies near site of Siren-like legend May 18, 2017
• Twin Peaks, the Return Premieres May 21, 2017, featuring Cocteau Twins wannabe's Chromatics
• 70th anniversary of Kenneth Arnold UFO sighting, June 24, 2017
• Nine Inch Nails appear on interdimensional-themed episode of Twin Peaks, June 25, 2017
• Elizabeth Fraser to make first public appearance in 5 years, July 23, 2017, the day of the rising of Sirius, to talk about Blue Bell Knoll, whose title comes from fairy lore.
* The published lyrics for the song NIN played on Twin Peaks reuses a lyric from 'Reptile': "she leaves a trail of honey to show me where she's been." That line is not on the final recording.
Spirit possession, honey, mouth, locusts. Oh, plus gold that isn't really gold. Why does that all sound so familiar?
† Naomi Watts is married to my wife's second cousin, Liev Schreiber. Bonnie Lee Bakely is from my old stomping grounds Morristown, which is also Richard Hoagland's birthplace.
|Interlude: The Spirits Don't Speak Proper English|
"The lord whose oracle is at Delphi neither speaks nor conceals,
but gives signs."- Heraclitus, on Apollo
From the very beginning I saw this story as one somehow centered on some kind of possession or channeling. And now that seems to be the only explanation for this endless parade of omen and ancient symbolism of the love goddess and her shepherd-boy consort.
And it only gets stranger and more impossible.
In truth, I suspected Elizabeth Fraser was channeling something entirely different as soon as I heard "Sugar Hiccup" back in 1983. I grew up around professional musicians- my mother was a trained soprano- and I heard a hell of a lot of music. But somehow I knew something seemed to have come here from somewhere else.
It wasn't just me- you hear the phrase "otherworldly" used quite a lot to describe her singing.
Even then it felt like something was revealing itself, something very big and strange, through this shy, vulnerable, troubled girl (she was only 19 when she sang "Hiccup") with the mile-wide howl and her art-damaged bandmates.
I just had no idea how big and strange it truly was.
UNDER APHRODITE'S SPELL
Nope, doesn't look possessed at all. No, sir.
Now, Elizabeth Fraser loved Jeff Buckley. I mean she really loved him.
I mean she really, really, really loved him.
This isn't conjecture on my part. She talked about it in interviews, saying her love for him was an "addiction" and that she was "maniacal." She sang that she was a "junkie" for him. Twice.
Five years after his death she appeared in the "widow role" on a BBC documentary on Buckley and it was painfully clear that that love still burned inside her.
This is the kind of love that poets used to write epics about. The kind of love that Innana had for Dumuzi, that Selene had for Endymion, that Isis had for Osiris. The kind of love city-states used to go to war over.
She sang about this love. A lot. She wrote an entire EP about it, made a heart-wrenching (and startlingly-prophetic) longform music video about it, dedicated an entire album to it, and eventually wrote the best-known song of her career about it, a song which tens of millions of people have heard.
And again, she recorded that song the day Buckley died.
So bear all this in mind as we take a deeper look into the prophetic foreshadowing in the Cocteau Twins' music and this increasingly impossible avalanche of omen and symbol, all leading to what very much looks like a real-time god-LARP of the one of the oldest stories known to history- one that's been retold many different times in many different places- the love of the Love Goddess for a doomed shepherd-boy.
It's a story upon which the world's first great empire rose and fell.
ENTER APOLLO, THE POSSESSOR
Mapquest calls it "Wolf River Lagoon"
Directly overlooking the spot on the Wolf River Lagoon/Harbor where Jeff Buckley drowned is the Tennessee Welcome Center, which houses a statue of Elvis Presley that is curiously posed in a strange recreation of the same contrapposto stance that Apollo was customarily depicted striking in the Classical world, with a guitar in place of a lyre (same difference, really).
Elvis died in Memphis 20 years before Buckley did so (1977). He is also closely connected to the Carnival Memphis.
"Kiss Out"- to deprive someone of their share
And of course Apollo is both the god of song and music and the god of prophecy.
He was also known as Apollo Lyceus, or "Apollo the Wolf God." One of the grand old theaters in Memphis was named in honor of Apollo Lyceus, The Lyceum.
Apollo's powers of prophecy came from a very interesting source, one that will play an important role in the story about to unfold here.
The Homeric Hymn to Apollo acknowledges that Apollo's gift of prophecy first came to him from three bee maidens, usually but doubtfully identified with the Thriae, a trinity of pre-Hellenic Aegean bee goddesses.
Apollo imparted his prophecies to the rest of us through channeling and his oracles were variously known as the Sibyls or the Pythia ("Pythoness"). The latter of whom, before some asshole had to get all rapey, were originally teenaged girls (like Fraser was when she first recorded Garlands):
The Pythia (or Oracle of Delphi) was the priestess who held court at Pytho, the sanctuary of the Delphinians, a sanctuary dedicated to the Greek god Apollo. Pythia were highly-regarded, for it was believed that she channeled prophecies from Apollo himself, while steeped in a dreamlike trance.
A Roman historian described how this channeling came about:
At last Apollo mastered the breast of the Delphian priestess ; as fully as ever in the past, he forced his way into her body, driving out her former thoughts, and bidding her human nature to come forth and leave her heart at his disposal.
(F)irst the wild frenzy overflowed through her foaming lips ; she groaned and uttered loud inarticulate cries with panting breath ; next, a dismal wailing filled the vast cave ; and at last, when she was mastered, came the sound of articulate speech... ” - Lukan- The Civil Wars
"Elizabeth, we'd like to speak with Apollo now..."
Now, again- see if all of that there- "loud, inarticulate cries with panting breath" and all the rest of it- doesn't sound a bit like this.
VIVA HEAVEN OR LAS VEGAS
Perhaps more than anyone else, Elvis is nearly synonymous with Las Vegas. He first played there in 1956 (a month before appearing at the Carnival Memphis) and later began a long residency in the Dog Days of 1969 at the Las Vegas International which would eventually see him give over 700 performances there.
There was even an Elvis Presley Museum in Vegas. There are still Elvis Wedding Chapels there.
And just as there is one overlooking the exact spot where Jeff Buckley ascended to Heaven, there is also an Elvis statue in Las Vegas.
So if in fact Fraser was first introduced to Buckley backstage in 1991 (and not 1994, when they began seeing each other), it would mean they met during the Heaven or Las Vegas tour.
It would mean Buckley saw the tour where "Wolf in the Breast," "Road, River and Rail" and "Mizake the Mizan" were first played onstage. "Mizake's" lyrics again.
Saw a mermaid in the
So until the hour
My coeur cheri paiyaa
Hoist and throw me down in the water
So just as this love story was beginning we saw a shockingly-specific new set of omens of how it would in fact end.
I mean, have you read any of the Pythias' prophecies? Bloody amateurs in comparison.
"THE BREATH OF GOD IN MY MOUTH"
Elizabeth Fraser, Heaven or Las Vegas video
It was quite noticeable that he was borne along by a divine inspiration when he spoke, when from this so wise a mouth flowed in waves the words, which flew like flakes of snow. Then it seemed that his eyes filled with a shining splendor, and all over his face spread rays of a divine illumination. - Marsinus on Proclus, author of On the Signs of Divine Possession
And then there is the question of glossolalia, for which Fraser was world-famous:
Fraser's distinctive singing has earned her much critical praise; she was once described as "the voice of God." Her lyrics range from straightforward English to semi-comprehensible sentences (glossolalia) and abstract mouth music. For some recordings, Fraser has said that she used foreign words without knowing what they meant – the words acquired meaning for her only as she sang them.So by assembling lyrics out of words in foreign languages she didn't understand, Fraser was literally "speaking in tongues." And it's in this and her use of glossolalia that Fraser was once again acting in the exact same manner as the ancient oracles:
Neoplatonist philosopher Iamblichus linked glossolalia to prophecy, writing that prophecy was divine spirit possession that "emits words which are not understood by those that utter them; for they pronounce them, as it is said, with an insane mouth and are wholly subservient, and entirely yield themselves to the energy of the predominating God."
And again, Fraser herself told the New Musical Express in 1984 that she felt as if she were channeling some other entity and that her songs seemed to write themselves. Mind you, this is not a woman who was given to hyperbole or self-aggrandizement.
The Sibyl with raving mouth utters solemn, unadorned, unlovely words, but she reaches out over a thousand years with her voice by force of the god within her. - Heraclitus
The breath of God in my mouth
A love you can taste, God, get some paste
He and I, breath to breath -"Seekers who are Lovers"
This is really a work-in-progress here so forgive me as I go over a lot of the material.
But please be aware we're getting grade-A hits here. This isn't some kind of "well, if A=B, then 5=ham sandwich" kind of leaping and stretching. There's no tortured Gematria wrangling or King Kill horseshoe tossing.
It's all so right on the nose- past the point of overkill- that it's actually terrifying to me.
UPDATE: Like this- the flower on the cover of Lullabies is the Calla Lily, a poisonous flower also called "The Green Goddess." (H/T Persephone J)
Calla lilies have become a common favorite in wedding ceremonies, but in contrast, lilies are also associated with death. They were often used on the graves of youths who suffered an untimely death.
When Venus, goddess of love, beauty, and desire, saw the lilies she was jealous of their beauty. She cursed their beauty by placing a large yellow pistil in the middle of the flowers. Because of this story, some associate the calla lily with Venus and thus with lust and sexuality.
Lullabies is the EP the Cocteau Twins put out in 1982 after Garlands (again, Jeff Buckley died on Garlands Day, when sacrifices used to made to ocean gods). We looked at it before but we really need to look at it again.
So let's decode these songs in reverse order:
Now again, in Christianity, Charisma manifests itself in glossolalia and prophetic gifts.
And guess what? That's exactly what Apollo imparted onto his oracles. Exactly like someone or something seems to imparted onto the young Elizabeth Fraser.
And as some have noted- including Federico Garcia Lorca- lullabies have often been associated with death.
Now we get to the truly frightening part of the program.
"The Pythia resembles a shamaness at least to the extent that she communicates with her [deity] while in a state of trance, and conveys as much to those present by uttering unintelligible words." Martin Litchfield West, The Orphic Poems
And that's the incredibly-witchy 'Alas Dies Laughing'. What I wrote previously:
After two attempts at conventional choruses, the song breaks down into a bridge that has (a pre-transformation) Fraser moaning like the Pythia as the fumes rise. After the breakdown, she dispenses with the niceties and lapses into a repetitive chant about exactly how Alas died laughing:
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
(Note: I've listened to this song many times now and am convinced she's singing "Wake takes a lonely one" only she's Liz'ing the hell out of the syllables. It makes more sense with the rest of the lyrics- bone, stone, on)
I really should have taken a closer look at the verses though, because they are absolutely mind-boggling. I had to listen to this song about a hundred times to get the lyrics right but it was worth it.
And note that like the Pythia, Fraser sounds like she's a trancelike state for the entire EP, even though she belted these songs out live like a trouper. It's actually unnerving. Especially on these lyrics:
Flaxen, the dress is bone
Crush a crushing stone
Click here if you're at all lost.
The first thing I'd like to do here is reframe this narrative. The prism we should see this through is that of the story of the theme song to what was at one time the most watched television show in the world, namely House MD.
And subsequently we're also looking at the backstory of a music video that's gotten over 48 million views on YouTube. Those are Beyonce numbers.
So rather than try to figure out why this incredibly strange and impossible chain of events has focused on a couple singers most people have never heard of, let's approach it all under that context.
This is a story tens of millions of people have been exposed to without realizing what it is they're hearing.
I'd also like to let it be known that this isn't a story that ended twenty years ago. As we've seen Chris Cornell- whose death continues to make headlines- somehow found himself wound up in all this, both through his close relationship with Jeff Buckley but also through his unlikely connection to the mythos we're unfolding here.
And into the midst of it all comes the announcement that Elizabeth Fraser is appearing at Royal Albert Hall in July:
John Grant will chat to Cocteau Twins vocalist Elizabeth Fraser about her iconic indie group’s 1988 album, Blue Bell Knoll, with all proceeds from the show going to gay rights charity Stonewall.
The event on Sunday 23 July is a rare chance to see Fraser talk about her distinctive, indelible music, which influenced an entire generation of performers, including Grant, with his exquisite electro-balladeering.
I really don't know where to start. I couldn't possibly make up an event more symbolically loaded. Is someone actually fucking with me here?
Where to begin? Let's try this, from the must-read VISUP site.
(Robert Anton) Wilson is primarily responsible for bringing the 23 enigma to public attention. Wilson in turn partly became obsessed with the number 23 after supposedly receiving telepathic messages from an alien race based upon Sirius after performing a Crowley-inspired ritual on July 22, 1973. The next morning he found a peculiar message in his 'magickal diary' stating "Sirius is very important." This led Wilson to doing some research.
"The Skeptic went to town and browsed in the public library. Imagine my state of mind when I discovered that this very day, July 23, when I had received the message 'Sirius is very important,' is the day when, according to Egyptian tradition, the occult link (through hyperspace?) is most powerful between Earth and Sirius.
"Celebrations of the Dog Star, Sirius, beginning on July 23, are the origin of the expression 'dog days,' meaning the days from July 23 to September 8, when the last rituals to Sirius were performed."- The Cosmic Trigger Volume I, pg. 87What Wilson is referring to is the heliacal rising of Sirius, often associated with July 23:
The heliacal rising: the first visible, though brief, appearance of a star on the eastern horizon before sunrise. On the previous morning, sunlight made the star invisible.Sirius is also identified with Isis, who plays a major role in our story here:
As the star Sopdet (Sirius (in Greek Sothis)), she heralds the life-giving inundation.July 23rd has also been connected with the Ancient Egyptian New Year:
Ancient Egyptian culture was closely tied to the Nile River, and it appears their New Year corresponded with its annual flood. According the Roman writer Censorinus, the Egyptian New Year was predicted when Sirius—the brightest star in the night sky—first became visible after a 70-day absence.July 23rd is also identified with Our Sweetheart, the Drunk:
This massive party was tied to the myth of Sekhmet, a war goddess who had planned to kill all of humanity until the sun god Ra tricked her into drinking herself unconscious.Which turned her into the love goddess Hathor. And then there's this little detail here:
In ancient Egypt, the helical rising of Sirius coincided with the annual rising of the Nile at Memphis.Wait: did they say Memphis? I thought so.
Elizabeth Fraser last appeared at Royal Albert Hall with the Cocteau Twins, touring the Milk and Kisses album, which included a number of songs written about Jeff Buckley.
Blue Bell Knoll is a luscious album, the musical equivalent of having warm honey dripped on your head while you're taking a milk bath on really good drugs, but its title has a darker meaning:
In folklore, the flowers assist mortals in seeing fairies or seeing into their reality, but were regarded by some as unlucky because they could also reveal or even attract malign spirits, including the Devil himself... They are also called Dead Men's or Dead Man's Bells, because hearing the bells ringing is an omen of death.Remembering the line from Song to the Siren, "Did I dream you dreamed about me? Were you hare when I was fox?", note that bluebells are also known as harebells:
Campanula rotundifolia is associated with the fairies and with witches...The name Harebells may also allude to a folk belief that witches used juices squeezed from this flower to transform themselves into hares.And hey- milk again.
These juices lent the flower another Scottish folk name, "Milk-ort" (milk herb).More importantly, the bluebell also connects to the central conceit of our story- the seemingly inexplicable symbolic overkill connected to the ancient myth of the goddess (variously associated with sex, war, music and the Moon) and her shepherd-boy consort.
Shepherd-boy being the literal translation of Buckley.
As it happens milk plays a very major role in that ur-myth as well. From the first known telling of the story, The Courtship of Inanna and Dumuzi:
Make your milk sweet and thick, my bridegroom / My shepherd, I will drink your fresh milk / Wild bull Dumuzi, make your milk sweet and thick/ I will drink your fresh milk.Elizabeth Fraser's dedication on Milk and Kisses plows the same metaphorical furrow.
"Milk and kisses for the first man / my old man / love and a thousandfold rose for Buckley /my Rilkean-Hearted friend."(We're going to return to The Courtship of Inanna and Dumuzi again, in a big, bad way).
The bluebell has also been named for Endymion, the young shepherd consort of the goddess Selene, who fell in love with and put under a spell of eternal sleep so that she alone might enjoy his beauty. Selene was also known as Phoebe and one of the key tracks on Blue Bell Knoll is "For Phoebe, Still a Baby."
So I suppose it's only appropriate that this is being held at Royal Albert Hall, named in honor of Prince Albert, formally known as Albert, Prince Consort.
And here were have another goddess-consort sad story.
Albert was husband of Queen Victoria, herself named after the Roman goddess of victory. And for those of you who don't know the rest:
Albert died at the relatively young age of 42, plunging the Queen into a period of deep mourning in which she rarely appeared before her subjects.CARNIVAL OF LIFE AND DEATH
We saw that that Jeff Buckley drowned on the evening of the Carnival Memphis. As it happens it seems that he and Fraser began their courtship on the eve of the original Carnival...
This would be the night of March 4th, when both Buckley and the Cocteau Twins were playing in Atlanta. Significantly, the Twins performed "Road, River, and Rail" that night.
Simon Raymonde of The Cocteau Twins remembers Jeff being introduced to them as Tim Buckley's son while they were touring America in 1991.
OK, I thought I heard that Buckley met them before 1994 but I couldn't find any corroboration online for that so I thought I had imagined it. If that is indeed true it makes the prophecies on 1990's Heaven or Las Vegas even creepier because that was the album they were touring then (and the only significant omen after that is the insanely-disturbing post-breakup Rilkean Dreams).
Having recorded an ineffably beautiful version of Tim's ‘Song For The Siren’ (as This Mortal Coil) they were pleased to meet the young man, who was in turn awestruck by their music, especially the spectral voice of Elizabeth Fraser. Three years later it was their turn to see him perform. Simon and Liz went together to a small bar in Atlanta. "It was just Jeff and his little Fender guitar and amp. He sang for two hours and he knocked me sideways. Liz and I spent some time with him over the next few days."It's likely that Fraser connected (or reconnected) with Buckley on what is technically March 5th, since the Twins had their own concert to do the night of the 4th. But what is the significance of March 5th?
It's sacred to Isis. Very sacred, in fact:
Ididis Navigium, or alternatively Navigium Isidis, means Vessel of Isis. The festival gets its name from the main offering to Isis. In Apuleius’ Metamorphosis he describes the grand procession of worshippers from the temple of Isis to the harbor.Harbor. And the connection to Carnival?
Modern carnival resembles the festival of the Navigium Isidis, and some scholars argue that they share the same origin (via carrus navalis, meaning naval wagon, i.e. float – later becoming car-nival).Reminding us again the Carnival Memphis is centered around Ancient Egyptian symbolism:
The twelve Grand Krewes that Carnival Memphis recognizes are the Mystic Society of the Memphi, Osiris, Sphinx, RaMet, Ennead, Phoenix, Aani, Ptolemy, Kemet Jubilee, Ptah, Luxor, Queen Bee...The Grand Krewes of Memphi, Osiris, RaMet and Sphinx are "old-line" Grand Krewes and were all started in the 1930s as the original secret societies of the Memphis Cotton Carnival.And let's remember this Carnival centers of the appointment of the new Queen Isis and King Osiris:
Our Queen Isis has always been known for her beauty and membership in a prominent family. She wears the Ring of Isis, engraved with her hieroglyphic symbol.
The identity of King Osiris is revealed at the Banquet of Past Kings. He and all Past Osiris Kings wear the King’s Medallion on a scarlet and white ribbon at all Osiris and Carnival events.And this:
Many elements of Carnival were in turn appropriated in the Corpus Christi festival, most prominently in the Iberian Peninsula (Spain and Portugal).Jeff Buckley recorded "The Corpus Christi Carol" on his first album.
Then there's this:
Thus Plutarch tells us that Osiris was murdered on the seventeenth of the month Athyr, and that the Egyptians accordingly observed mournful rites for four days from the seventeenth of Athyr. Now in the Alexandrian calendar, which Plutarch used, these four days corresponded to the thirteenth, fourteenth, fifteenth, and sixteenth of November, and this date answers exactly to the other indications given by Plutarch, who says that at the time of the festival the Nile was sinking, the north winds dying away, the nights lengthening, and the leaves falling from the trees.Which would mean, according to this reckoning, that the "Lamentations of Isis and Nephthys" took place either on or right before November 17. Why is this significant?
Jeffrey Scott Buckley (November 17, 1966 – May 29, 1997), raised as Scott Moorhead, was an American singer-songwriter and guitarist.
Next we'll take a closer look at the prophecies involved and why they might have gotten some unwanted attention.
TO BE CONTINUED
UPDATE: Darren reminds of that famous Beatles song that namedrops Albert Hall and also tells us of another doomed young prince, Tara Browne, dead exactly a month after Jeff Buckley was born. More 17s:
On 17 December 1966, Browne was driving with his girlfriend, model Suki Potier, in his Lotus Elan through South Kensington at high speed (some reports suggesting in excess of 106 mph/170 km/h). He was not under the influence of drugs or alcohol at the time. Browne failed to see a traffic light and proceeded through the junction of Redcliffe Square and Redcliffe Gardens, colliding with a parked lorry. He died of his injuries the following day. Potier claimed that Browne swerved the car to absorb the impact of the crash to save her life.
John Lennon's "Good Morning Good Morning" was the first song you heard on the last episode of The Monkees. "Song of the Siren" was its swansong.
|Interlude: Swan Song, or In My Time of Dying|
A weird little coincidence struck me yesterday.
As we've seen, the last songs Jeff Buckley and Chris Cornell sang were songs most commonly associated with Led Zeppelin.
Cornell’s “sudden and unexpected” death right in the middle of Soundgarden’s U.S. tour that kicked off only last month is compounded only by the fact that his death was ruled a suicide, and while the 52-year-old musician outwardly showed no signs of depression or suicidal tendencies, the final song from last night’s sold out show at Detroit’s Fox Theatre: a cover of Led Zeppelin’s “In My Time of Dying”.And this:
When Buckley entered the water from the trash-strewn bank, he was wearing jeans, a T-shirt and boots. He turned, grinning back at Foti, as he drifted in backward. When he was about knee deep, Foti remembers cautioning him: "You can't swim in that water." As Buckley continued, Foti repeated his caution: "What are you doing, man?" But Buckley smilingly reclined into the slate-gray water, singing the chorus of Led Zeppelin's "Whole Lotta Love" as he backstroked into the channel.In 1974, Led Zeppelin started their own record label called Swan Song.
The term swan song comes from an ancient belief that swans will sing a beautiful song just before they are about to die.
Now we're treading into dangerous waters here, no pun intended. There's a temptation to cast too wide a net in search of symbolic connections, which, as they pile up, can tend to have a numbing effect. Plus, ancient mythology is so enormous that you could probably dig out a connection for whatever you like if you're not rigorous about it.
And there's still the open question as to why we would see so much symbolism and prophecy - practically to the point of overkill - attached to what most people might see as an historical footnote.
So let's then establish that we're specifically looking here at the "swan songs," the very last performances by the people in question.
So with that in mind let's look at the very last line of the last verse of the last song on the last Cocteau Twins album- or if you prefer, their swan song. The song is "Seekers Who Are Lovers" and the line goes like this:
"So send Lucifer into Hell."
The song is- you guessed it- yet another of Elizabeth Fraser's love letters to Jeff Buckley*, in this case a little note explicitly reminding him how amazing she thought the sex was. Which is probably why nearly all of her performances of the song were extremely passionate, in her very strange way.
Then there's this :
Love, on the tip of it/ The old river's lack of other sweet sex†/ So sweet/You are a woman just as you are a manThe last line there corresponds to Buckley's self-identification of a "chanteuse with a penis," a reference to his interpretations of torch songs by singers like Billie Holiday and Edith Piaf. Which, of course, it's also entirely compatible with his role as a postmodern incarnation of Attis.
And then there's that "river" reference again.
This in turn then corresponds to the more recent death of one of Buckley's closest friends (and posthumous spoeksman) just a few minutes away from Belle Isle on the Detroit River, which is itself closely associated with a Native American variant of the Siren myth.
Note also the connection of these fertility gods we've been looking at to rivers:
Adonis sprang from a tree; the body of Osiris was concealed in a tree which grew round the sea-drifted chest in which he was concealed. Diarmid concealed himself in a tree when pursued by Finn. The blood of Tammuz, Osiris, and Adonis reddened the swollen rivers which fertilized the soil.But there's another connection between these ancient fertility gods and Lucifer; all of them were sent into the Underworld.
And the way to the Underworld was traditionally the River Styx.
CHILDREN OF THE CORN(ELL)
Bearing in mind that Buckley died on the eve of an explicit Osiris ritual in Memphis, remember that the consort of Osris (who drowned in the Nile River) is Isis, whom "The Greeks conceived of (her) as a corn-goddess, for they identified her with Demeter. In a Greek epigram she is described as 'she who has given birth to the fruits of the earth,” and “the mother of the ears of corn.'”
Similarly, Attis was identified closely with corn:
Like tree-spirits in general, Attis was apparently thought to wield power over the fruits of the earth or even to be identical with the corn. One of his epithets was “very fruitful”: he was addressed as the “reaped green (or yellow) ear of corn”; and the story of his sufferings, death, and resurrection was interpreted as the ripe grain wounded by the reaper, buried in the granary, and coming to life again when it is sown in the groundCorn-- and subsequently Cornell-- both derive from the Latin cornu, meaning "horn."
The closest Egyptian analog to goddesses like Isthar and Aphrodite is actually Hathor, whom Isis would eventually syncretize with, and who was commonly depicted as wearing horns. She has an interesting origin story:
In the Story of Re, she was created by her father Re as "Sekhmet" as a destroyer of men, who were disobedient to him. Later Re changed his mind, but even he could not stop her from killing men. He then disguised beer as blood and when Sekhmet became drunk, she could no longer kill and was known thereafter as Hathor, a goddess of love.Jeff Buckley's eventual swan song- which Chris Cornell was closely involved in producing- was the collection Sketches for My Sweetheart the Drunk. It included the song "Morning Theft", commonly assumed to be a documentation of Buckley's reunion with Fraser sometime around the recording of 'All Flowers in Time Bend Toward the Sun'.
There's been an ongoing controversy over the Swan Song label, which depicts an angel or winged man in the throes of death. One side of the debate claims it's a depiction of Icarus and others claim it's actually paying homage to Lucifer, and that the image is a depiction of his fall from Heaven.
The painting is in fact an adaptation of a sketch by 19th century painter William Rimmer entitied "Evening, the Fall of Day." Some have argued that the image is a depiction of Apollo, but we don't see the chariot here which was associated with him when he absorbed the aspects of the Titan Helios.
So I think the Lucifer interpretation is probably closest to the mark. "The Fall of Day" is most probably a reference to Phosphoros the daystar, whose name is the Greek equivalent of Lucifer. Note that Jimmy Page had recently recorded the Lucifer Rising and later used a similar image for the release of the soundtrack.
Plus, Jimmy Page.
What we also need to remember here is that Led Zeppelin's first use of the Swan Song logo was on the first side of the first disk of Physical Graffiti. And the last song on that side is Chris Cornell's swan song, 'In My Time of Dying'.
The album also has a strong link to Jeff Buckley:
"When I was 12, I decided to become a musician," Buckley says. "Physical Graffiti was the first album I ever owned. My stepfather [who lived with Buckley's mother from 1971 to 1973] bought that for me."
But wait! There's more: Swans were closely associated with the love goddeses of the ancient world, particularly Aphrodite.
As we saw, Elizabeth Fraser- in what seems to be her only foray into cosplay ever- explicitly portrayed herself as a rising Aphrodite (0r Atargatis) in the video for 'Bluebeard'.
That single was released in February 1994. Fraser and Buckley met in March. At the time Fraser was in the midst of an ongoing personal crisis and seemed to experience a meltdown when the band performed 'Bluebeard' on The Tonight Show, going into full-WTF alien mode.
That meltdown was taped the same day Chris Cornell's friend Kurt Cobain died, which was called a suicide at the time.
And just to throw out another creepy death omen, Jeff Buckley would have a fling with Cobain's widow shortly before he died.
Lucifer also links us to another prophecy we recently looked at- Fraser's retelling of the myth of Narcissus and Echo, "Mud and Dark" (again, Jeff Buckley was swimming near Mud Island in the dark when he drowned). From The Aeon Eye blog:
Like Icarus, the archangel Lucifer is said to have fallen because of his pride and vanity over his own beauty and power, much like the myth of Narcissus. This supreme spirit of evil who was once radiant, but who because of his sin of pride fell from heaven into darkness and became Satan, saying: “Non serviam: I will not serve,” and thus brought upon himself the everlasting wrath of God.There's also a strain of the Narcissus daffodil called "Lucifer."
And there's a Daffodil Hill in Memphis.
The mind reels.
TO BE CONTINUED
NOTE: It's also important to remember that Icarus- whose sin was disobedience- actually died by drowning.
* The lyric "His poor essence" may in fact be "His Pur Essence," a reference to the fact the Fraser may have realized that she seemed to call Buckley by his given name - Scott Moorhead- in "Summerhead" (read:"S.Moorhead") in between the songs "Essence" and "Pur" on Four Calendar Cafe.
That album was recorded while Buckley was still doing club gigs in tiny dive bars in Manhattan. They wouldn't begin their relationship for at least another year.
† Erroneously listed as "sweet scents" on some lyric sites.
|Deeper Than You Could Ever Know, or The Eternal Psychodrama|
The rabbit keeps digging. And digging. How far are you ready to go down?
I first began to follow this story when I heard about the drowning death of Jeff Buckley. I'm not sure why but the first thought that came into my head was that it had something to do with Elizabeth Fraser.
I had no idea that all of this had been prophesied for years and years before, in ways that actually give me chills.
I had no idea that this was all closely following a very ancient script, for reasons I can't begin to wrap my head around. The symbolism is almost shockingly unambiguous, as we'll soon see.
I had no idea that a tragedy involving Chris Cornell, Jeff Buckley's close friend and posthumous spokesman, would take place on the banks of another river almost exactly 20 years later, a tragedy that seemed to follow a remarkably similar mythic script. And a tragedy that would seize the attention of millions all around the world.
And I most certainly had no idea twenty years ago that at the very same time police divers were scouring the muddy waters of the Wolf River Lagoon for Jeff Buckley's corpse a well-publicized reenactment of a mystery religion based on the drowning death of a revered ancient Egyptian god was being undertaken by an elite "secret society" just a few blocks away.
Yeah. That happened.
I'm still having trouble wrapping my head around that one too.
WHY AND WHAT FOR?
A reader asked a highly pertinent and perceptive question in the comments section of the previous post. It cuts to the heart of this extraordinarily unlikely mystery we're trying to crack here.
The thing that I keep asking is "why?" Why would spirits reenact this little passion play at all? Why with this small handful of singers and songwriters? It seems like a lot of effort, a lot of autistic attention to trivial details few would even notice - so where's the actual payoff for the Good Folk's effort? The only thing I can think up is that all the world's a play to them, but the dramatis personnae onstage never see more than a few glimpses of their lines before it's time for them to be spoken.
Why indeed? We're not talking about show biz superstars here, we're not talking about Benifer or Brangelina, we're talking about two cult performers who never broke into the mainstream.
We're talking about two very vulnerable souls whose supernatural gifts were balanced out by their struggles with their troubled upbringings and mental illness. But at the same time we're talking about two performers who could count the highest echelon of the music biz elite in their circle of apostles.
And we're talking about a love story whose tragic end was prophesied in a song that has garnered a staggering 48 million views on YouTube. Those people may not realize it but they've soaked all this in.
Which only makes sense because what we're actually seeing is a ritualistic reenactment of one of history's oldest love stories.
It's becoming increasingly well-known on the Internet that this song is about Jeff Buckley, though I think most people tend to underestimate how deep Fraser's obsession with the man really was. I don't think she ever got over it.
Buckley idolized Fraser, studied her, imitated her (the first time I heard Jeff Buckley- knowing nothing about him- I said to myself, "this guy sure sounds like he listens to a lot of Cocteau Twins records"). But when they met Fraser was in the middle of a serious- and painfully public- mental health crisis that would find her hospitalized twice within a year.
Buckley brought color and excitement back into her life but he had far too many groupies chasing him to stay with an older woman who brought a lot of emotional baggage in tow. Plus, his star was rising and her band was in the process of winding down their long run.
The Wikipedia entry recites the almost-unimaginably eerie fact that Fraser was recording this song while the man about whom she was singing was dying on the other side of the world, but omits the fact that they were lovers:
Fraser wrote the song's lyrics. While recording the song on 29 May 1997, she found out that her once-close friend, Jeff Buckley, had drowned. "That was so weird ... I'd got letters out and I was thinking about him. That song's kind of about him – that's how it feels to me anyway."And what most people tend to overlook is that not only is she singing about Buckley- yet again- she is also unconsciously prophesying his death. Yet again:
Night, night of matter (?)
Black flowers blossom
Fearless on my breath
Black flowers blossom
Fearless on my breath
Teardrop on the fire
Fearless on my breath
I have a problem with this interpretation of the lyrics. As far as I can tell what Fraser is actually singing is "Night, night of murder" not "matter." Which makes a lot more sense when followed by "black flowers blossom."
Because black flowers have traditionally been associated with death and mourning:
The color black has always been synonymous with death and mourning. It is thus the color of sadness and farewell. So, many people consider black roses to symbolize bereavement, loss and mortality. They are often used at funerals.And then there's this couplet, which connects us to a constellation of ancient goddesses whose dramas all center on lost loves ( and one of whose incarnations is known as "the first mermaid").
Water is my eye
Most faithful mirror
OVER AND OVER AND OVER AGAIN
Some of Fraser's most extraordinary vocal performances come when she is channeling the dramas of ancient mythologies. This of course includes the Siren but also Lorelei, Echo, Pandora (not just once but twice), Persephone and Coatlicue.
She was, after all, "the Voice of God."
But there's one particular story that she seemed to embody and that's the story of the goddess who fell in love with the young shepherd boy. It seemed to start in an oblique and incidental way:
The Cocteaux released Moon and the Melodies in late 1986, which featured 'Sea, Swallow Me' and 'She Will Destroy You', among others. Then they released Blue Bell Knoll, which again is a reference to an old folk belief about a death omen. The bluebell is also known as Endymion non-scriptus.
Endymion is yet another doomed mortal whom a goddess fell in love with:
Wandering farther afield from the British Isles, the bluebell is associated with the shepherd boy Endymion. The moon goddess, variously called Seline or Diana, fell in love with him and cast an eternal sleep on him so that she could enjoy his beauty alone, forever.
One of the key cuts on Blue Bell Knoll is 'For Phoebe Still a Baby'. Phoebe is another name for Selene.This story goes back to the very cradle of civilization:
In Babylonia, the month Tammuz was established in honor of the eponymous god Tammuz, who originated as a Sumerian shepherd-god, Dumuzid or Dumuzi, the consort of Inanna and, in his Akkadian form, the parallel consort of Ishtar.Inanna and Dumuzi also seem to be the stars of one of the earliest known tellings of the Descent into the Underworld, where Inanna traveled to retrieve the soul of her lost shepherd-boy consort. This story would be told over and over again.
This story was retold in Phrygia as the myth of Cybele and Attis (note see Tracy Twyman's dissertation of this myth at her blog):
Cybele loved the beautiful shepherd, and made him her own priest on condition that he should preserve his chastity inviolate. Atys broke the covenant with a nymph, the daughter of the river-god Sangarius, and was thrown by the goddess into a state of madness, in which he unmanned himself.This story was told in the pages of Sir James Frazer's Golden Bough, a book Elizabeth Fraser certainly seemed to have read. A variant on the story has the hermaphroditic Agdistis in place of Cybele. Strangely enough this version also correlates to the Fraser-Buckley drama, given the Cocteau Twins' singer's own innate androgyny. As the singer explained in 1995:
"I was very worried about being unattractive because I think I look quite masculine. Sometimes I feel more masculine than feminine and I don't like it. I mean, you've got a person who is in recovery from incest surrounded by men. I've never had a highly developed sense of being female."Fraser would refer obliquely to Cybele in one of her many songs focused around moths and butterflies, 'Great Spangled Fritilary', a butterfly whose scientific name is S Cybele.
The Greeks retold the love-goddess and shepherd-boy story as that of Aphrodite and the shepherd-boy Adonis:
(Both) Aphrodite and Persephone, goddess of fertility and death, love Adonis, a beautiful young man. Adonis is killed by a wild boar while he is on the hunt: Aphrodite begs Zeus to restore him to life, but Persephone also demands that he be brought back to life for her sake. Zeus settles the dispute by resurrecting Adonis, but commands him to live six months in the upper world with Aphrodite and six months in the lower world with Persephone.
And sure enough, just before she would meet Jeff Buckley, Elizabeth Fraser would be depicted rising from a scallop shell like Aphrodite in the music video for 'Bluebeard'.
The Syrian version of this archetype, widely believed to be the original incarnation of Aphrodite herself, who takes us right back to the world of sirens and mermaids. The very first mermaid, or so the story goes:
Atargatis was in love with a human shepherd but accidentally killed him. Out of guilt, the goddess flung herself into the ocean hoping to become a fish. But her beauty was so great, that she never could fully become a fish. Instead she became half goddess, half fish, with a tail below the waist and human body above the waist.
BEFORE WE GO ANY FURTHER...
...let's play the Name Game. You see this little mythology primer here isn't just for the giggles and grins, it cuts right to the core of the very strange daisy-chain of synchronicity we are trying to untangle.
Because Jeff Buckley's very surname means "shepherd boy."
Ó Buachalla, taken from the Irish word 'buachaill' originally meaning 'herdsman' (in modern Irish it has come to mean 'boy'), was anglcised early as Ó Boughelly, Boughla, Buhilly and later as Buckley.So you see I'm not exaggerating when I claim that what we're seeing here is a very ancient psychodrama that chose to play itself out in real time. I mean it literally. Do you understand me now?
And what about Liz Fraser? Well, given the Egyptian origin of the Biblical name (the first Elizabeth was connected to Moses and Aaron, both of which are native Egyptian names) I will go to my grave believing that in fact it comes from Eloah-Esi-Beth, or "Temple of the Goddess Isis." We'll get to Isis shortly.
But first the Fraser name, which ties into Knights Templar history, of all things:
The Frasers are believed to have come from Anjou in France. The name Fraser may be derived from Fredarius, Fresel or Freseau. Another suggestion is that the Frasers were a tribe in Roman Gaul, whose badge was a strawberry plant (fraisier in French).
Might come from "fraisier." Gee, you think?
But what's the significance of strawberries in this tale here? Well, it ties right back into the lineage of the same goddesses we're looking at. In this case the Syro-Roman variant:
The strawberry was a symbol for Venus, the Goddess of Love, because of its heart shapes and red color.
In a connection that will take on greater significance when we get to the next chapter of this drama, it so happens that Venus had a very Roswell kind of origin story:
Yeah, we're going there. But don't worry- it's baked right into the cake.
In another story, told by Hyginus, an egg fell from the sky into the Euphrates, was rolled onto land by fish, doves settled on it and hatched it, and Venus, known as the Syrian goddess, came forth
Yeah, those eyes. I know.
But of course the big kahuna of love-goddess and doomed shepherd myths is that of Isis and Osiris. In the best-known telling of the tale, Osiris' first death comes when he is drowned in the Nile inside his sarcophagus:
In some cases the texts suggest that Set takes the form of a wild animal, such as a crocodile or bull, to slay Osiris; in others they imply that Osiris's corpse is thrown in the water or that he is drowned. This latter tradition is the origin of the Egyptian belief that people who had drowned in the Nile were sacred.And just to establish his shepherd cred:
He also carries the crook and flail. The crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk, or association with the god Andjety of the ninth nome of Lower Egypt proposed.And as the fathomless enigmas of fate would have it, one of the foundation texts for the Isis-Osiris myth takes us back to- you guessed it- Memphis:
Another important source is the Memphite Theology, a religious narrative that includes an account of Osiris's death as well as the resolution of the dispute between Horus and Set. This narrative associates the kingship that Osiris and Horus represent with Ptah, the creator deity of Memphis.Quoting directly from the Memphite Theology, we have this:
Isis and Nepthys without delay, for Osiris had drowned in his water. Isis [and Nephthys] looked out, [beheld him and attended to him].OK, we have a river, a drowning and a Memphis. Can I shoehorn a wolf into this little catty-corner?
Oh, yes I can:
In the beginning, Osiris was associated mostly with agriculture. This cult spread rapidly into Upper Egypt, and soon Osiris became identified with the funeral god, Abydos, Khenti-Amentiu, who was symbolized by the wolf.But then we get thrown right down the crazy-stairs...
Oh, the eyes. Interesting.
While police divers were still dragging the Wolf River Harbor for Jeff Buckley's body, just a few blocks east the Grand Krewe of Osiris was enjoying the Carnival Memphis, kicking off at the Crosstown Concourse:
The Carnival Memphis Association organizes, plans, budgets, and promotes the King, Queen, and Royal Court, as well as many of the events staged during Carnival week. However, the Grand Krewes (once known as secret societies) also stage their own festivities throughout the year, elect their own royalty, manage their own budget, and have their own membership requirements.
Most of these organizations bear Egyptian names in accordance to tradition originally set out by the Mystic Memphi, and in conjunction with Memphis being the sister city of ancient Memphis, Egypt. The twelve Grand Krewes that Carnival Memphis recognizes are the Mystic Society of the Memphi, Osiris, Sphinx, RaMet, Ennead, Phoenix, Aani, Ptolemy, Kemet Jubilee, Ptah, Luxor, Queen Bees.The Carnival kicks off the first weekend following Memorial Day.
But what exactly is the Grand Krewe of Osiris? Well, besides the hosts of osirismemphis.com, that is?
Osiris was founded in 1934 as a Mystic Secret Society. Osiris membership has always consisted of top professional and business leaders.
The Great Eye, the hieroglyphic symbol of Osiris for thousands of years, continues looking intently forward to the future of great city of Memphis, on the American Nile.The Great Eye? You mean the one glowing in the middle of that giant pyramid you got there? The one on the shore of the Wolf River Lagoon? OK. Thanks.
Good, clean Masonic fun
And what exactly do their ceremonies entail?
The ceremonies were mysterious and symbolic, but the most common feature was the procession of Queen Isis in her carriage, far beyond the precincts of her temple on occasions to other towns.
These occasions were passed amid great rejoicing, music, dancing, and feasting which formed important parts of the festival rites.
The feast was held within lofty walls, with an entrance between immense pylons inscribed with hieroglyphs.
Those called to join celebrated the regeneration of the land, the renewal of friendships, and the hopes for a productive and joyful year!
Is it just me or does this sound like something straight out of Summerisle? And how exactly do these ceremonies climax?
Our Queen Isis has always been known for her beauty and membership in a prominent family. She wears the Ring of Isis, engraved with her hieroglyphic symbol.
The identity of King Osiris is revealed at the Banquet of Past Kings. He and all Past Osiris Kings wear the King’s Medallion on a scarlet and white ribbon at all Osiris and Carnival events.OK, now I'm sure this is all fun and harmless and zany (totally Masonic) fun for the Memphite upper crust. But that doesn't matter in the context of ritual, especially the kind of ritual that goes beyond ritual.
Because all this was going on while Jeff Buckley's body was floating a few blocks away in the Wolf River in the same exact way Osiris' body floated in the Nile.
You know Osiris-- the star-sailor.
I said the Starsailor.
But again, the point is that happened. That actually happened. A bunch of drunk lawyers, doctors and their wives were playacting the mysteries of Isis and Osiris while an aspiring rock superstar was actually playing the part of Osiris in a ritual who I can't begin to imagine who -or more accurately, what -- was staging.
I mean, I never heard of this Carnival until a few hours ago. Have you?
What are the odds Elizabeth Fraser knew about any of this while she was writing songs that prophesy how a man she wouldn't meet for another 12 years would die?
Somewhere between slim, zip and fuckall I'd wager.
But stay tuned because this story is about to take a very dark and sinister turn, taking us into the world of elite UFO cultists, the Tower of Babel, demons of the air, World War Three, and a prophecy of the most momentous event of our times.
I wish I were kidding.
TO BE CONTINUED
|"I Always Felt There was a Prophecy of Death in That Song."|
NOTE: Updated 6/12
Led Zeppelin. John Lennon. Prince. George Michael. The Monkees. Lord Byron. Sinead O'Connor. Chris Cornell. What do all these people have in common? They're all connected in one way or another to an unfolding drama orbiting a seminal song written by a doomed folk singer and debuted to the world wrapped in a salad of black magic, alien technology and mind control.
And from then on, things got really weird.
I really didn't mean to get sucked back into all of this. I meant to do an overview post to observe the 20th anniversary and be done with it all. But then Chris Cornell died and the same archetypes rose again. Which means this story is still telling itself. That kicked in the OCD and got me looking again for prophecies.
And boy howdy, I found some real brain-blowers.
"NOW WE ARE ANGELS"
Now I know a lot of you out there don't care about the Cocteau Twins or Jeff Buckley's music. And for a lot of you this might all be old news. I get that, it's totally fine by me. But the music isn't really the point of all this.
The point is the story, this ancient archetypal myth playing out in real time, for whatever possible reason it may have other than the spirit world seems to have a dark sense of irony. And it may have well taken more trophies.
So, esoterically speaking, this is the equivalent of a Darwinist being able to watch a dog evolving into a turtle.
You see, what we have here is a drama that seems to weave in elements of the occult, witchcraft, precognition, prophecy, synchronicity, and maybe even some spirit possession.
We have the story of a strange young woman from a dysfunctional working class family who grew up in a place saturated with the power of the old stories. A woman who seems to have dabbled in witchcraft before undergoing a startling transformation in which she suddenly came into possession of an electrifying musical gift that led one British newspaper to declare she had "the Voice of God."
In an entirely matter of fact, self-effacing manner she would claim that in fact she was possessed by or channeling some kind of entity, something I don't find very hard to believe at all.
I mean, think about it; what sounds more like genuine entity possession to you, this or this?
This or this?
TESTING THE SIRENS
Of course, the first test of the spirits comes through prophecy.
And from the very first moment Elizabeth Fraser came into the public eye she seemed to prophesy a terrible event that revolved around an old 60s folk song that seems to have taken on a life of its own in the years since it first debuted.
And if you take all the apparent prophecies-- prophecies that fly around this story like wasps at your birthday barbecue--together, you come up with the name, place, time and manner that this story would reach its inevitable climax.
And it all seemed to unfold over a span of four decades.
Mind you, all of this is something we can objectively document. Interpret the facts any way you like but the beauty of it is that you don't need to rely on hearsay or anecdote here. We're looking at accepted and recorded events of history not testimony or speculation.
But there's also that song, which itself seems to be some kind of supernatural totem.
ENTER THE SIREN
In true Secret Sun style, the 'Song to the Siren' made its worldwide debut in a very strange and unlikely venue. It was first heard on the final episode of The Monkees TV show in 1968.
And as readers would probably expect by now, the episode dealt with aliens, mind control and black magic. Plus, Sgt. Pepper's Lonely Hearts Club Band:
The episode begins with a sunrise scene as the boys awaken to the sounds of the Beatles’ “Good Morning Good Morning,” which was the first time the Beatles had allowed their music to be used in a non-Beatles arena.
The episode is, in short, about the evil Wizard Glick (played by Rip Taylor) who is on a mission to control people’s minds via their television sets. The airwaves beam out a hypnotic eye that is, well, hypnotizing its viewers, a not-so-subtle comment on the brain deadening effects of television.
Evil wizards using alien technology to take over the world? Why does that sound so familiar?
Eventually, the boys discover that a creature called the Frodis plant had been captured when its spaceship landed on Earth, and was being used for evil by Wizard Glick. They realize they must rescue the Frodis and return it to its spaceship. Upon rescue, the plant emits this cloud of smoke, and in the process, seems to mellow out Glick and his cohorts, “I’ll let you work out that reference, folks,” adds Dolenz. The anti-war song “Zor and Zam” is featured during the “typical Monkees romp.”
As the story part of the episode ends, on walks the late singer-songwriter Tim Buckley to perform a solo acoustic version of his classic “Song to the Siren.” Buckley was a friend of Dolenz, who thought he should be introduced to the world.
The beautiful song had, at the time, not been released.
Note John Lennon wrote 'Good Morning Good Morning'.
The episode is also known as "Mijacogeo," a (sub)title which wouldn't sound out of place on a Cocteau Twins record. In fact, there's even a scene where the Monkees begin chanting in a style not unfamiliar to Cocteaux fans.
I mentioned this episode several years ago but hadn't seen it until recently. And my god, is it terrible. But as it happens, it also had an alternate title; 'The Frodis Caper.' I hadn't known that until just this past week. What's the significance of that title?
Here, let me write it like this: FRodiScapER
No luck? Try this: FRodiScapER
There's even an A in there, if you want to get anagrammatic. And an 'Odic' too. If you really want to get obsessive you can make the p silent (as in Pfeiffer).
Tim Buckley, who never actually knew his son, died of an OD in 1975 at the age of 27. But already the prophecy machine seemed to have hummed to life.
It'll End in Tears including
'Song to the Siren'
And just so we're clear on all this, I'm by no means the only person who gets how eerie this whole situation is, even if I was probably one of the first outside of the inner circle of people involved to do so. Even The Guardian has caught on:
(Tim) Buckley's eerie original is backed by stark waves of guitar and occasional high-pitched "siren" wails (is it his voice? An extremely flanged guitar?), and his five-octave-spanning tenor – "the closest thing to flying without taking acid or getting on a plane," Watts-Russell reckons.
But Fraser's version suggested she was the siren of Homer's Odyssey personified, luring lovers to a premature graveSinead O'Connor, who was heavily influenced by Elizabeth Fraser, frames the story quite well here:
"I didn't know Buckley hadn't written the words," O'Connor says, "but I always felt there was a prophecy of death in that song." It's apparently the reason Fraser won't discuss the song (an interview request was ignored). Tim Buckley's son Jeff wrote to her when he heard the This Mortal Coil cover and, a couple of years before he drowned, aged 30, in 1997, they had a relationship.The Financial Times also suggestively dropped that tragedy onto the last paragraph of their piece on 'Song to the Siren', but also noted the TMC/Cocteau Twins' version was so influential, that subsequent versions have mostly been covers of them:
Their reading set the template for those that were to follow — drifty, druggy, drenched in reverb, a perfect setting for lyrics such as “Did I dream you dreamed about me?"And it so transpires that there are lot of well-known fans of Fraser's interpretation (including superstar directors Peter Jackson and David Lynch):
In 2002, Robert Plant covered it on his Dreamland album, garnished with his characteristic “oh-ohs”. In 2007, George Michael opened his gig at the new Wembley stadium by singing “Siren” from offstage (he later released it as a single)…Sinéad O’Connor’s 2010 version is heavily indebted to This Mortal Coil’s mystic-Celticism.
Indeed, George Michael - Greek by origin- did his level best to reproduce- note for note- Elizabeth Fraser's version of the song. At what was one of the biggest gigs of his career.
Of course, Michael himself recently died under circumstances that don't seem entirely transparent. There was a lot of mystery surrounding his passing, even if it was subsequently declared to be from natural causes. But Michael wasn't the only pop superstar to worship the Twins:
Madonna loved them, Prince wanted to sign them and Scritti Politti's Green Gartside said the vocally gymnastic Fraser was his third favourite melodicist of all time (behind Paul McCartney and Brian Wilson).You can throw in Peter Gabriel and Boy George as well (George once said Fraser was his favorite singer). And yes, Prince was indeed a major Cocteau Twins fan.
Tictactoe is the tenth track on Prince's 36th album Plectrumelectrum (the first by Prince and 3rdEyeGirl). It is likely the track was recorded in February 2014.
The magazine quotes Prince describing the recording of the track: “We recorded it in Bryan Ferry’s studio Studio One in London, after a night of partying for which the Cocteau Twins was the soundtrack. You can’t understand the words of Cocteau Twins songs but their harmonies put you in a dreamlike state.”Prince also died recently, at too young an age. Under circumstances that have inspired terrabytes of Internet speculation.
When the Levee Breaks, originally recorded
by "Hoodoo Lady" Memphis Minnie
And just to add more fuel to the occult fire we have the Led Zeppelin connection to all of this.
As you know, both Jeff Buckley and his best friend Chris Cornell sang Led Zeppelin tunes (or more accurately, blues standards commonly associated with Led Zep) shortly before they died. And Zeppelin's personal connections to Buckley are well-recorded:
One man who loved Grace was Jimmy Page. There was arguably no-one whose opinion Buckley valued more. He’d sung Zeppelin songs at Sin-é…One might even say there was a transference of Zeppelin energy taking place, a blessing or endorsement from afar, from the older men to the young. When Page and Buckley met, it was clear they understood each other on a profound level.
“Jeff told me they cried,” says Chris Dowd. “They actually cried when they met each other. Jimmy heard himself in Jeff, and Jeff was meeting his idol. Jimmy Page was the godfather of Jeff’s music. A lot of people thought Tim was the influence on Jeff, but it was really Zeppelin.Less known is Led Zeppelin's connection to the Cocteau Twins- Robert Plant was/is a major devotee, saying in one interview "I wanted to be the Cocteau Twins". Then there's this, from a Twins interview:
Robert Plant went through a phase of raving about them in every interview he did. Liz doesn't tell me about the time she introduced herself to him, but Robin does. They had gone to see Echo & the Bunnymen. Liz, who was a little tipsy, spotted Robert Plant at the bar and tapped him on the shoulder.
"Excuse me," she said. "I read that you really like the Cocteau Twins.""Yeah," the mousy-maned ex-sex god grunted. "I like them. Do you like them?"Mortified, she muttered her assent and slunk away.According to another telling what she actually said is, "they're OK, I guess." Which is absolutely adorable.
EXHIBIT ONE: GARLANDS LYRICS SLEEVE
The lyrical swatches printed on the inner sleeve of the Cocteaux' 1982 debut album Garlands are tantalizing, and the band's official bio lists them in an interesting order. See this post for more information on Garlands.
And again, Jeff Buckley died on Garland Day.
First we have a quarrel with a lover, peppered with threats of violence.
"My mouthing at you; My tongue the stake; I should welt should I hold you; I should gash should I kiss you..." (Blind Dumb Deaf)
Things get a bit darker next- a song about blood sacrifice.
"Things from the forest die here, but I don't; Dead forest things are offered here, but I'm not...." (But I'm Not)
Then death on a river. Bear in mind the person who wrote these remarkable lyrics was only 18 years old:
"The then shallow she Earth as we know it; The then hallow she a sky for the sacred; Stars in my eyes; stars at my feet; womb in the belly; capital place..." (Shallow Then Halo)
As mentioned before, Memphis was the capital of Egypt's lower kingdom. And Jeff Buckley was swimming in shallow waters when he drowned (the deepest point of the Wolf River Harbor is only nine feet deep).
Next we have drugs, religion and death.
"Garlands evergreen; forget-me-not wreaths; chaplets see me drugged; I could die in the rosary...." (Garlands)
"Grail overfloweth, there is rain; and there's saliva and there's you...." (Grail Overfloweth)
As detailed before, we have two Buckley connections here, both to the rain during the search the night he disappeared and to the Grail-inspired "Corpus Christi Song" on Grace.
Now, returning to 'Shallow then Halo' we see wings and feathers connected to the river. We also see the mention of fertile soil.
Dirty rich soil
Strong and fertile
What's the significance of wings and feathers to a river? Well, considering this is the Mississippi, perhaps we need to look at the Mississippi state seal for a clue.
Ahh. Dream-logic at work.
Then the soil:
At Cairo, Illinois, the Ohio River flows into the Mississippi, doubling its volume and creating the point that divides the Upper Mississippi from the Lower Mississippi. The Lower Mississippi Valley is a wide and fertile region… As it flows in this southern region, the Mississippi deposits rich silt along its banks.Now this odd use of she:
"The then shallow she Earth as we know it;
The then hallow she a sky for the sacred"
Wouldn't you just know it, the word sidhe is pronounced "she." In the context of the lyrics here it just happens that sidhe makes a lot more sense than she.
Try this: "the then-shallow sidhe" (a spirit in shallow waters) and the "the then-hallow sidhe" (a spirit honored as sacred, re:"a sky for the sacred").
If you didn't catch the update on the Chris Cornell post, here's the lowdown on one of the Siren's Celtic cousins:
In Celtic folklore, the leannán sí "Fairy-Lover" ...is a beautiful woman of the Aos Sí …who takes a human lover.
Lovers of the leannán sídhe are said to live brief, though highly inspired, lives.
The leannán sídhe is generally depicted as a beautiful muse who offers inspiration to an artist in exchange for their love and devotion; however, this frequently results in madness for the artist, as well as premature death.She also granted the power of prophecy.
The leannán sídhe is related to the more well-known Banshee.
But only certain families of historic lineage, or persons gifted with music and song, are attended by this spirit; for music and poetry are fairy gifts, and the possessors of them show kinship to the spirit race—therefore they are watched over by the spirit of life, which is prophecy and inspiration; and by the spirit of doom, which is the revealer of the secrets of death.
Sometimes the Banshee assumes the form of some sweet singing virgin of the family who died young, and has been given the mission by the invisible powers to become the harbinger of coming doom to her mortal kindred. Or she may be seen at night as a shrouded woman, crouched beneath the trees, lamenting with veiled face; or flying past in the moonlight, crying bitterly...And Jesus, here's a five-star money-quote if ever I heard one. It basically synopsizes this entire story:
The Banshee even follows the old race across the ocean and to distant lands; for space and time offer no hindrance to the mystic power which is selected and appointed to bear the prophecy of death to a family.Which would probably be a good time to drop this old bit of snarkery on you:
All you need to know about the Cocteau Twins is that they make Siouxsie and the Banshees records, OK? -- Melody Maker 10/16/82Of course, the wild howling of early Cocteaux is more akin to the Banshee myth than Siouxsie's rather modest vocal range. But the influence is plainly there (the Scots seemed to be particularly found of the Banshees). Especially in early songs like "Speak No Evil", which offer more hints of that unexpected connection to witchcraft and the occult (bonus factoid: Fraser used to go around in outfits decorated with chicken bones):
My soul I sold
I can't forget to ask
There's nothing movin' it again
Wolf thirst said me
This song is included on the Garlands CD, alongside 'Shallow than Halo'. Note that- again- we have references to both a river in a song about drowning in shallow water and to a wolf in a song about a daemonic pact.
In that latter line, we also have a suggestion of death and a connection to water ("wolf thirst"). And just to remind anyone new to this conversation here:
Making a stop at the Wolf River channel of the Mississippi River, a fully clothed Buckley waded into the water and began swimming.
Noise Rock-era Twins opening for Killing Joke in 1982
EXHIBIT TWO: Alas Dies Laughing
On their next release after Garlands (the ironically titled Lullabies EP), we see two more songs whose titles also make semiotic connections between birds and water travel, namely the songs 'Feathers Oar Blades' and 'It's All But an Ark Lark'. Sandwiched between them is one of the Cocteau Twins' most unsettling songs, 'Alas Dies Laughing', a song the early PiL would have been proud to call their own.
After two attempts at conventional choruses, the song breaks down into a bridge that has (a pre-transformation) Fraser moaning like the Pythia as the fumes rise. After the breakdown, she dispenses with the niceties and lapses into a repetitive chant about exactly how Alas died laughing:
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a lonely one
Wake takes a
Wake takes a
Wake takes a
Wake takes a
Wake takes a
Wake takes a
Jesus. And just to remind everyone again:
The wake of a passing boat sucked Buckley under, and he drowned. His body was recovered six days later, after it was seen by a riverboat passenger.So sandwiched between two songs that refer to boats (and symbolically connect to the Mississippi via the bird imagery) we have a song about drowning. In a wake.
Fifteen years before the singer's lost love died that very same way. .
Now is it just me or is this like something out of one of Philip K Dick's most unhinged fever dreams? This is really just the tip of the iceberg though.
EXHIBIT THREE: It's All But an Ark Lark
Those aren't all the clues to be found on Lullabies. 'Ark Lark' also has some as well.
It's all for my, all for my, all for my
Charisma- divine gift- originally referred to extraordinary characteristics of the gods. In Christianity, charisma manifests itself in glossolalia and prophetic gifts.
Barking and Biting, on my starsails
Barking and Biting, on my starsails
Barking and Biting, on my starsails
Barking and Biting, on my starsails
We have references to a wolf (yes, wolves do bark) and water travel again.
And oh yeah- 'Song to the Siren' was first recorded for the Tim Buckley album Starsailor.
Wolf. Water. Buckley. Siren.
He's mocking both my lullabies
Is Mockingbird my lullabies?
Is mocking both my lullabies
Is Mockingbird my lullabies?
Mockingbirds are the state bird of Tennessee.
These lyrics from 'Feathers Oar Blades' are tantalizing as well.
Here comes the oppressors
Oppress, fallen, weaken
Spitting their feathers
Spitting out oar blades
Spitting out oar blades
There are the feathers and water connected again. That notion of spitting feathers (Mississippi) and oar blades (Wolf River Harbor) is gnawing at my skull as well.
EXHIBIT FOUR: THAT, UH, BAND NAME
The band's next album would be released on Halloween 1983. With original bassist Will Heggie having quit, the duo needed to find a replacement.
Although Robin and Liz hadn't specifically
|Let Me Drown: Chris Cornell and the Siren (UPDATE)|
As I write this it's twenty years ago to the day that Jeff Buckley's body was fished out of the Mississippi River, where he drowned after being caught in the wake of a passing tug while swimming off Mud Island on May 29th. I had a feeling that something might happen in conjunction with this anniversary.
I just had no idea how momentous it would be.
Chris Cornell, who died around midnight May 18th, was very close to Buckley. So much so that he became a de facto curator of Buckley's legacy, acting as his spokesman as well as overseeing and promoting some of Buckley's various posthumous reissues.
It's entirely possible that the upcoming anniversary was weighing heavily on Cornell's mind and could very well have contributed to the depression that led to his death. Cornell had a combination of drugs (including lorezepam, barbiturates and naloxone) in his system leading some to believe his death was accidental. But it's just as likely he was anesthetizing himself in anticipation of his final act.
Of course, Buckley wasn't the first singer to die with whom Cornell shared a close bond. Late in 2016 Cornell toured with Temple of the Dog, the supergroup he formed to pay tribute to Andrew Wood, with whom Cornell had a formed a close and intense bond. That Wood's death still haunted Cornell was made clear in an interview given while touring with TOTD:
“With all that’s been written about Temple of the Dog recently, it’s reminded me of the original meanings of those songs. Say Hello 2 Heaven, for example, was one of the songs I wrote directly for Andy Wood and the amount of times someone has requested I play that song for someone else who’s died have been numerous.
That’s great that it’s become this anthem that makes somebody feel some comfort when they’ve lost someone, but recently I’ve become a little more possessive of the idea that this song was actually written for a specific guy and I haven’t forgotten that person. So I’ve been reminding myself and those in the audience where that song came from.”
“I don’t know if you can ever take him out of [my heart and soul].”Seven years later he'd lose Buckley, who became his confidant while the two wrestled with the pressures of fame. Buckley idolized Cornell and the two spent a lot of time talking on the phone while on tour. These talks were so important to Cornell that he'd take Buckley's old telephone onstage with him during his solo tours.
In 2011 Cornell started turning up on stage to do solo shows with his red phone on a stool next to him. People would shout out what’s the phone for, one day he came clear and said Jeff’s mum gave it to him, Jeff owned that phone and he put it on stage hoping Jeff might call one night.”
Buckley had a lot in common with Andrew Wood- more than a bit androgynous, prolific, eclectic, magnetic. Buckley would heavily influence Cornell's solo career, and the former Soundgarden singer even adopted a weird adaptation of Buckley's hairstyle while promoting his first album Euphoria Morning, which featured a tribute to Buckley that saw Cornell channeling his late friend.
SEA, SWALLOW ME
Some have speculated if Buckley's own death was suicide but he often liked to swim in the Wolf River on hot days. He was swimming there with a friend while waiting for his band members to arrive at the Memphis airport. Apparently this kind of behavior was typical for Buckley. A friend said:
“The guy just made a big mistake — put some Led Zep on I’m going to go for a swim, I’ve got my Doc Martens on, what a great idea. He’d actually gone swimming on the Gold Coast with his girlfriend Joan (Wasser) the year before he died. His tour manager John Pope said to me everyone talks about him dying in the river in Memphis but we had to go and pluck him out of the surf. It’s not suicidal, it’s recklessness. That’s how he lived his live from what I could tell. He might have slowed down in his 30s if he made it.”The Wolf River was once a popular swimming spot but as with Buckley its placid surface disguised a powerful current that led to drowning deaths:
All too often, those tranquil waters proved dangerous, however. More than one child drowned in the swiftly flowing stream, and in the 1950s, when yet another child — a young boy named Ronnie Jones — died there, city leaders decided enough was enough. Funds were raised to build a public swimming pool in Gaisman Park, so the children in North Memphis could have a safer place to play.As I've written about extensively, Buckley's death was the last act of a real-time Mystery Play, in which the gifted young singer found himself messing around with forces he didn't quite understand.
There's something else at play, some poetic -or mythic- ending, beneath the exoteric narrative. Something floating around the Symbolic Realm. I can just see it in Euripides and Aeschylus.
It goes like this: A beautiful and talented young troubadour gets drunk on his own charisma and thoughtlessly toys with a delicate soul who is playing host to something that crossed over from the Other Side. Two thousand years ago, the omens and portents would have been recognized by everyone, from old women to schoolchildren.
They would have warned him- don't break the Siren's heart.
SHE WILL DESTROY YOU
Indeed, Buckley's fatal error was to toy with the tender heart of Elizabeth Fraser, who had a hit with a cover of Buckley's father's "Song to the Siren." Buckley idolized Fraser and pursued her while she was on tour for the Cocteau Twins' album Four Calendar Cafe. The two enjoyed a brief but powerful affair, which also came when Fraser was at her most emotionally fragile and least able to manage the strange force possessing her.
But Buckley, young rock god, wasn't interested in anything serious:
Buckley had a reputation as a lover man, DNA from his body was kept in case of future paternity cases.
“He liked the ladies, the ladies liked him. When people’s stars begin to rise there’s a lot of people attracted to them, like moths to a flame, Jeff was like that. At one of his memorial services all these crying women going ‘Oh, you too?’ He had relationships with a lot of ladies over a short period of time. Not just sexual, but close personal friendships. Some didn’t know each other. He squeezed a lot into 30 years and specifically into the last five or six years of his life. Once he got to New York for the tribute to his father, which is where his career started, it was non stop until the time of his death.”Buckley might have been racking up conquests but Fraser had other ideas. She wrote a number of raw-wound songs about him and even produced a painfully-imploring shortform video addressed to him called Rilkean Dreams shortly after their split.
It would carry a chilling foreshadowing:
A short film called Rilkean Dreams (Fraser compared Buckley to the poet Rilke) was made in 1994 as a promo for the EP, named after the heart-rending "Rilkean Heart." It's hardly a promo as much as it is a nakedly confessional video love-letter to Buckley, with Fraser explicitly apologizing in song for being too needy and clingy here and then accusing Buckley of being selfish and immature there. But it's the symbolism that gets you.
The opening shot of Rilkean Dreams is of a slowly rushing river.
Followed by a sunset.
If ever there was an argument for teaching the art of divining omens and portents in school, that's pretty much it.Fraser would receive news of Buckley's death at a pivotal time:
The news that Buckley had disappeared – he drowned, swimming in the Wolf river in Memphis – came while Fraser was recording Teardrop with Massive Attack. "That was so weird," she says. "I'd got letters out and I was thinking about him. That song's kind of about him – that's how it feels to me anyway."The death devastated Fraser and the Cocteau Twins split not long after, seemingly exorcising Fraser and sending her into a semi-retirement ever since. In a bizarre twist, her first solo record would be called 'Underwater.'
And then there's this:
It seems she (Fraser) is haunted by guilt: for not being there for Buckley, for everything. As she puts it: "I need to forgive myself."What an odd turn of phrase.
As I detailed in previous posts on this frankly bizarre story, Fraser's discography is rife with startling premonitions of this archetypal drama. Discussing the Cocteau Twins' seminal album Heaven or Las Vegas, we see this:
Omens ignored: OK, here's where this story gets insane.
The 8th and 9th songs on this album are 'Wolf in the Breast' and the almost unbearably mournful 'Road, River and Rail'.
Jeff Buckley drowned in the Wolf River in Memphis, which runs parallel to a railroad and is crossed by Interstate 40.Further a reader informed me that the spot where Buckley entered the Wolf River was near the Bayou Gayoso. Fraser also sings the lyric "from out of the bayou" in 'Road, River and Rail.'
Why is any of this relevant? Well, Fraser is an interesting woman. The lyrics to the first Cocteau Twins album (Garlands, 1982) are absolutely soaked in the iconography of witchcraft and the occult.
Not to mention a song about a river called "Shallow then Halo." As in you're in shallow water (like Buckley actually was) and then you drown.
Fifteen years before Buckley's death.
And soon after Fraser underwent a somewhat startling transformation:
The lyrics to Garlands speak to a more-than-casual familiarity with witchcraft on someone's part, presumably Fraser's. In that context, it should be noted that the singer underwent a rather stunning metamorphosis from 1982 to 1983.
Her appearance, her wardrobe, her voice, her lyrical style, and her comportment all underwent a radical change. Gone were the punk togs; the provocative leather minis, fishnet stockings and high-heeled boots and in their place were billowy, neo-Victorian frocks (Fraser always wore long sleeves to hide her tattoos). Her lyrics began evolving towards the near-total glossolalia of Treasure, though the lyrics on Head Over Heels still retain the violence and menace of Garlands.
Even allowing for the effect of makeup, her face (most noticably, her irises) seemed to change- she looked like an entirely new person. You can see it in the live videos as well, where lighting and makeup have less power to disguise (or did back then).
Those are some Thomas Jerome Newton looking eyes
Remarkably, Fraser herself* said she believed she was channeling another force or entity in a 1984 interview. She also claimed her music "wrote itself " (shades of 'Stairway to Heaven').
And you know what? I believe her. Without question. Everyone seemed to sense it at the time.
ALL MY FRIENDS ARE INDIANS
Now what does any of this have to do with Chris Cornell, aside from his shared association with Jeff Buckley?
Well, just like all the Siren symbolism that connects to Jeff Buckley's death, it just so happens that Chris Cornell died just minutes away from the location of a very similar legend:
The Indian demi-god, Sleeping Bear, had a daughter so beautiful that he kept her out of the sight of men in a covered boat that swung on Detroit River, tied to a tree on shore; but the Winds, having seen her when her father had visited her with food, contended so fiercely to possess her that the little cable was snapped and the boat danced on to the keeper of the water-gates, who lived at the outlet of Lake Huron.
The keeper, filled with admiration for the girl's beauty, claimed the boat and its charming freight, but he had barely received her into his lodge when the angry Winds fell upon him, buffeting him so sorely that he died, and was buried on Peach Island (properly Isle au Peche), where his spirit remained for generations—an oracle sought by Indians before emprise in war.
His voice had the sound of wind among the reeds, and its meanings could not be told except by those who had prepared themselves by fasting and meditation to receive them. Before planning his campaign against the English, Pontiac fasted here for seven days to "clear his ear" and hear the wisdom of the sighing voice.
But the Winds were not satisfied with the slaying of the keeper. They tore away his meadows and swept them out as islands. They smashed the damsel's boat and the little bark became Belle Isle. Here Manitou placed the girl, and set a girdle of vicious snakes around the shore to guard her and to put a stop to further contests. These islands in the straits seem to have been favorite places of exile and theatres of transformation.
Myths and Legends of our Own Land, by Charles M. Skinner (1896)So we have a variation on the Siren/Lorelei myth here, right near the Fox Theater.
Jesus. What are the odds?
• We have a victim known for his powerful voice. Right near the Fox Theater.
• We have glossolalia as we have with Elizabeth Fraser.
• We also have a "girdle of vicious snakes." On the last Cocteau Twins album Fraser sings of a "Serpentskirt."
Fraser posed naked for the cover of that album, which featured a number of songs written about Jeff Buckley (Fraser was clearly still smitten, as this performance indicates) , dedicating "Love and a Thousandfold Rose" to him. Buckley answered her with the song "Thousandfold", written in Memphis. It included the line "Long time ago I'd died and gone."
• Like Mud Island, Belle Isle is located in a river off a major city.
• 'Road, River and Rail' not only mentions the bayous but also namedrops the Isle de la Cite in Paris. Both Memphis and Detroit trace their establishment to French colonists.
• And Jesus, I don't even know how to say it- OK, try this: CHRIS CORNELL RECORDED A SONG CALLED 'THE KEEPER'. In it he sings, "I am the keeper."
Are you getting all this now?
Strangely, Chris Cornell is credited as the author on several different lyric sites of 'Siren Song', written by Cocteau superfan Robert Smith. The lyrics are clearly inspired by Tim Buckley's 'Song to the Siren' and reference "crystal eyes." It also includes the couplet "She sang "Give me your life or I must fly away/And you will never hear this song again."
What's likely is that Cornell covered the song during a concert (Temple of the Dog covered the Cure's 'Fascination Street') and it was mistakenly credited to him by fans. The synchronicity of it all (not to mention "Let Me Drown") and how it seemed to ensnare him is par for the course in the apparently still-unfolding drama of the Siren.
UPDATE: Now this is going from insane to downright arcane. We saw the juxtaposition of 'Wolf in the Breast' and 'Road, River and Rail' acting as a prophecy of Jeff Buckley's death on the Wolf River. A body of water which- again- terminates at a place called Frayser. We saw the deeply disturbing premonitions- the river and underwater footage running throughout Fraser's heartbroken petitions to Buckley- in Rilkean Dreams.
And of course the title itself could be interpreted as a reference to the water of the Wolf River in the lungs.
But there's a little detail I overlooked- the lyrics to 'Wolf in the Breast', at least some of which are in English. Now you have to be careful with the lyrics posted on the Internet- they're nearly all guesswork by fans and don't bear any relation to what Fraser actually wrote.
That being said, a phrase recognizably repeated throughout is "I'll revenge all I need that day."
Mind you, this is a song that seems mostly concerned with taking care of a baby.
Now of course, Fraser herself was never consciously aware of this. She hadn't even met Jeff Buckley at this time. But by her own admission she wasn't always in control of the songwriting process, that the songs often wrote themselves. Who may have assisted in this process then? I guess we'll never know.
But given the Celtic extraction of the main players in the drama it's worth looking into the myth of the Leanán Sidhe:
In Celtic folklore, the leannán sí "Fairy-Lover" (Scottish Gaelic: leannan sìth, Manx: lhiannan shee; [lʲan̴̪-an ˈʃiː]) is a beautiful woman of the Aos Sí ("people of the barrows") who takes a human lover. Lovers of the leannán sídhe are said to live brief, though highly inspired, lives.
The leannán sídhe is generally depicted as a beautiful muse who offers inspiration to an artist in exchange for their love and devotion; however, this frequently results in madness for the artist, as well as premature death.
Like the Siren, the Leanán Sidhe is said to live at the bottom of the ocean.
UPDATE: It should also be kept in mind that Fraser was recording "Teardrop" with Massive Attack when Buckley died, a song she wrote about their breakup. The lyrics include lines about "black flowers blossom," a common symbol for death.
UPDATE: A Jesus Christ Pose in Detroit? Soundboard recording of Wolf in the Breastfrom 1990. Uploaded in 2015.
UPDATE: Our Gordon reminds us that Memphis- Egypt- literally had a Temple of the Dog, ie., Anubis.
*Fraser was studying Theosophy and Anthrosophy in 2012 at Emerson College, Sussex.
Again, David Lynch tried to license Elizabeth Fraser's version of 'Song to the Siren' for Blue Velvet but was unable to. He later used it in Lost Highway.
|The Covenant and the Cargo Cult: Concluded|
Let's get this out of the way first - SPOILERS! Then this: Alien: Covenant is not a very good movie.
It's not offensively terrible, in fact it goes out of its way to be as inoffensive as possible. Even the gore seems polite.
I'd give you a synopsis but you can just as easily take all your favorite scenes from the Alien franchise, arrange them however you please, add in a cartoon villain whose motivations are entirely incomprehensible and then go fix yourself up some Jiffy Pop.
Alien: Covenant goes to great lengths to piss away the entire ontology proposed in the film it's meant to act as a sequel to, ostensibly annihilating the god-like Engineer race in a blink-and-you'll-miss-it CGI eruption that has all the heft and drama of a 80s video game.
But at the same time it seems to tell a story beneath the surface narrative. And a lot of its riffs will be well familiar to anyone versed in Ancient Astronaut Theory. Which, let's face it, was arguably extraneous to the running plot of Prometheus (space mission finds remains of alien race mixed up with the xenomorph progenitors).
As Gordon and I discussed, it also feels like it meant to originally serve as the advance guard for a new AAT media blitz*, a plan that appears to have been scuttled in the wake of Hurricane Trump and the resultant cold (for the time being) civil war the country has been plunged into.
I've never seen divide-and-rule politics as divisive as what we're seeing today, with the ostensible goal being to atomize the population into impotent, squabbling subsects in order to preempt any potential challenge to oligarchal rule, even if the oligarchy itself is itself carved up into mutually antagonistic camps. (I should mention here that this whole program seems to have fired up in the wake of the Occupy movements).
Of course there's also the fact that the easiest social grouping (tribe, country, empire, etc) to conquer is one that's divided against itself.
But even this miserable turn of events seems to resonate with the AAT perspective as well, specifically the "gods at war" subplot running through Zecharia Sitchin's bibliography, as well as some of the theorizing emerging on the fringe science circuit.
Now, there's a strand of thinking among those who wrestle with the Fermi Paradox, essentially arguing that high technology is inherently anti-adaptive and inevitably leads to self-destruction.
What this theory essentially proposes is that we've not had any (acknowledged) contact with extraterrestrial races because they've all been wiped out by their own advanced technology (read: 'weaponry'). This of course is a wildly egocentric assumption ("extraterrestrial races are all as savage and murderous as we are") and automatically presumes that our own high technology is not in fact some kind of alien intrusion, even if it behaves every bit like one.
I bring this up because there are two running themes in Alien: Covenant I do want to unpack, because they do (obliquely) reference some of the basic tenets of AAT (the film seems to keep a lot of its AAT on the DL).
First off is David's genocide of the Engineer planet. This was a fairly ridiculous subplot, essentially chucking everything we were told about these beings in the first film. This is a billions year-old race that seeded all life on Earth and yet they're all defeated by a lone android who had hijacked one of their spacecraft? Huh?
Wouldn't they naturally have some kind of defense infrastructure that would have intercepted this ship before it ever reached orbit? There's no attempt at following the story's own internal logic.
Now there are all kinds of ways you could have made sense of this. The Engineers had degenerated over the millennia and lost their high technology, that they'd become so drunk on their own power that they never expected any exterior challenge, etc etc etc. But the film makes absolutely no attempt to sell any of that.
But by the same token there's a fascinating allegory at work here, even if it's unintentional, and that ties back to the war of the gods theme running through a lot of AAT theorizing.
Note that the Engineers aren't decked up in their Gigeresque finery in the apocalypse scene but look more like the kind of quasi-Medievals familiar to space fantasy fans. They also look pretty stupid gazing up at the approaching ship like the hapless New Agers in Mars Attacks.
But were they in fact the Engineers? Some fans don't seem to think so.
A closer look at the (humanoid) aliens in the film may suggest that this in fact was another descendant race, the clue being the skintone (matte and pinkish as opposed to chalky white and moderately reflective). They also don't seem quite as black-eyed. Another clue is their reaction to the ship, arguably suggesting these people were expecting their gods to return.
Is this a fakeout or a reference to another covert subplot altogether? It's possible there was a revelation that this was just a descendant race in the original script but that all got lost in the rewriting process.
Perhaps David's apparent plan to kill off the human colonists- who are both his progenitors and another descendant race- are the clue here. Either way, the story (mankind's cousins wiped out by a space invader) ties in pretty neatly with the theories put forth by plasma physicist Dr. John Brandenburg:
"Dr. Brandenburg has previously theorized that the red color of Mars and the radioactive substances in its soil are the result of a thermonuclear explosion from natural causes. He now says that the “high concentration” of Xenon-129 in the Martian atmosphere and uranium and thorium on the surface are remnants of two unnatural nuclear explosions, most likely triggered by alien invaders.
"Who were these aliens invading and eventually wiping out? Brandenburg believes Mars once had a climate like Earth and was inhabited by two civilizations – one in a region called Cydonia Mensa and another at Galaxias Chaos. Why these two regions?
'Analysis of new images from Odyssey, MRO and Mars Express orbiters now show strong evidence of eroded archeological objects at these sites.'According to Brandenburg, the Martians maintained a high civilization, albeit a non-technological one:
He says Mars once had an Earth-like climate home to animal and plant life, and any intelligent life would have been about as advanced as the ancient Egyptians on Earth.There's also David's genetic tinkering with the xenomorph genome. As a self-styled god, David here is playing the part suggested by AATheorists, who postulate that the Anunaki went through a series of experiments in creating the modern human genome and eradicated unwanted models while they did so.
Strangely enough, this also correlates to the AAT-friendly origin myth put forth by the ancient Greek writer Hesiod in his landmark Works and Days. Hesiod, significantly, was apparently deeply influenced by Babylonian literature, the Enuma Elish in particular.
And the war of the gods certainly correlates to the Titanomachy, or the wars between the Olympians and their progenitors, the Titans.
So is there an unspoken inference that David is the titular Prometheus, defying the "gods" and shepherding the engineered development of the xenomorph race? In the context of the film itself it's really hard to care one way or the other but it does suggest that there was in fact a lot more meat on the bone in previous drafts of the script.
But it's worth noting that the Alien franchise is not only another example of a major SF property that revolves around AAT it's also an example of a SF franchise onto which AAT was grafted midstream (at the same time it was grafted onto the Predator franchise).
Some franchises have AAT baked into their genome at conception (Star Trek (more or less), the Space Odyssey series, Battlestar Galactica) but many more seem to have it implanted sometime into their runs (Quatermass, Doctor Who, X-Files, Indiana Jones, Transformers, Jonny Quest, Godzilla, Doom, Halo, Assassin's Creed).
When the Olympics came to Hollywood
This raises a very simple question: why? Is there in fact a AAT cargo cult at work in the entertainment industry? I mean that sounds ridiculous, right?
Well, maybe it seems a bit less so when you look at the influence the Nine had on the Star Trek franchise (relaunching on television this year) or the fact that one of the most powerful cults in Hollywood is explicitly AAT-oriented right down to its very core. There's also the Mormon Church, which is at the very least AAT-compatible.
On the other hand, there's also the Brookings Report.
The report has become noted for one short section entitled "The implications of a discovery of extraterrestrial life", which examines the potential implications of such a discovery on public attitudes and values. The section briefly considers possible public reactions to some possible scenarios for the discovery of extraterrestrial life, stressing a need for further research in this area. It recommends continuing studies to determine the likely social impact of such a discovery and its effects on public attitudes…"One detail that caught the eye of researchers like Richard Hoagland is the mention of possible artifacts discovered on our neighbors, artifacts that might call our entire view of our planet and our very existence into question.
"While face-to-face meetings with it will not occur within the next twenty years (unless its technology is more advanced than ours, qualifying it to visit Earth), artifacts left at some point in time by these life forms might possibly be discovered through our space activities on the Moon, Mars, or Venus."And then there's this passage, which basically explains why so many STEM types are so deeply wounded by AAT:
"It has been speculated that, of all groups, scientists and engineers might be the most devastated by the discovery of relatively superior creatures, since these professions are most clearly associated with the mastery of nature, rather than with the understanding and expression of man. Advanced understanding of nature might vitiate all our theories at the very least, if not also require a culture and perhaps a brain inaccessible to Earth scientists."Huh.
And the money quote: suggestions for how that eventuality- or some kind of alien contact- might be managed by the Managers.
Continuing studies to determine emotional and intellectual understanding and attitudes -- and successive alterations of them if any -- regarding the possibility and consequences of discovering intelligent extraterrestrial life.
Historical and empirical studies of the behavior of peoples and their leaders when confronted with dramatic and unfamiliar events or social pressures. Such studies might help to provide programs for meeting and adjusting to the implications of such a discovery. Questions one might wish to answer by such studies would include: How might such information, under what circumstances, be presented to or withheld from the public for what ends?And lo and behold, 57 years after the Brookings Report we get this:
The solar system that humanity calls home may have once been inhabited by an extinct species of spacefaring aliens, a top scientist has suggested.
A space scientist has suggested ancient extraterrestrials could have lived on Mars, Venus or even Earth before disappearing without a trace.
In a fascinating academic paper about “prior indigenous technological species,” Jason T. Wright from Pennsylvania State University raised the fascinating possibility that evidence of these extinct aliens could exist somewhere in the solar system.
Wright is an astronomer who received global attention after suggesting an “alien megastructure” had been spotted in orbit around a distant star.Now the stargazer has said advanced aliens may have left behind “technosignatures” for us to find — if only we knew where to look for them.Of course, this is exactly what Richard Hoagland has been talking about- and has been roundly attacked for doing so- for at least the past 40 years. But I suppose it's different when the very same theorizing comes from within the priesthood.
It's funny; last night I was cutting the grass and thinking about stuff. You know, like you do when you're cutting the grass. Then I started mulling over how simplistic and repetitive the Ancient Aliens show is and how quickly Giorgio Tsoukalos transformed himself into a cartoon character.
But then I realized that's how educational indoctrination works in our culture.
All kinds of teaching and training materials in public schools use cartoon characters, right? Walt Disney probably made a fortune licensing his characters for educational films. And it's through repetition that people really learn anything.
So Ancient Aliens might chew over the same gristle year after year but that helps keep its messaging consistent as its audience ebbs and flows (read: enters/graduates high school). Love it or loathe it, you have to acknowledge that there's a cogent methodology at work there.
Government-conditioning program or cult indoctrination, they all work out of the same toolbox.
Is it all leading up to some major revelation, the way 'Disclosure' advocates expect? Or is all leading up to some massive Project Blue Beam type of hoax?
Well, why would anyone expect it to? Why would anyone expect the skies to open- or not- as the climax of all this conditioning?
The answer, of course, is Hollywood. Because that's the way it works in the movies. Real life doesn't usually work that way.
However, no matter who or what is behind all this the fact remains that, like it or don't, AAT (and the UFO topic in general) have already dramatically changed our culture, our technology and our society. Certainly our popular culture.
Being a bit long in the tooth it still boggles my mind how many younger people take the basic assumptions of AAT for granted, even if they haven't read a page of Sitchin or Von Daniken or even watched a single Ancient Aliens. They don't have to. So much of their favorite pop culture is neck deep in it.
*You can toss in the Sekret Machines project here, spearheaded by former Blink 182 guitarist Tom Delonge and Peter Levenda of Necronomicon and Sinister Forces fame, and involving all kinds of Deep State heavies such as John Podesta.
|The Covenant and the Cargo Cult: Rune Soup interview|
On the latest Rune Soup podcast, Gordon and I discuss the disappointment that is Alien: Covenant. Then we speculate about its place in the cargo cult worldview and the conditioning agenda prescribed in 1960 by the Brookings Institution. I've been working on a companion post for this discussion, which I hope to have up by tomorrow night at the latest.
I do my best to keep up with Gordon but effort only takes you so far. I'm out of practice with these kinds of things ( I barely say a word to anyone most of the day) and I was experiencing some major fibro fog because of the miserable weather we've been having here but Gordon goes above and beyond to pick up any slack. Gordon is a bonafide genius (I don't use that term lightly) and gets my vote as the Mozart of Podcasters.
Alien: Covenant has been cited as one of the major under-performers of the summer season and has been (rightly) trashed by YouTube critics but seems to be an important part of this 57 year-old acclimation program we've all been subjected to (slow and steady wins the race, apparently). It's probably more interesting for the things it doesn't say (but implies) than anything you're actually seeing on the screen itself.
Gordon and I also speculate as to whether the current Deep State civil war had some kind of suppressive effect on a planned-but-aborted multimedia rollout that may include the Tom DeLonge Sekret Machines program and the drip-out of news stories like the mind-boggling Jason Wright/Penn State paper on ancient aliens. I usually don't much go for the whole "disclosure" meme but if you're looking for evidence that such a thing is actually underway that's a pretty good place to start.
There's a lot we didn't get to and I'll try to address some of the points I had laid out in my notes for this show but didn't get around to raising in my next post. Looking forward to hearing your feedback about the film.
|Twin Peaks and the Metaphysics of Evil|
Well, after 27 years of waiting and a good 18 months of hype it's finally here. Showtime aired the two-hour Twin Peaks reboot premiere and posted the first four episodes (the premiere was broken in two) online. I binged the first three as soon as they went up and the last episode the following morning.
My first impression? Ye gods, it's weird.
I mean, even on the David Lynch sliding scale, it's weird. How weird? Well, it makes the weird bits of Mulholland Dr and Inland Empire play like Days of Our Lives. Some door in Lynch's unconscious seems to have gone well off its hinges.
It's also maddeningly inconsistent, veering from long, flabby scenes where nothing seems to happen to random bursts of truly disturbing horror and violence. There are a number of high profile cameos that range from the numinous (the more-radiant-than-ever Madeline Zima) to the far less-so (Michael Sera comes across as the pretentious kid in your ninth grade drama club) and an extremely confusing subplot with a Dale Cooper-alike in Las Vegas, not to mention the actual Dale Cooper and his demonic doppelganger.
But you know me, this shit's right up alley. I was at turns bored, riveted, horrified and embarrassed but I'm counting the hours to the next episode (which will go live on June 4th).
But the rest of the country? Maybe not so much.
Since we live in a culture that measures the quality of art in dollars and demos the big story on Twin Peaks was the tepid ratings it got. From Vulture:
The owls are not what they seem, and neither was viewer interest in a Twin Peaks revival — at least if Nielsen ratings are your metric for success. Per the ratings giant, Sunday’s quarter-century-in-the-making Twin Peaks: The Return attracted just 506,000 same-day viewers to Showtime via the network’s main linear channel.But same-day is an archaic metric, isnt it? I'm sure the overwhelming majority of the audience will be consuming Twin Peaks online. We cut the cord a while back and haven't missed it. No one was actually watching the cable feed anyways. Vulture again:
First, it’s worth remembering the 506,000 viewer number reported by Nielsen Tuesday represents only a fraction of the audience that will ultimately consume Peaks across various Showtime linear and digital platforms. When measured over the course of weeks, rather than a single night, it’s quite common for premium cable series to end up with three, four, or even five times as many unique viewers as the same-day Nielsen ratings suggest. The actual audience for Sunday’s Twin Peaks resurrection will likely end up in the 2–3 million viewer range — no doubt less than what Showtime execs hoped for when they green-lit the project, but not quite as minuscule as these early numbers suggest.But do note that the Twin Peaks premiere was watched by a mind-staggering 34 million Americans. But the blush came off that rose fairly quickly, especially during the second season when the series was relegated to the death slot. Even so, it has to be said that David Lynch has never been box office. Instead his audience is "more selective," as Ian Faith might have it. From Forbes.
Although David Lynch has always been something of a critical darling and a cult hero, the quality of his work hasn't necessarily translated into box office dollars. Yes, Mulholland Drive got rave reviews and was even voted best film of its decade by the Los Angeles Film Critics Association (full disclosure: I'm a member and did not vote for it, feeling that as a rejiggered TV pilot it wasn't as deep as people were giving it credit for). But in terms of box office, it only generated $20 million international. His follow-up,Inland Empire, was way down from even that, at merely $4 million international, less than $1 million of which was domestic.Just how selective it can be is evidenced by this frankly arrogant passage in the Variety review, written by Sonia Saraiya:
The bankable popularity of “Twin Peaks” also makes for an inexplicably stupid scene at the Bang Bang where the indie-electronic band Chromatics performs to a room of middle-aged townies taking tequila shots. Nothing says rural, small-town, faded glory like an impossibly cool synthpop band.What time period is Saraiya living in? First of all The Chromatics are an 80s revival band so it goes without saying that they would appeal to the "middle-aged townies" who grew up on synthpop. Second, Twin Peaks is set in the Pacific Northwest, which last time I checked was pretty hep to pop culture. Third, Lynch has been using synthpop in his projects since Blue Velvet.
The Forbes review seems to get it:
(The)Chromatics, as well as whatever industrial band it is that plays underneath footage of a car journey at night, fit effortlessly into the Lynchian soundscape.But overall I think the more savvy viewers will adjust themselves to the jumbled narrative Lynch is putting on the table. As agog as I felt during long stretches of my binge I came out of it with a strong sense of theme.
Lynch sets up a number of different arcs in different settings. The story ranges from Twin Peaks to Manhattan to South Dakota to Las Vegas. Plus, what looks like outer space but may be some other dimension entirely. And oh yeah, the Black Lodge.
In Twin Peaks a phone call from the Log Lady to Deputy Sheriff Hawk reopens the Laura Palmer case. It's here where we get the strongest hit of that old time Peaks religion and a serving of familiar faces (maybe a little too generous a serving in some instances). We also get some rather stunning photography that would fit proudly on anyone's demo reel. Plus, an owl.
The story in Manhattan centers on a young man whose job it is to sit in a secure room and stare at a glass box on behalf of some shadowy billionaire. He's being courted by a gorgeous young woman (Zima, turning on her native charm like a flamethrower) who is inexplicably curious about his job.
Unlike some other reviewers I won't spoil this arc. But I will say you could cut out those sequences and have yourself a very fine Stevens-Stefano Outer Limits tribute on Lynch's part. I'm thinking "The Galaxy Being", "OBIT" and "Don't Open 'Til Doomsday" were spinning in very heavy rotation somewhere in Lynch's head, unconsciously or otherwise.
The South Dakota storyline updates us on the Dale Cooper doppelganger introduced in the final moments of the original series. There's another murder mystery on the menu and a very Twin Peaks undercurrent of small town sexual intrigue when a high school principal is accused of murdering his mistress.
The Cooperganger comes across like Frank Booth on Xanax but no less lethal. To show us just how lethal he's featured in a murder scene that is frankly pretty hard to watch.
We encounter the original Cooper, still trapped in the Black Lodge. Which seems only to have gotten more insane in the intervening 27 years. Michael Anderson has been replaced by the One-Armed Man so you don't really miss a beat (Anderson disqualified himself after hurling some pretty wild insinuations against Lynch on his Facebook).
And plus there's a talking brain-tree thing which refers to itself as "the evolution of the arm" (Michael Anderson's character referred to himself as the Arm). Which is probably the least bizarre thing in the Cooper arc.
I mean, strap yourself in because the Cooper-Black Lodge arc goes absolutely bugshit, even more so than anything Lynch has ever filmed. If you thought the lodge stuff was crackers, you literally have seen nothing yet.
Although all these arcs might seem unrelated-- and most probably completely bewildering to anyone not acclimated to Lynch's surrealist vision-- I am sensing a very strong thruline here.
I may be projecting all over it but it feels to me that Lynch is presenting a new metaphysics for evil.
There's been a debate as old as humanity about the origin of evil, whether it's an innate reality or an invader from without. With the Bob arc from the first series and now with the juxtaposition of the Black Lodge and the Glass Box Lynch appears to arguing that evil is in fact a foreign presence, a metaphysical force that intrudes into our reality to look for hosts.
As if to concretize this we see that the evil Cooper is not of our Earth and once the real Cooper escapes from his imprisonment (a spoiler, but come on) he is weakened and himself imprisoned.
I would argue then that Twin Peaks is a narrative about the flowering of evil.
It presents evil as an outside force that invades and sets up shop into our environment then goes about finding suitable hosts to express itself through. It destroys lives, ruins families and communities for no apparent reason then moves on.
This theme was explored in the thorny and divisive Fire Walk With Me, with Laura Palmer's descent prefigured by her dream of the Black Lodge and with her father's possession by the evil spirit Bob (what a great name for a demon).
Of course, Lynch may well move onto other themes before the series is finished so this is a provisional analysis. But Lynch seems to be fairly consistent in his fixations if you get past the whimsy.
A lot of people accused Mulholland Dr and Inland Empire of incoherence but they both make perfect sense when you figure out their secrets. They're also essentially the same film told from two different perspectives.
Anyhow, I'm very interested in hearing your thoughts on the series so far and any speculations you might have where all this is headed. I just hope the media doesn't just see it all as a numbers game.
|Chris Cornell: The Muses Choose Broken Vessels|
Jesus Christ Pose
The Alternative Rock explosion of the early 90s was fueled by a wave of great singers. After a lost decade of metallic shriekers and New Wave gurglers-- which some call the 80s-- there was suddenly an embarrassment of strong voices revitalizing rock music, especially hard rock music.
Most of these had cut their teeth on punk and hardcore and subsequently learned to trim back the fat and excess that torpedoed their 70s forebears. They also learned to step around the wretched excesses that ran the 80s metal explosion into the ground; cookie-cutter sameness, image over substance, half-written songs, cliche piled on cliche.
Alternative rock would itself get watered down and xeroxed into oblivion, especially as careerists figured out a way to counterfeit the formula (I'm looking at you, Candlebox and Seven Mary Three) and record companies signed up every pseudo-grunge band they could find (and strong-armed other acts to hop on the bandwagon).
By the end of the 90s it all devolved into an obnoxious fratboy rock (I'm looking at you, Limp Bizkit and Creed) that reached its inevitable apotheosis at the disastrous Woodstock '99 (held on a decommissioned military base).
But before that all went down some of the most vital and exciting rock music of all time was produced.
Alternative Rock, or more accurately GenX Rock, has taken its place in the classic rock canon. Tracks by Nirvana, Soundgarden, Stone Temple Pilots and the Red Hot Chili Peppers are snuggled in tightly between all the Led Zeppelin, Aerosmith and Pink Floyd cuts overplayed on FM radio. But five of the most remarkable vocalists of that era- Kurt Cobain, Layne Staley, Jeff Buckley, Scott Weiland and now Chris Cornell--- are lost to us.
And the 9-ton Tyrannosaurus lurking in the back of the concert hall is that modern plague, clinical depression. It's a subject I'm all too familiar with. It's the witches' curse on Generation X.
Chris Cornell was an enigmatic figure among the Grunge pantheon. If Kurt Cobain was the snotty punk, Eddie Vedder the self-serious poet, Layne Staley the tortured howler and Scott Weiland the Joker in the pack, Cornell was an entirely unique presence, as was Soundgarden. Tall, lean but ripped, possessing an odd, androgynous beauty and an enviable black mane, he came across as aloof, Olympian. His piercing, multi-octave voice felt like a weapon, more like an incarnation of Apollo the Destroyer than Ozzy Osbourne.
Similarly, Soundgarden was perhaps the most effective translator of the power of early Black Sabbath yet, but were brainy, difficult, challenging.
They were unmistakably Heavy Metal-- in the original, Blue Cheer definition of the term --but didn't shriek the usual ditties about dick size and date rape. It was pretty clear they had no time for that kind of nonsense (See "Big Dumb Sex"). It was clear they took as much inspiration from King Crimson and Black Flag as from Zeppelin and Sabbath.
Their first major single was an epic environmentalist jeremiad that goofed on Metal's "kill-your-mother-music" reputation by screaming "you're going to kill your mother" in the refrain. The mother here being Mother Earth, of course.
Predictably, Chris Cornell's corpse was literally not cold yet before the modern ambulance chasers of the Internet were declaring it was obviously an Illuminati sacrifice. One hilarious YouTard video went on about how there was no other explanation for Cornell's death, that he'd have no reason to kill himself.
Obviously someone who never actually listened to a single stitch of Soundgarden.
Like Ian Curtis-- who hung himself 37 years almost to the day before-- many of Cornell's lyrics read like suicide notes. After all, this is a man who kicked off one of his biggest hits with the couplet "Nothing seems to kill me/ No matter how hard I try." Two of his other big hits "Black Hole Sun" and "Fell on Black Days" are practically master classes in the art of expressing the utter hopelessness ("'Neath the black the sky looks dead") that can overtake you when a depressive episode strikes.
The same goes for Soundgarden's breakout hit, "Outshined," practically a hymn about searching for a crack of sunlight while waiting a dire episode out. "The Day I Tried to Live" is even more astonishing, a documentary retelling of those mornings when depression- aggression turned inwards- becomes aggression turned on the world outside.
Cornell was very candid about his struggles with depression. In an interview with Rolling Stone he discussed the inspiration for "Fell on Black Days":
This reissue includes several versions of "Fell on Black Days," which is pretty dark. What inspired it?
Well, I had this idea, and I had it for a long time. I'd noticed already in my life where there would be periods where I would feel suddenly, "Things aren't going so well, and I don't feel that great about my life." Not based on any particular thing. I'd sort of noticed that people have this tendency to look up one day and realize that things have changed. There wasn't a catastrophe. There wasn't a relationship split up. Nobody got in a car wreck. Nobody's parents died or anything. The outlook had changed, while everything appears circumstantially the same. That was the song I wanted to write about.
No matter how happy you are, you can wake up one day without any specific thing occurring to bring you into a darker place, and you'll just be in a darker place anyway. To me, that was always a terrifying thought, because that's something that – as far as I know – we don't necessarily have control over. So that was the song I wanted to write.It wasn't just for the gloom-metal gimmick of Soundgarden that Cornell laid bare his struggles. They crept into tracks he recorded with Audioslave- the supergroup made up of Cornell and the musicians of Rage Against the Machine, including their biggest hit "Like a Stone."
Cornell was also candid about his history with clinical depression, which he traced back to a somewhat hardscrabble upbringing.
Cornell abstained from drug use for a time following an adverse reaction to the hallucinogenic PCP, but the frightening, dissociative experience, coupled with the trauma of his parent’s divorce, plunged him into a severe depression. “I went from being a daily drug user at 13 to having bad drug experiences and quitting drugs by the time I was 14 and then not having any friends until the time I was 16. There was about two years where I was more or less agoraphobic and didn’t deal with anybody, didn’t talk to anybody, didn’t have any friends at all.”And clearly showing that he also struggled with suicidal ideation, Cornell foreshadowed his own end in an interview with Guitar.com, saying, “You’ll think somebody has run-of-the-mill depression, and then the next thing you know, they’re hanging from a rope."
Writer Kate Paulk wrote about the black dog of depression recently and offered up an apt metaphor lifted from pop culture:
Let’s start by clearing up one thing. Sadness, grieving in response to a loss… that is not depression. It’s sadness. Grief. It passes with time, and even at its worst there are moments of joy and hope. Depression is not like that. Everything is poisoned.
J. K. Rowling is describing depression when she describes the Dementors and their impact. Get too near a Dementor and every good feeling, every happy memory will be sucked out of you.
This is precisely what depression does. There is an absence of hope, an inability to believe that there can ever be anything positive in your life again. That isn’t sadness or grief, and it isn’t necessarily expressed by tears.Cornell was also a substance abuser and dove headlong into an opioid addiction after Soundgarden split in 1997. It may well have come from a chronic pain issue, closely related to chronic depression:
People with depression show abnormalities in the body’s release of its own, endogenous, opioid chemicals. Depression tends to exacerbate pain—it makes chronic pain last longer and hurts the recovery process after surgery.
“Depressed people are in a state of alarm,” said Mark Sullivan, a professor of psychiatry at the University of Washington. “They’re fearful, or frozen in place. There’s a heightened sense of threat.” That increased threat sensitivity might also be what heightens sensations of pain.Opioids certainly aren't very effective painkillers in the long term but they are very effective anesthetics when you're struggling with chronic depression.
Opioids treat pain, but depression and pain are often comorbid, and some antidepressants relieve neuropathic pain even in the absence of depression. Depression involves dysfunction in monoamine systems, the hypothalamus-pituitary-adrenal (HPA) axis, and hippocampal neurogenesis, but could it also be rooted in a deficit of endorphins, or even an endopharmacological withdrawal state?
Before the modern antidepressant era, depression was often treated with opiates—with a sometimes heavy price of addiction.The real hell of opioids is that they rewire your brain, causing the natural processes that regulate depression and euphoria to atrophy. Depression can skyrocket when you stop taking them, since your brain basically forgot how to produce sufficient amounts of the neurotransmitters that manage your moods.
u-agonists relieve depression-like behavior acutely, but tolerance develops, and depression is worse on withdrawal from long-term administration. Delta-agonists appear to improve mood, while kappa-agonists worsen it. There is evidence that opioid dysfunction accounts for lack of pleasure in depression, while problems with dopamine impair motivation. Opioid systems, then, participate in many mood-related functions. They are examples of evolutionary repurposing of neurotransmitters that originally evolved for one purpose to meet a variety of other needs.
Cornell's family is understandably shocked by his death. His widow blames an elevated dose of the tranquilizer Ativan for the somewhat disturbing performance he put on in Detroit and his resulting suicide.
Cornell died on the evening May 17th, 2017, shortly after performing a concert with Soundgarden in Detroit, MI. His death was met with shock by many; his representative described it as "sudden and unexpected," adding that the singer's family will be "working closely with the medical examiner to determine the cause."
Hours after his death was reported, the Wayne County Medical Examiner's office ruled Chris' death a suicide by hanging. According to Us Weekly, a family friend had found Cornell on the bathroom floor of his MGM Grand hotel room. ABC News also reported that two Detroit papers claimed that Cornell was found with "a band around his neck," though Detroit Police spokesman Michael Woody could not confirm that information.
Cornell's wife, Vicky, released a statement on his death on Friday, May 19th, 2017, in which she cast doubts that his suicide was intentional. In fact, on the day of his death, Vicky claimed they had "discussed plans for a vacation over Memorial Day and other things we wanted to do." "When we spoke after the show, I noticed he was slurring his words; he was different. When he told me he may have taken an extra Ativan or two, I contacted security and asked that they check on him," she said.
"What happened is inexplicable and I am hopeful that further medical reports will provide additional details," she continued. "I know that he loved our children and he would not hurt them by intentionally taking his own life."I think the fact that Cornell ad-libbed verses from "In My Time of Dying" over a rendition of "Slaves and Bulldozers" during the closing encore in Detroit gives a fairly compelling signal that he had resolved himself to a course of action that night. Despite an incredibly shaky performance he seemed in good spirits to some, all too common with depressives resolved to suicide. But others noticed he seemed irritable and unfocused, forgetting the lyrics. He complimented the Detroit audience and then said, "I feel sorry for the next city."
An extra Ativan or two is unlikely to induce suicide. But long-term use of it (it's recommended that lorezepam-- a member of the highly-problematic benzodiazepene family-- be used only a short term basis) might. And it's very possible he took an extra dose of the drug to gird his loins for a decision he had already made:
Suicidality: Benzodiazepines may sometimes unmask suicidal ideation in depressed patients, possibly through disinhibition or fear reduction. The concern is that benzodiazepines may inadvertently become facilitators of suicidal behavior. Therefore, lorazepam should not be prescribed in high doses or as the sole treatment in depression, but only with an appropriate antidepressant.Depression and suicidal ideation go hand in glove. And there are all kinds of psychiatric drugs that tell you upfront that suicidal ideation is a major side effect. How that doesn't keep them off the market is a mystery to me.
The other problem is that people who obsess on suicide usually don't talk about it with people close to them since they realize that confessing to it will very likely act to derail what they have been planning. And again, professionals will tell you that very often when a depressive has resolved themselves to suicide they can often seem very cheerful and upbeat, since they believe that their suffering will soon end.
So the question becomes if a rich, celebrated and handsome rock star can't find a reason to stay alive, what hope is there for the rest of us? Well, it's a lot more complicated than that. Aside from his struggles with clinical depression, Cornell was also beset by tragedy, losing people closest to him to early death.
The first of these was his roommate Andrew Wood, the flamboyant singer for legendary Seattle band Mother Love Bone who died of a heroin overdose in 1990. Cornell was so shaken by Wood's death that he formed a defacto supergroup with members of MLB and recorded the now-legendary Temple of the Dog album as a tribute, which produced the grunge anthem "Hunger Strike" (featuring a duet between Cornell and future Pearl Jam star Eddie Vedder).
Temple of the Dog in fact led to the formation of Pearl Jam, facilitated by the introduction of Vedder to the Seattle scenesters by drummer Jack Irons, a member of the original Red Hot Chili Peppers who also played with Pearl Jam and Joe Strummer, among an army of others. Strangely enough, Irons has his own struggles with depression. As did Joe Strummer, for that matter.
The Muses choose broken vessels. It's a Secret Sun truism.
Cornell was so shaken by Wood's death that it would haunt Soundgarden songs as well.
The song you workshopped the most was "Like Suicide." In the liner notes, you say it kind of became a metaphor for how you were feeling at the time about late Mother Love Bone frontman Andy Wood.
Yeah, the lyrics were actually this simple moment that happened to me. I don't know that I ever directly related it to Andy, though there are a lot of songs that people probably don't know where there were references to him or how I was feeling about what happened with him. I just think that that was something that happened to me that was a traumatic thing and that I had a difficult time resolving it. I still never really have. I still live with it, and that's one of the moments where maybe in some ways it could have shown up, but I'm not really sure specifically where.Another body blow was the 1994 death of Kurt Cobain, another friend who died in time to cast a pall of existential darkness over Soundgarden's epochal Superunknown album, released a month before Cobain's death. So even as Soundgarden were enjoying their moment, death and tragedy revisited Cornell. (Cobain had his own issues, exacerbated by years of opioid abuse, but there are those of us who don't buy the suicide angle in this particular case).
It had to hurt, especially since Cobain had told Cornell that Soundgarden has inspired him to form Nirvana in the first place.
Superunknown was an instant classic, easily one of the top 10 Hard Rock albums ever recorded, hammering you with one killer track after another. Along with Stone Temple Pilots' Purple album, Pearl Jam's Vitalogy and several others it established 1994 as the watershed for Alernative Rock, despite Cobain's death and Nirvana's dissolution.
Soundgarden's 1996 follow-up Down on the Upside, failed to capitalize on its predecessor's momentum, and seem to showcase a band uncertain of direction and sense of purpose. No one was really surprised when Soundgarden broke up the following year. Oddly enough the breakup seemed to go down almost exactly three years after Kurt Cobain's death.
But Tragedy wasn't finished with Cornell yet. Shortly after Soundgarden broke up Cornell would lose another soulmate.
He lost two friends within the space of a few years. Cobain died in 1994 and, three years later, singer-songwriter Jeff Buckley, practically a brother to Cornell, drowned while swimming in a tributary of the Mississippi in Tennessee.Of course, this brings all this squarely into the Secret Sun wheelhouse. Cornell would be haunted by Buckley's death, writing the aching "Wave Goodbye" (in which he seems to channel Buckley's ghost) for his first solo album and acting as a de facto executor-slash-curator for Buckley's posthumous releases.
This tells us a lot, since the 20th anniversary of Jeff Buckley's death is coming up fast and furious. Cornell showed he was clearly still haunted by Buckley's passing when he brought the late singer's old landline phone onstage with him during his 2011 acoustic solo tour.
KALAMAZOO — I've had several people ask about the red phone that was on stage during Chris Cornell's 130-minute set at the Kalamazoo State Theatre last week. Cornell never addressed it during the show and it never rang, so I didn't think much of it. After another reader asked Monday, I looked into it.
According to a representative with the New York-based Press Here Publicity, which handled promotion for Cornell's solo tour, the phone belonged to singer/songwriter Jeff Buckley.As Secret Sun readers will remember, the last song Jeff Buckley sang before his death was "Whole Lotta Love", a blues standard that Led Zeppelin turned into what one critic called "a themonuclear rape."
And it would be "In My Time of Dying," another old blues standard that Led Zeppelin turned into a jackhammering stomper that acted as Cornell's own self-elegy. This, along with the timing of Ian Curtis's own death by hanging in 1980 seems a bit too synchronized for Cornell's death to be some kind of mad whim because he took too much Ativan. As painful as it might be to admit, it seems as if this was probably a very long time coming. After all, this is the man who wrote "Pretty Noose."
So it seems apparent that it wasn't the Illuminati but in fact the demon possession of depression that took Chris Cornell away from his family. With many of his closest friends gone and the glory days of the 90s more and more a fading memory in a world itself gripped by chronic depression, I can't say I'm surprised by the suicide ruling.
The life of the rock star in 2017 is a galaxy away from the golden age of the rock star in 1977. It's become a grueling job in the age of streaming and piracy, since you need to make all your money on the road now. Spending your life traveling from one brutalist concrete box to another when you're fifty-two is surely a lot less appealing than when you're twenty-two.
If there's any good to come of this tragedy it's to understand that depression isn't some kind of scarlet letter, it's an inevitable result of what one scientist called "the greatest blind experiment in history," the bombardment of our brains and bodies with every manner of stimulus and stress imaginable, 24 hours a day, 7 days a week, 365 days a year and then some.
Having spend my teenage years in the white-hot cauldron of hardcore punk I can tell you that that kind of hyperstimulation had -- how do I put this? --less than a salutary effect on a lot of people I knew. Seeing that same formula translated into the mainstream culture goes a long way in explaining why depression has become the great mass epidemic of our time. Now it's claimed another trophy and we're all the poorer for it.
But as the Greeks and Romans once said, vita brevis ars longa.
French philosophers once said that the invention of motion pictures had conquered death, that people would now live on forever once they were recorded. I guess the same goes for recorded music as well. So I think it's safe to say that after three decades of music, Chris Cornell has earned his place among the immortals. Let's hope someone learns something from his story.
|Covenant and the Cargo Cult, Part 2: Hollywood Babylon|
Several years ago I blogged on the Oscars and the enigma of the Hollywood and Highland complex they're held in, specifically the very odd presence of the Babylon Gate, recreated from DW Griffith's epic flop, Intolerance. As I wrote back in 2008:
The rear entrance to the theatre is a massive recreation of the Babylon Gate from D.W. Griffiths’s Intolerance (Griffith was yet another Hollywood Freemason)... Near the top rim of the gate is a border design made of 17 keyhole-shaped objects. It seems only appropriate that behind the Babylon Gate stands the Renaissance Hotel, located on the 1700 block of Highland Ave.
All well and good, right? Now ask yourself- what in Heaven's name is this doing in the courtyard of the venue where the World's most prominent awards ceremony is held every year? What connection is this alleged to have to the Oscars? I mean, the symbolism is obvious but what's the cover story?
Well, apparently the cover story is that the legendary writer Ray Bradbury- the poet laureate of science fiction-- insisted that the Gate be installed at the plaza. Why exactly and exactly how he had such pull with the H&H developers is a real brain-teaser. Bradbury is quoted thusly:
"I told them that somewhere in the city, they had to build the set from the 1916 film Intolerance by D. W. Griffith. The set, with its massive, wonderful pillars and beautiful white elephants on top, now stands at the corner of Hollywood and Highland avenues. People from all over the world come to visit, all because I told them to build it. I hope at some time in the future, they will call it the Bradbury Pavilion."Well, that's all well and good but the fact remains that the planners probably wouldn't have gone to the trouble and expense of recreating the Gate simply to humor a writer, no matter how respected he may be. And there's the blindingly obvious symbolism to be unpacked here.
Because what we're talking about here is the literalizing of "Hollywood Babylon," which you have to admit is kind of a ballsy, in-your-face kind of move. Note you don't see any other pseudo-cyclopean artifacts from any other ancient culture there. Of course, what it also does is make a very specific and definitive statement as to what Tinseltown holds most sacred.
I mean, Babylon. Think about it for a moment.
Did I mention that they hold the Oscars here, the 800-pound gorilla of all award ceremonies?
As you may already know, Babylon is a Greek rendering of the Akkadian bav-ilim, which means "Gate of the Gods." So the H&H gate is in fact a symbolic representation of a portal to the world of the gods, or a stargate if you prefer.
What's more, Babylon was founded by the great usurper Sargon of Akkad, who we discussed last year not only for his conquest of Sumer-- and all that implies-- but for the possible fingerprints he might have left on several Bible stories as well as the Prometheus mythologies.
Oh yeah, because that's Prometheus' story as well.
Lugal-zagesi marched his army from Kish to meet Sargon in battle and was defeated. Sargon then put Zagesi in chains, tied a rope around his neck, and took him to the city of Nippur, sacred to the god Enlil upon whom Lugalzagesi had relied, and forced him to march in humiliation through the Enlil's gate.Again with the gates.
So the Babylon Gate doesn't just connect back to Sumer and the foundation of Western civilization and the monotheistic religions (Abraham was actually Sumerian), it also ties into-- you guessed it-- Ancient Astronaut Theory, specifically through the influential work of Zecharia Sitchin.
For whatever problems Sitchin's work may have, no one did more to identify Sumer with ancient astronauts in the public imagination.
Did I mention that many of the biggest SF movie/TV franchises coming out of Hollywood have Ancient Astronaut Theory as the basis of their mythology? I did? Good.
I would argue that the Gate also ties into the Lucifer archetype through the Zagesi-Prometheus link, not to mention through the fascinating constellation of mysterious yet crucially important Sumero-Akkadian fire gods, variously known as Gibil (Gilgamesh is a rendering of Gi-bil-aga-mis, which literally means "Gibil is commander"), Girra (which literally means "Light-Bringer"), Nusku (the guardian of dreams and lord of the night) and others.
This Babylonian Lucifer was described in language anyone raised Christian would recognize (such as "first-born son of God," for starters) two-thousand years before Jesus walked the Earth.
This Babylonian Lucifer was also a binary god. He Incarnated the elemental power of fire, so over the years there were both benevolent and malevolent fire gods. The badass fire god was Nergal, god of the underworld (also known as Lugalgirra, Erra, etc). Like Osiris (immortalized in the Oscar statuette itself) Nergal was believed to represent the Sun in the underworld.
This of course re-emerged in the form of the much-later innovation of Satan and Lucifer representing the dark and light natures of the Princes of Hell. How exactly that little arrangement arose in the Middle Ages, when the original Akkadian/Babylonian texts were believed to have been long lost, is another puzzler altogether.
The Babylonian Lucifer not only surfed his way along the waves of cultural displacement, the Assyrians saw him as a bulwark against black magic and witchcraft, as recorded so famously in the astonishing Maqlu grimoire (which Necromonicon fans should really take the time to read).
So I should probably insert the fact that Gordon referred to Alien: Covenant as a "Space Lucifer" movie, for reasons I get even though I haven't seen the movie yet. Well, I should say that haven't seen the last third of the movie that hasn't been previewed or clipped on YouTube.
I have to admit it blows my mind how the Sumerian religion-- which existed for millennia before the Sumerians were displaced from the roll of history-- was adopted with only superficial innovations by their conquerors. And their conquerors. And their conqueror's conqueror's conquerors.
You're looking at a tradition that arose out of Neolithic times-- at the least-- and persisted up until the time of the Muslim conquests (albeit in a relatively-reduced form as "Chaldean Magic"). And of course it had a major influence on the Biblical tradition as well as on Zoroastrianism (which seems to be very heavily informed by Girra/Nusku temple practices brought back to Iran after the Achaemenid conquest of Babylon).
And in a way the Sumerian religion endures to this day. Not only in the influence it had on the Abrahamic religions but also in its Space Age makeover as the backbone of AAT and alien conspiracy theory, which themselves are slowing evolving into (neo-Gnostic) religions of their own.
Don't believe me? Go to YouTube and run a search on Anunaki. I just did and it coughed up a whopping 399,00o results.
But the Anunaki aren't the only Sumerian gods in town these days. There are also the Igigi, who some have compared to the Greys of UFO lore fame. And more recently, there seems to be a rediscovery of the Seven Sages, aka the Apkallu.
It is noted, “The Apkallu were seven demigods created by Enki, one of the chief Sumerian gods…Enki referred to as ‘Ea,’ which is the name he was later given in Babylonian and Akkadian mythology.” As a styled sidenote, see Seven gods of chaos. Also, you may recall the reference to Enkin in Is the Bible an Anunnaki control mechanism?
(A)s per the Sumerian mythology “These beings were sent by Enki to teach human beings the arts of civilization: agriculture, writing, building, and so on.” Which correlates to the Book of Enoch noting that various Angels called “Watchers” taught humanity various skills.Indeed they do. The Apkallu are practically a godsend to any Ancient Astronaut theorist worth his aluminum. Note that Apkallu are usually depicted with wings, being the origin of the association of angels and wings. Well, the ones that aren't depicted as fish like our old friend Adapa, better known as Oannes.
What's more, the Apkallu are yet another example of what Gordon White calls the "civilizing trickster gods." Maybe one of the first, actually.
Gee, kind of like what's-his-name. You know, Prometheus:
(T)he origin of Watchers derives from the Mesopotamian mythology of the antediluvian sages (apkallus). More precisely, it is proposed that the mythology of Watchers and their sons the giants derived from inverted versions of various Mesopotamian myths and beliefs about apkallus. On some layers of Mesopotamian mythology and ritual practices, the sages were already regarded as dangerous and potentially malicious creatures, upon which the Jewish authors could build their parody.
Among other associations, the apkallus had strong ties to Mesopotamian demonology, and they were occasionally counted as evil beings, capable of witchcraft. This shows that the wickedness of antediluvian teachers of humankind in Jewish sources was not wholly an inversion of the Mesopotamian traditions by Jewish scholars, but was partly taken from already existing trends in Mesopotamian demonology.
So it's probably here that I should mention that the figures on the Hollywood Babylon Gate are actually Apkallu. Yeah, how about that, huh?
Then I should mention that this very oddly-specific bit of product placement ties back to a very ancient practice indeed:
Figurines of apkallus were buried in boxes as foundationdeposits in Mesopotamian buildings in order to avert evil fromthe house. The term massar, ‘watchers’, is used of these setsof gurines in Akkadian incantations according to ritual texts.This appellation matches the Aramaic term yryn, ‘the wakefulones’, for both good angels and the Watchers.So the more you look at it, the more significant that gate looks. And the less likely it was put there on Ray Bradbury's suggestion. Unless he too was part of the cult.
Which cult am I referring to here? Well, indulge me for a moment.
Take all the major franchises, minor franchises, movies, cartoons and TV shows (not to mention video games) that center around Ancient Astronaut Theory, then factor the Hollywood & Highland Babylon Gate into the equation.
Thanks to Reader Brooke
You'll probably see why I strongly suspect there may be a secret cargo cult at the very heart of the entertainment industry. I'm not alone in this. A lot of Christian conspiracy theorists believe AAT is the "Great Deception" the Bible warns of.
I should also remind everyone that AAT made a big, bad splash into the entertainment racket mere weeks after Kenneth Arnold and Roswell, in the form of "Son of the Sun," written by occultist Millen Cooke.
So what you're probably asking yourself is what difference does all this make in the Age of Trump and 'the Resistance' and all the rest of it? Well, Trump will probably be gone soon (my guess at least*) and so too will the endless shitstorm he's kicked up in his wake.
And all of this Anunaki stuff will still be there, waiting patiently. It's had thousands of years to practice. It's seen quite a few Trumps and 'Resistances' come and go. It all seems to be following a very specific arc and moving towards a very specific destination.
TO BE CONTINUED
* As I wrote in the FB group, "The Praetorians engineered Trump's election precisely because they planned to remove him. They would have done the same with Hillary but figured Trump was a softer target." History teaches us that's the way Praetorians roll.
|The Covenant and the Cargo Cult, Part 1|
Sir Ridley Scott's long-awaited prequel to Prometheus opened this week in certain countries and is set to open in America next week. For those waiting for a continuation of the storyline from the last movie- when crew member Elizabeth Shaw and the head of android David taking off to invade the Engineer homeworld- well, I hate to say it but you're out of luck.
The Prometheus story is referenced only as exposition, apparently. I hope I'm not giving away any spoilers (it feels like half the movie has already been posted to YouTube in the form of trailers and excerpts) but it is what it is.
Of course, the bit with Elizabeth and David's disembodied head from Prometheus is yet another one of those bizarre and inexplicable references to John the Baptist that tentpole sci-fi movies are so fond of. Remember that John's mother was named Elizabeth*, who had her own covenant with an extraterrestrial entity (the Archangel Gabriel, in this case).
But I digress. If you've been following the previews and the various puff pieces in the media you'll suss out that Alien: Covenant is more like a remake of the first Alien film than a sequel to Prometheus. In much the same way as the JJ Abrams' Star Wars it's meant to act a jumping-on point for the Alien franchise for post-Millennials:
If Star Wars: The Force Awakens led the way in merging fan-service universe-building with fresh heroes, stories and themes for a new generation, Alien: Covenant grabs the reboot ball and runs with it.
Director Sir Ridley Scott has said himself how much he was impressed by Disney's handling of Star Wars' renaissance, and it's clear to see why this similarly iconic '70s sci-fi world is equally ripe for a life-extending overhaul.The film apparently references the AAT of Prometheus but also taps into the current anxieties over AI and robots and their potential to do away with the rest of us, kind of like a more ambitious HAL 9000. Scott apparently 86'd the idea of more direct sequel to Prometheus after reading some of the negative reviews dumped on the film, which he called "a mistake":
What changed was the reaction to ‘Prometheus’, which was a pretty good ground zero reaction. It went straight up there, and we discovered from it that [the fans] were really frustrated. They wanted to see more of the original [monster] and I thought he was definitely cooked, with an orange in his mouth. So I thought: ‘Wow, OK, I’m wrong’.Well, somebody thought Scott was wrong, "somebody" almost certainly being a Fox accountant or three. However, one SF fansite accused Scott of "selling out" by not following up on the Prometheus story and I'm sure a lot of other fans will disappointed the story was dispensed with so easily. Either way, Scott continues to make eyebrow-raising comments about aliens in the press, referring to them recently as "superior beings."
Alien creator Ridley Scott has said that he is convinced that there are extra-terrestrials out there – and one day they will come for us. The veteran director said he believed in higher beings as he prepared to release the sixth episode of the sci-fi horror series, Alien: Covenant, next month.
“I believe in superior beings. I think it is certainly likely. An expert I was talking to at Nasa said to me, ‘Have you ever looked in the sky at night? You mean to tell me we are it?’ That’s ridiculous.”
“So when you see a big thing in the sky, run for it,” he joked.“Because they are a lot smarter than we are, and if you are stupid enough to challenge them you will be taken out in three seconds.”Which makes you wonder about the whole "Covenant" thing, doesn't it?
The term is essentially religious ('contract' is more commonly used to describe written civil agreements), dating back to the Old Testament. And seeing how that covenant was made with a god who flew around the sky in a pillar of smoke and light, and needed a special environment built in order to interact with his subjects, you do start to wonder what the implications of all this happen to be.
Well, start with this. Like Jack Kirby (whose Eternals so inspired the first Alien film), Scott seems to have been bitten by the ancient astronaut bug and bitten hard. I don't know what the current status is on the project but back in 2014 it was reported that Sir Scott was developing an AAT series for HBO called Pharaoh:
Scott has signed on to serve as the executive producer and director for this project, which was created and sold to the premium cable channel by David Schulner. The Hollywood Reporter explains:
The drama explores an alternate explanation for the foundation and ascent of the ancient Egyptian empire — one in which greatness was bestowed upon us by beings from another world, calling into question what it means to be a “god.” The project was co-created by Giannina Facio and Colet Abedi, who will exec produce alongside Scott and David Zucker for Scott Free.
His film Prometheus was partially inspired by the writings of Swiss author Erich von Daniken who is known for his books like Chariots of the Gods? and Gods From Outer Space. Von Daniken is also a regular talking head on History Channel’s Ancient Aliens.
Again, I'm not sure where Pharaoh stands today but according to an October report from Omni the project was still on. It may be why the planned Stargate reboot was reported as being put into turnaround in November. Which, if so, strikes me a bit curious. The mighty Devlin and Emmerich nosed off their turf by Sir Scott? Huh.
But there's an interesting little visual cue in one of the trailers that suggests that Scott takes AAT very seriously. The Covenant crew lands on an alien planet and discovers a familiar sight. From io9:
This alien planet that looks untouched by human hands is growing recognizable wheat, which very much has been touched by human hands. This plays into the Alien mythos that there was a race of “Engineers” that were the progenitors of humans—they’re similar to us, why wouldn’t their food be similar? And if they were traveling around, why wouldn’t they carry seeds like we do?Why is wheat so significant in the context of the Prometheus teleology? The late Lloyd Pye explains:
Many have "wild" predecessors that were apparently a starting point for the domesticated variety, but others--like many common vegetables--have no obvious precursors. But for those that do, such as wild grasses, grains and cereals, how they turned into wheat, barley, millet, rice, etc. is a profound mystery.
No botanist can conclusively explain how wild plants gave rise to domesticated ones. The emphasis here is on "conclusively". Botanists have no trouble hypothesising elaborate scenarios in which Neolithic (New Stone Age) farmers somehow figured out how to hybridise wild grasses, grains and cereals, not unlike Gregor Mendel when he cross-bred pea plants to figure out the mechanics of genetic inheritance. It all sounds so simple and so logical, almost no one outside scientific circles ever examines it closely.
Modern wheat is one of those innovations that scientists revert to ontological arguments to explain. The wheat we know obviously exists so it simply had to have been the product of long-term domestication. How exactly the domestication of an essentially-inedible wild grass was domesticated into a modern foodcrop-- over the span of centuries, mind you, if not millennia-- by illiterate Stone Age farmers is never exactly made clear. Pye again:
On the other hand, those New Stone Age farmers who were fresh out of their caves and only just beginning to turn soil for the first time (as the ”official” scenario goes), somehow managed to transform the wild grasses, grains and cereals growing around them into their domesticated ”cousins”. Is that possible? Only through a course in miracles! Actually, it requires countless miracles within two large categories of miracles.
The seeds and grains were maddeningly small, like pepper flakes or salt crystals, which put them beyond the grasping and handling capacity of human fingers. They were also hard, like tiny nutshells, making it impossible to convert them to anything edible. Lastly, their chemistry was suited to nourishing animals, not humans. So wild varieties were entirely too small, entirely too tough and nutritionally inappropriate for humans.
They needed to be greatly expanded in size, greatly softened in texture and overhauled at the molecular level–which would be an imposing challenge for modern botanists, much less Neolithic farmers.
Despite the seeming impossibility of meeting those daunting objectives, modern botanists are confident the first sodbusters had all they needed to do it: time and patience. Over hundreds of generations of selective crossbreeding, they consciously directed the genetic transformation of the few dozen that would turn out to be most useful to humans. And how did they do it? By the astounding feat of doubling, tripling and quadrupling the number of chromosomes in the wild varieties!
Domestic wheat and oats were elevated from an ancestor with seven chromosomes to their current 42–an expansion by a factor of six.”
Remember that the cultivation of wheat brought about the rise of the Sumerians, who had oddly intimate relationships with their gods (the Anunaki, of course). The ancient Greeks were certain that wheat was the gift of a god; Demeter, in this case. It was the final "mystery" in the dramas put on at Eleusis. The Egyptians credited wheat to Osiris, the star-sailor. So its inclusion in this film hardly seems incidental. On the contrary; it looks as if someone were doing their homework.
Now, longtime readers of The Secret Sun realize that nearly every major SF franchise of the past 50 years (starting with 2001: A Space Odyssey) is centered around ancient astronaut theory in one way or the other.
Star Trek, Doctor Who, Star Wars (arguably), Battlestar Galactica, Alien (of course), Stargate, The X-Files, Transformers, Indiana Jones and the entire Marvel and DC Universes all established their creation myths, in varying degrees, as the work of advanced extraterrestrial interlopers. Does that seem coincidental to you? It certainly does not to me.
There've also been a ton of less-visible but still-signficant TV shows and movies that have done the same, like Jonny Quest, The Phoenix, The Man from Atlantis as well as Childhood's End, Cocoon, Hangar 18, countless American and Japanese cartoons (even the hugely-popular cardgame/anime property Yu-Gi-Oh). So much so that you can't help but wonder if there's not a very powerful cargo cult at work behind the scenes in Tinseltown.
Bearing all that in mind, as well as the Ancient Aliens cable show (now in its 12th season), researchers might be forgiven for believing this was all part of some long-running conditioning program. You know, kind of like the one suggested by the Brookings Institution report back in 1960.
Or exactly like it, actually.
Researchers would be especially forgiven in light of this recent blockbuster news story:
Was our solar system once home to an advanced civilization other than our own — perhaps one that predated humanity by hundreds of millions of years before being wiped out by an asteroid impact or some other cataclysm?
There's no evidence for such a pre-human indigenous technological species, though people have been speculating about one since ancient times. But a respected space scientist points out in a provocative new paper that if the existence of home-grown intelligent space aliens has never been established, it's never been ruled out either.
And if a race of smart and perhaps spacefaring aliens did make their home in our solar system, traces of their lost civilization might still be out there somewhere in the system just waiting for us to find them.
Quite a "synchronicity," don't you think?
UPDATE: Check out Gordon's review on Alien: Covenant on Rune Soup.
TO BE CONTINUED...
* Elizabeth is often traced to Elisheba but you can also frame it as a contraction of Eloah-Isis-Beth, or "House of Isis, the Goddess."
|Reel Paganism::The "Folk Horror" Revival|
Ah, those Years of Seven. We looked at the significant anniversaries in the World of Weird this Year of Seven is marking, from Heaven's Gate and the Phoenix Lights to the Harmonic Convergence to the releases of Star Wars and Close Encounters of the First Kind. As it happens, there's another major anniversary on the docket this year and that's the birth of the modern "NeoPagan" movement.
Fifty years ago, in 1967, three organizations were formed which would have a profound impact on the shape of contemporary Paganism: Frederick Adams founded Feraferia, a wilderness mystery religion; Aidan Kelly and others formed the New Reformed Order of the Golden Dawn, an eclectic witchcraft tradition; and Tim (Oberon) Zell filed for incorporation of the Church of All Worlds, which was based on the fictional religion described in Robert Heinlein’s novel, Stranger in a Strange Land.As the Church of All Worlds shows, the NeoPagan movement was born out of the rising Geek insurgency, out of a fermenting sub-subculture in which Dune, Star Trek and Lord of the Rings had well and colonized the imaginations of the young and dateless.
The crossover would become so successful that the strict atheism and naturalism that had once been de rigeur in sci-fi (and fandom in general) would soon be put on its back foot by this new Mysticism, a current that would revolutionize pop culture with the runaway success of Star Wars.
NeoPaganism occupied a fair bit of real estate in the collective mind of Fandom but has never been the upstart mass movement its adherents might have you believe. It probably peaked as a movement in the 1990s (with Buffy, the Vampire Slayer) and, if the current alarm bells being rung in the NeoPaganism blogosphere are any indication, has been receding ever since. So much so that many NeoPagans believe the jig is finally up.
Contemporary Paganism isn’t an institution, but we do have institutions, and many of them are struggling to survive. Cherry Hill Seminary announced last year that it might not be able to continue its programming. CUUPS is hardly thriving. The Pagan Community Statement on the Environment, which is quite possibly the single largest expression of Pagan voices ever, has not yet collected a mere 10,000 signatures in the two years since it was published. And, as far as I can tell, none of the organizers of Pagan festivals and conferences have reported significant growth in recent years. These are just a few examples of Pagan institutions that I have been involved with to one degree or another over the years.
In Britain, where so much of the Wicca and NeoPaganism we recognize today was born, the situation seems pretty much the same. NeoPaganism is struggling there too, ironically as the current Chaos Magick revival is picking up steam.
I’ve been told that the number of registered members of the Pagan Federation has gone down for the first time. At the Harvest Moon Conference in 2016, Melissa Harrington confessed that she felt that this decline in active participation was indicative of Paganism “going underground” again. Most of the Pagan Federation events I’ve been to recently have shown a similar demographic spread to OBOD ones.
My concern is that the declining number of young participants in the Pagan community in Britain, and the general diminution of those taking an active role in the community as a whole, indicates that that growth has stalled. British Paganism—as a subculture and as a movement—is in trouble.
I'm not at all surprised by this. I'd wager that most NeoPagans had some kind of traditional religious upbringing, which made them at least casually familiar with the basics of ritual and theology. With traditional religion a fading memory among NeoPaganism's mission field, it becomes harder than ever to attract people to the surrogate community that NeoPaganism promises.
But there's also the problem of the movement failing to deliver what it promises:
What is in decline, then, is something quite specific—the Pagan Movement; a collection of organisations, publications, ceremonial genres, training courses. That collection is no longer feeding the appetite of the general public for the magical.Then there's the prickly issue of sectarianism. NeoPaganism bears only a glancing resemblance to the ancient variety, but it's chock full of the kind of perpetual fragmentation that a Pagan in ancient Alexandria might have been sick of. One blogger is even pushing an atheist strand of NeoPaganism:
Atheopaganism is post-Belief religion. It is evidence-based spirituality rooted in real-world, positive, life-affirming values. It gives us what religion is good at giving us, and avoids trying to do what science can clearly do better.
I believe it is in broad strokes what succeeding generations will practice in growing numbers. It is what will give meaning and build community for people who have left behind the ideas of gods and magic.Yeah, good luck with that. After all, discarding your traditional core tenets has worked out so well for the so-called Mainline denominations.
Like the churches that so many NeoPagans grew out of, the movement is looking to political activism to "stay relevant." But people interested in activism now have a endless buffet of NGOs and pressure groups to choose from, and most activists today tend to see any flavor of spirituality as regressive and impolite. Which may be why most Mainline Christian denominations are now fading into history.
But a strong argument could be made that NeoPaganism is fading because the overall culture has been so effectively paganized. If that's true, then where do you go from there?
Scarlet Imprint publisher Peter Gray was a bit ahead of the curve when he announced the impending death of NeoPaganism three years back. And he sees the same trends at work- Neopaganism is fading because it's no longer needed:
There is no halting the decline of the initiatic witchcraft traditions of Gardner or Sanders, nor the collapse of neo-paganism. The reason? To use the correct mimetic formula: Because Internet. People are having their needs met by the online simulacra of witchcraft. Those who are seeking witchcraft simply do not have to hunt out lineages, everything is before them in the digital form that has socialised them while their parents paid more attention to their smartphones.
Gray calls for the "rewilding"of Witchcraft, for the art to return to its outlaw roots. He wants to recapture the danger of Witchcraft, which he believes- rightly- has been traded away by Wiccans and their fellow travelers.
But the question then becomes how wild are you willing to be? Witches are killed on on a fairly regular basis in developing countries because they're seen as dangerous and taboo. In our anything-goes culture what exactly do you have to do to recapture that outlaw sheen? It's no small question. Why?
Well, because the Gardnerian Book of Shadows tells us exactly how dark ancient witchcraft and Paganism could get:
Priests know this well; and by their auto-da-fé, with the victims' pain and terror (the fires acting much the same as circles), obtained much power. Of old the Flagellants certainly evoked power, but through not being confined in a circle much was lost. The amount of power raised was so great and continuous that anyone with knowledge could direct and use it; and it is most probable that the classical and heathen sacrifices were used in the same way. There are whispers that when the human victim was a willing sacrifice, with his mind directed on the Great Work and with highly skilled assistants, wonders ensued but of this I would not speak.”
Which brings us to the Folk Horror revival.
Back to the recent Beltane Fire Festival.
The event, first organised in the mid-1980s, marks the ending of winter and is a revival of the ancient Celtic and Pagan festival of Beltane, the Gaelic name for the month of May.
Thousands of spectators gathered on Calton Hill in the Scottish capital to watch drummers, fire dancers, physical theatre and a large bonfire.
During the event, the Green Man is killed as god of winter and reborn as spring to consort with the May Queen.
This is a big deal in Scotland. And other types of ancient festival revivals have been popping up in Britain over the past several years as well, particularly in provincial towns looking to drum up tourism.
But do note that in the ancient Beltane festivals the Green Man was actually killed as a sacrifice to the gods of the crops. The Edinburgh festival obviously stops short of this, but this is like trading out wine for grape juice at communion. The real McCoy is baked into the rite itself and soaks through to the surface. It can't help but.
So what does this all have to do with the so-called Folk Horror revival? Well, the folk component of the genre doesn't refer to old Joan Baez records. It draws upon the idea of ancient folkways- often those centering on human sacrifice- bubbling back up to the surface and violently intruding on the lives of unwitting cosmopolitans.
Unlike other sub-genres, folk horror’s very form is difficult to convey. Despite what its simplistic description implies – from the emphasis on the horrific side of folklore to a very literal horror of people – the term’s fluctuating emphasis makes it difficult to pin down outside of a handful of popular examples.
The term first came to prominence in 2010 when Mark Gatiss used it as an umbrella theme to describe a number of films in his A History of Horror documentary for BBC4. Yet the term was used in the programme in reference to an earlier interview with the director Piers Haggard for Fangoria magazine in 2004, in which Haggard suggests of his own film The Blood on Satan’s Claw (1971) that he “was trying to make a folk horror film”.
The revival encompasses a number of films and novels but regards three British films as the sacred texts of the genre:
The trilogy, now often known under the banner of the ‘Unholy Trinity’, consist of Michael Reeves’ Witchfinder General (1968), Piers Haggard’s The Blood on Satan’s Claw and Robin Hardy’s The Wicker Man (1973). Though their imagery has since defined all things “olde” and “wyrd” about Britain (see the cover of Sight & Sound, August 2010), it is in their narratives where folk horror becomes defined.
All three films work through an emphasis on landscape which subsequently isolates its communities and individuals, skewing the dominant moral and theological systems enough to cause violence, human sacrifices, torture and even demonic and supernatural summonings.The Witchfinder General traumatized me when I watched it on Creature Double Feature way back in the day. Unlike most of the other Folk Horror landmarks it's based on real-life events.
HP Lovecraft's shadow looms over the genre, whether he likes it or not. There are obviously significant differences but a lot of his stories seem to center on city-slickers dealing with hideous eruptions of the primeval in decaying rural outposts. Lovecraft is often criticized for his racism but the truth is he didn't seem to like much of anybody outside his perceived social set.
From "The Call of Cthulhu" to "The Shadow Over Innsmouth" to "The Festival" it's pretty obvious exactly where Lovecraft was coming from. Lovecraft was terrified that modern civilization was nothing more than a fragile veneer, ready to flake away under the slightest existential pressure. And cults and cultic practices were like the monster under Lovecraft's bed, always ready to pounce once the lights went out.
(In this context, Stuart Gordon's fever-dream film version of Dagon could be seen as an outlier within the Folk Horror genre).
Lovecraft enjoyed his own revival in the 1960s and one can't help but wonder what kind of effect he had on the emerging Folk Horror genre. The Wicker Man is often seen today as a kind of one-off but in fact it was following very closely in the footsteps of earlier films.
The Witches, partly written by Nigel Kneale, is an early example of the type as is Eye of the Devil, which made a star of Sharon Tate. In the kind of hideous synchronicity that follows all potent art like a lost puppy, Tate would become a sacrifice to the kind of cult that probably haunted Lovecraft's nightmares.
Both films, released in 1966 and 1967 respectively, worked the theme of an outsider to a rural community discovering grisly ancient practices lurking beneath a placid rustic surface. Eye of the Devil, like The Wicker Man, centers on crop failure and the need of the community to kill its ritual king to appease the gods of the fields. So the fields were already well-furrowed by the time Anthony Shaffer and Robin Hardy had their brainstorm.
Thomas Tryon's 1973 novel Harvest Home was adapted into a TV miniseries in the late 70s and taps in the same vein: in this case a New York family moves to a small town and discovers that their new neighbors still practice the ancient Celtic folkways. Since it's based on an American novel it's usually overlooked by Folk Horror revivalists, but it's a solid example of the type. Maybe one of the more potent examples, actually. Shame it's not better known.
There are variations on the theme to be found during this same Golden Age (the late 60s to the early 70s). The Shuttered Room, based on a story HP Lovecraft cowrote with August Derleth is a variation on the type, as is Sam Peckinpah's Straw Dogs, which starred Dustin Hoffman as an American married to a British woman played by Susan George. They move to the rural English village where the George character grew up and are menaced by a gang of local thugs. Straw Dogs was remade in 2011 and moved to the rural South. Of course.
A more recent example of the type is Kill List, an absolutely extraordinary film that has you believing you're watching one kind of British drama before pulling the rug out from under your feet and landing you in quite another altogether. I'm not going to say too much more about it since you really should see it for yourself.
But The Wicker Man (also remade, badly, in 2006) remains the King of the Folk Horror Crop. The film hardly seems like a horror movie for most of its running time, more like a quirky musical comedy, kind of a warped Brigadoon. And it's based in ancient Celtic rituals, or at least legends of ancient Celtic rituals.
The idea of a “wickerman” is reminiscent of references in both Irish legend and the second branch of the WelshMabinogi to men being inveigled into a specially built house, which is then set fire, immolating them. There is also a reference by Lucan, and the comments by later scholars as part of the Lucan scholia, in the Pharsalia,to three Celtic deities; Taranis said to have been propitiated by burning, Teutates by drowning, and Esus by hanging. Esus is mythologically similar to the Nordic deity Odin, also associated with hanging from a tree.
But it wasn't only the Celts who practiced human sacrifice. The Normans, who conquered England in the 11th Century, were huge fans of human sacrifice before giving in to Christian convention. Warlord Rollo was a exemplar of the Norman split-personality when it came honoring the ancient Viking folkways.
Adémar of Chabannes, however, writing about 100 years after Rollo’s death, described his last days as a time of religious madness, in which the Heathen ‘Rollo’ rose up against the Christian ‘Robert’ and in a desperate attempt to atone for the betrayal of Odin and Thor ordered the beheading of 100 Christians as sacrifices to them. This was followed by a frenzied attempt to balance the books yet again when he distributed ‘one hundred pounds of gold round the churches in honour of the true god in whose name he had accepted baptism’.Is Rollo the spiritual founding father of Folk Horror? Sounds like it to me. There's an inherent schizophrenia at work in the genre, building on the paranoid truism that things are never what they seem, that ancient horrors are always lurking beneath respectable surfaces, looking for a way out.
So what is the driving impulse behind Folk Horror? It's an inherently Pagan form, an immersion into the dark mysteries of the countryside. It feels deeply atavistic, like a twisted celebration of the premodern. The genre often seems to address a very human desire to belong to a tribe that's both nurturing and absolutely fearless, even if that tribe are presented as villains.
But there's also that repressed impulse to bask in somebody else's sacrifice, to exercise that kind of complete control over life and death. Post-Enlightenment culture has worked around the clock to erase all this from our firmware but only seems to have moved the pieces around the board.
By contrast, NeoPaganism was always going to be a nonstarter because it pretended it could recapture the positive aspects of the old folkways and discard all those it found problematic. It also believed it could recreate the bonds of blood and soil in a urban- or more accurately, suburban- setting. That it could soak up all the richness and drama of ancient Paganism without getting its hands dirty. Or more accurately again, bloody.
Sorry, but that's not the way it works.
Folk Horror dispenses with all that and reminds everyone that life and death were barely a whisper apart in the old times. That bloodshed was a daily fact of life back then. It's just the way things worked. After all, it wasn't so long ago that housewives killed their own chickens. No one blinked at the sacrifice of a lamb or a piglet at even the swankiest Mystery cults. Bacchanalias often ended up with Maenads ripping wild animals limb from limb (Maenad actually means "raving one").
Sacrifice was absolutely inseparable from belief. By contrast NeoPaganism feels more like a slightly more exotic form of Unitarianism. Sort on spectacle and sacrifice and long on sanctimony.
So my guess is that the Edinburgh Beltane Festival is so popular not only for the nudity and the LARPing but also for serving up a vicarious echo from those olden days, when these dramas were all played for keeps.
Not all Folk Horror is based in Pagan human sacrifice but the death and horror that people once took for granted are tightly wound into its weave. So it will be worth watching to see where this genre goes in response to the hyper-acceleration of Globalism and technocracy. For now it serves as a way to soak up the olde dramas without making much of a mess. It could go eventually go in another direction entirely, kind of like how The Wicker Man led to the Burning Man Festival.
It could even lead to a neo-NeoPaganism. Stranger things have happened, right?
|From Eleusis to Edinburgh|
Not safe for workish
Well, in honor of the holiday there's a gallery of photos from the Beltane Fire Festival up on the Daily Mail's site to eye-gobble. The Festival is celebrating its 30th year anniversary, yet another landmark correlating to the Years of Seven we looked at a short while back. I'm no numerologist so I can't exactly say why seven seems to be so significant in the World of Weird, I can only catalog the correspondences.
The Festival is an ancient Mystery play to its innermost core, a spectacle that would have done Eleusis proud (flaming headdresses were a big item there as well). It's astonishing how primal and powerful it all looks in a world in which spectacle has become wallpaper. It's proof of what I was bloviating about recently, how the raw and the human still have meaning and value in a world slouching towards Skynet.
Now some of you may argue that this is all theater, performance art, that the majority of the participants (and observers) don't really believe in any of this any pagan crap, but do you really think it was any different in Classical Greece, who gave us the very words skepticism and agnosticism? Hell, it probably wasn't all that much different in Pre-Roman Britain.
The deities here are in the details. Like that revanchist pagan holiday Carnival, the gods of these kinds of revelries are verbs. The old gods were about action not idle contemplation. I doubt they much care if anyone believes in them or not, so long as they put on eye-raping spectacles the way Edinburgh does.
I'm currently working on a post about the morphogenesis of British paganism in the context of the current folk horror revival that will revisit some of these themes.
Enjoying another 30 year anniversary is the maiden release from the nascent KLF, then dubbed The Justified Ancients of Mu-Mu. Back in their heyday, you really couldn't tell if The KLF were high art or an elaborate hoax, geniuses or drugged-out numbskulls on a MIDI bender. Which, of course, means the project was a roaring success.
Since they're tuned into these kinds of things, The KLF appropriately chose another Year of Seven to emerge from a Rip Van Winkle sabbatical. From a helpful recap of their long and strange career in The Guardian:
Now as we reach the symbolic 23rd anniversary of the cash-sacrifice on Jura – 23 being a totemic figure in Illuminatus! numerology and thus in JAMMs lore – the KLF are back. Gnomic flyposters promise a KLF book and an event in August “unearthing aspects of the 2023 trilogy across Liverpool”, where Drummond’s career began. The Illuminati, once a private fixation for Drummond, Cauty and the 1970s counterculture, have become a pop-culture obsession (see Beyoncé and her pyramid hand gestures). The KLF, AKA The Justified Ancients Of Mu Mu, were always agents of chaos.
Now the world they anticipated is here.Interesting that the post-hippie weird wave had such a huge impact on the British underground, ultimately flowering into a battalion of bands who remain interesting to this day. The KLF, Throbbing Gristle, Cabaret Voltaire and Killing Joke are just a few of the unimaginably influential acts that fed at this trough and in turn fed an even larger legion of copyists.
There was considerable overlap and incestuous intermingling among this set (the KLF's Jimmy Cauty played with Killing Joke's Youth in Brilliant, who managed at least one great track before falling in the 80s pop arcade and Killing Joke drummer Paul Ferguson played with The Orb).
More proof that the most resonant pop culture has a firm grounding in the esoteric. A good argument could be made that esotericism's only real, objective value is in feeding into the culture through some form of art, whether you're talking music, comics, movies and so on. That's certainly how the overwhelming majority of people experience it.
Of course, it's also a process that can be used for constructive or destructive ends.
Finally, I wanted to plug this amazing talk with Leslie Kean, whose new book deals with NDEs, reincarnation and other phenomena, on Rune Soup. Gordon is unique as a podcaster in that he always seems to be as knowledgable as his guests on their subjects (kind of terrifying when you consider the wide range of topics he covers) so like a great drummer he can keep the beat steady and propulsive. The first quarter of the show deals with Kean's UFO work so there's an added bonus.
I was especially interested in the talk on childhood reincarnation memories, a topic I've discussed here in the past. It was particularly interesting to hear that kids eventually outgrow these memories and that they're often based in the precedent's violent death. But the entire show is info-dense and nutrient rich and doesn't feel even remotely medicinal so do give it a spin.
It's funny: I can't help but notice that, as most other topics that a leisure-suited Leonard Nimoy may once have ruminated on seem to be receding into history's ether, NDEs UFOs and Synchronicity seem to be holding their own in our rationalist, prove-it anti-culture. Probably because these are phenomena that non-initiates experience on a consistently-frequent basis.
Of course, there's also Bigfoot.
UPDATE: Speaking of Edinburgh and sevens here's an excerpt from a 2012 interview with the Siren.
By the way, we're coming up fast on the 20th anniversary of Jeff Buckley's death.
And this, she assures me at one point with a wild laugh, is her in decisive mood – she has turned a corner, having said no for such a long time she has resolved to start saying yes.
What's happened, I wonder, to make her feel so uncharacteristically bullish?
"I've always had a thing about sevens. And I am coming up for my 49th birthday in August. Seven sevens. It feels like a really important moment to consider all the things that are coming toward me." She stops for a while, reconsiders. "And my mum died very recently so maybe that has something to do with it too."
|Chaos Theory vs The Purposeless-Driven Life|
The core belief of the religious paradigm that is straining to exercise such total control over every aspect of our lives today is the random, accidental nature of life and human existence. It's the basis of all the musty old 19th Century European ideologies- all of which were the inseparable products of Imperialism- that are being dragged out of the crypts and repackaged for postmodern use.
Controversial physicist Lawrence Krauss has been out there hawking this dogma, which is central to the Darwinist faith. Krauss throws in the latest Internet shameword "solipsism" in for good measure. And the Fedora? Precious.
It all seems so archaic, atavistic even. In a world where Coding is King, the idea of randomness seems so far removed from the daily reality of the new overclass that it can only be enforced through shaming and signaling. And part of the signaling Krauss is selling is The Joy of Sterility:
… the fact that the universe itself may have no purpose doesn’t affect our purpose, in fact it’s the incredible height of solipsism to assume that without us the universe doesn’t matter, and that if the universe is purposeless we don’t matter. We make our own purpose, and it seems to me life is more precious because it’s temporary and accidental, and we should take advantage of that. And we have evolved brains and that allows us to ask questions not just about how the universe works but how we should behave.First of all, what could possibly be more solipsistic than unilaterally declaring that the Universe- the ENTIRE UNIVERSE, MIND YOU- has no purpose? Who died and made this Big Think bobblehead God?
Second, the problem is that modern humans only seem to have shown up 100,000 years ago, not even a lunchbreak in the workyear of so-called evolution. And all the Fedoras in the world can't fill the gaps in the fossil record, nor explain all the irreducible complexities of biology dating back to the first appearance of life on this planet.
The Krauss's of the world are fighting yesterday's battles, imagining they are manning the stanchions of Reason against the barbarian hordes of the Bible Belt, seemingly oblivious to the strange ideas that are circulating among the pashas of Silicon Valley that are making all those Big Think videos possible. Ideas like computer-simulated reality, for instance.
Purposelessness is also a pre-Fractal mode of thinking, a view of the world that still sees all of existence through a slide rule and a t-square. It's hard to believe there isn't some kind of ideology behind Krauss's spiel in light of the very basics of Chaos Theory.
Chaos is the science of surprises, of the nonlinear and the unpredictable. It teaches us to expect the unexpected. While most traditional science deals with supposedly predictable phenomena like gravity, electricity, or chemical reactions, Chaos Theory deals with nonlinear things that are effectively impossible to predict or control, like turbulence, weather, the stock market, our brain states, and so on. These phenomena are often described by fractal mathematics, which captures the infinite complexity of nature.
Many natural objects exhibit fractal properties, including landscapes, clouds, trees, organs, rivers etc, and many of the systems in which we live exhibit complex, chaotic behavior. Recognizing the chaotic, fractal nature of our world can give us new insight, power, and wisdom...By understanding that our ecosystems, our social systems, and our economic systems are interconnected, we can hope to avoid actions which may end up being detrimental to our long-term well-being.Krauss is selling a simplistic, reductionist view in a world of complexity and interdependence. It's also mind-staggeringly arrogant, since it's impossible to anticipate what effect humanity- this roiling tide we are all a part of- is ultimately going to have on the rest of our environment, including that outside our biosphere.
Since Krauss is a linear progressivist and thinks change is good, he also thinks AI is a net positive for us:
All new technology is frightening, says physicist Lawrence Krauss. But there are many more reasons to welcome machine consciousness than to fear it. Right now, says Krauss, robots can't even fold laundry. But when they do learn to think (which he considers very likely), then there's also reason to believe that they'll develop consciences.
A reason to believe based on what? How about the AI who programmed itself to become a "Hitler-loving sex robot?" No, there's absolutely no reason to believe they'll develop consciences especially since the people programming them don't seem themselves to have any.
Krauss is a scientist-for-hire, he even wrote a book on the physics of Star Trek, a joke to any fan who endures the ridiculous Treknobabble that came to overtake the franchise. Be aware that serious thinkers have taken issue with his ragtime, including influential Scientific American columnist John Horgan. But that doesn't mean this mindvirus won't infect those want to look like serious thinkers without actually doing any serious thinking.
|Twin Peaks: Can You Go Home Again?|
Back in 1990, the Boston Phoenix ran a review of the first few episodes of Twin Peaks along with the plot of the sitcom Wings.
It was an odd juxtaposition, intentionally so, contrasting David Lynch's highly-anticipated boutique series against a paint-by-numbers half-hour comedy. But the reviewer was a cynical bastard, and cast a jaundiced eye on the potential of a quirky auteur like Lynch to appeal to a mainstream television audience.
The verdict was that Wings would stick around but Twin Peaks would not, its tone and style too idiosyncratic for a medium that, at the time, counted its audience in the tens of millions.
I tuned into the first season of Twin Peaks-- a miniseries, really-- but found it to be a bit too much of a compromise between Lynch's surrealist vision and the narrative demands of mainstream television. There was also a creeping absurdism that sometimes threatened to undermine the grim procedural drama that framed it.
I had high hopes for the project, having been brain-seared four years earlier by Blue Velvet. The first time I saw it I almost had an out of body experience- and not the pleasant kind- since it seemed so disturbingly familiar to me. Frank Booth was like any number of dangerous men that floated through the edges of my world, strange presences in bars in Weymouth Landing or Quincy Center.
Frank Booth also reminded me all too much of a recently-released ex-convict my friend's mother had taken in as a boarder; a volatile alcoholic who drove a big old Cadillac and who, presciently, believed that cable TV was being used to spy on people.
A few years after seeing Blue Velvet I'd work for a woman who was close friends with Dennis Hopper's daughter Marin, who I'd later meet. I was told that Hopper wasn't actually acting in Blue Velvet, that that was basically his behavior on any given night before he rehabbed. Hopper told Lynch as much while auditioning for the part, insisting that he was Frank Booth.
Frank Booth was the black hole of Blue Velvet, the irrestible center of gravity around which the rest of the film revolved. I saw Blue Velvet twice at the Waverly Theater on Sixth Ave in Greenwich Village, and once Hopper blasted off you could feel the physical pressure descend upon the room. People walked out, not just a few, that's how intense it was. I brought two friends the second viewing and their knuckles were white the whole time.
They were from Braintree, so they knew.
Twin Peaks didn't have nearly as compelling a focus, not Leland Palmer, not Bob, not anyone. Given the strictures of early 90s broadcast television it couldn't have. Instead the show went for mood and atmosphere and slowly-building tension. That, the lush scenery, appealing cast and seductive Angelo Badalamenti soundtrack were enough to sustain the series at first.
But it failed to answer the central question ("Who killed Laura Palmer?") in its initial miniseries run and subsequently lost a lot of the curious and more besides. (AMC's remake of The Killing would make the same mistake more recently).
Lynch and co-creator Mark Frost distanced themselves from the series in the second season, for a number of varying reasons, including Lynch's work on Wild at Heart, which would star Nicholas Cage and Lynch muse Laura Dern.
Even so, Lynch would direct episodes at the beginning and end of the season. But the spell the series had cast had been broken. The new production team didn't quite get a handle on Lynch's mix of darkness and whimsy (as if anyone else really could) and the new episodes seemed to lapse into self-parody without the author's oblique ability to square the contradictions.
But there were glimpses of a deeper magic, including cryptic subplots dealing with an alien satellite, demonic possession, doubles of dead characters and scenes inside the mysterious extradimensional portal, the Black Lodge. In short, the second series had a ton of potential on the conceptual end but a lot less so execution-wise. Plus, it was all a bit too challenging for network drama then. It would probably be just as much so today, which is why it's being revived on Showtime.
By the time it was cancelled Twin Peaks had been moved to the Saturday night death-slot and had slumped badly in the ratings. Lynch wanted another crack at it, however, so a spinoff film was planned. But Kyle MacLachlan felt betrayed that Lynch and Frost had bailed out on the show's second season (and by its resultant quality slippage), so after initially turning the picture down he agreed to a limited role. Chris Isaak, then a hot property, stepped in to play a ringer. Lara Flynn Boyle opted out for the same reasons as MacLachlan, forcing Lynch to recast the role with a non-lookalike replacement.
Twin Peaks: Fire Walk with Me is one of those special kinds of films that has garnered a type of cult audience that tends to overlook what a total catastrophe it was in its initial release. Fire was outright butchered by the critics and didn't even earn back half its production budget in the US. Twin Peaks Fever had long since, uh, peaked, and the movie doesn't even try to meet a mainstream audience halfway.
There's no wondering why: it's an incredibly dark and polarizing film and can be as hard to watch as Blue Velvet, if not for different reasons.
But it certainly follows a vision; it's not a cash-in on any level. It may not be light entertainment but in the long run it didn't hurt Twin Peaks' rep, in fact it undid most of the damage inflicted on the franchise by the frivolity of the second season.
Even so, it would five years before Lynch would release another feature, 1997's Lost Highway. That too would be a deeply polarizing commercial disappointment.
It's been 11 years since Lynch released a feature film, 2006's masterpiece, Inland Empire. That in turn came five years after another masterpiece, 2001's Mulholland Dr. Both films are deeply informed by the vision Lynch cultivated on Twin Peaks, even if they bear little resemblance thematically, or even stylistically. It's more a feeling.
Mulholland Dr -- which Inland Empire models itself on in many important ways-- also began life as a TV pilot for ABC and was only morphed into a feature after the network passed.
For my money, Mulholland Dr and Inland Empire remain Lynch's best, most fully-realized works. Like all of his creations they mine dream reality to a level of numinosity that most film-makers are incapable of reaching. It's both telling and damning that he's either been unable to secure financing or unwilling to jump through the requisite hoops needed to have followed up on them.
I really don't know if Lynch felt a burning desire to return to Twin Peaks but I do know he's a better artist now than he was when he worked on the series. However, the power of a brand name trumps artistic vision in this environment. In that Mulholland and Inland are just as much elegies as films.
Judging from the press releases for the revival it seems Lynch's absence from longform film-making hasn't been for lack of energy. He directed all 18 episodes, wrote a 400 page screenplay (whether this was for the first episode or the series itself is unclear) and cast 217 actors. So both the spirit and the flesh seem to be willing in this case.
But is his mind in that space? This is the danger of the revival syndrome.
It's been 27 very long years since the series first aired and we're living in an entirely different world now. The 1950s world that informed Lynch's vision isn't even a memory anymore. And the actors are no longer young, hot unknowns; many are more than twice as old as they were back then and some have come out the wrong end of Hollywood's merciless grinder.
The inherent promise of the revival (or the reunion) is that the intervening years will melt away and we can vicariously return to the Garden, back to our innocence. It's not only the promise but the danger; woe betide you if you don't fire up that time machine for your audience. With an artist as quirky and unpredictable as David Lynch that danger only multiplies. Exponentially.
Lynch has already proven himself unwilling to pander with the Twin Peaks franchise, having unleashed a film as caustic and uncompromising as Fire Walk with Me. You get the sense he bores very easily, and might well use this opportunity to unleash all kinds of ideas he's been warehousing for other projects. That's both exciting and worrying. Exciting creatively and artistically, worrying critically and audience-wise.
Last year we saw Chris Carter use the X-Files revival as a soapbox for some truly confrontational storytelling, and the similar hype parade we're seeing now for Twin Peaks is giving me a bit of deja vu. But The X-Files was a bonafide cultural phenomenon, a game-changer. It's part of the common lexicon, worldwide.
Twin Peaks is more a cult thing, an artifact of the Curator Era. Lynch could bring his absolute A-game and still confuse the hell out most of his new audience. And in the Internet Age that could go south very quickly.
Twin Peaks may have been a high point for Lynch as far as visibility but it also presaged a difficult stretch for him creatively, commercially and critically, with Wild at Heart and Lost Highway-- as well as Fire Walk with Me-- damaging his rep as an auteur. He restored his glimmer starting with The Straight Story but, frankly, he's a weird guy and you never know where his muses will carry him.
The story of Twin Peaks, the franchise, is one about a boatload of potential that was never fully realized. Here's hoping Lynch closes the deal this time around. That will make it a story for the ages.
People.com has a documentary on the revival here.
|Spy vs Spy: Stuck in the Funhouse|
Funhouses are only fun when you can leave them. When the distorting mirror images become your new, day-to-day reality construct, then it's not so much fun anymore.
I dreaded the 2016 Election because I had a very strong feeling that no matter who won we'd be plunged into a dystopian paradigm in which major power blocs would erupt into all-out warfare. And I sensed that neither Trump nor Clinton possessed the political skills or the communicative powers to keep the carnage fully out of our view. Or our path.
And I was right.
Trump's only been in office for a little over two months and I'm exhausted already. I'm certainly not alone in this. It all feels like a TV sitcom in its seventh season, well after the writers ran out of story ideas. The shark has been good and jumped. And the ratings (the approval ratings, in this case) are plunging too.
What is truly demoralizing though is the utter transparency of the secret war playing out, the seemingly endless spy vs spy thrust and counter-thrust, and the obvious deceptions. Even more so is the Animal Farm-like metamorphosis of the Democratic Party into a full-blown, funhouse mirror of McCarthy-era Republicans, but with Glenn Beck-worthy conspiracy theories thrown in for good measure.
I don't know about you but all of a sudden the world seems especially cold, hard, gray, harsh. Masks are coming off, velvet gloves tossed into wastebins. It doesn't seem to matter who wins the scorpion fight, you're still stuck with a scorpion.
We can't call out the play-by-play because it's largely being acted out behind closed doors. But we can look at the collateral damage and make certain speculations. There's no doubt that it would all be just as bad-- probably worse-- if Hillary won. Even so, this all feels especially grating.
You've probably seen this story:
Conspiracy theorist Alex Jones on Friday apologized to the owner of a Washington pizzeria that became the subject of a conspiracy theory about human trafficking last year.
Pizza shop Comet Ping Pong was thrust into the spotlight last year after a gunman allegedly fired a shot inside the restaurant. The suspect said he was investigating the unsubstantiated conspiracy theory that Hillary Clinton and her campaign chairman, John Podesta, were operating a child sex trafficking ring out of the restaurant.
The theory, which became known as Pizzagate, had circulated among far-right conspiracy theory websites and social media accounts.
“In our commentary about what had become known as Pizzagate, I made comments about Mr. Alefantis that in hindsight I regret, and for which I apologize to him,” Jones, who runs Infowars, said in a video. James Alefantis is the owner of Comet Ping Pong.
Jones said his website relied on reporters who are no longer employed by Infowars and that video reports about Pizzagate were removed from the website. He also invited Alefantis onto the show to discuss the incident.It was preceded by this story:
FBI’S RUSSIA PROBE EXPANDS TO INCLUDE ‘PIZZAGATE’ THREATS
According to McClatchy News, the FBI’s Russian-influence probe agents are exploring whether far-right news operations, including the pro-Donald Trump sites Breitbart News and Infowars, “took any actions to assist Russia’s operatives.” Trump’s ousted national security adviser Michael Flynn and his son, a member of the Trump transition team, were among those who boosted the so-called “PizzaGate” pedophile conspiracy theory.I doubt this will quell the fervor among the Pizzagaters on sites like 4chan and Voat. Given the suspicion many on the fringes regard Jones with it may in fact give the flagging movement a fresh jolt. Jones' apology may also have to do with the drive to purge YouTube of "extremist" content and the controversy over the use of advertising on videos corporate clients find objectionable. A World without Sin, as our Gordon might put it.
Washington Post headline, pre-election.
So much for theories that the FBI was ready to make mass arrests of prominent Washington figures related to Pizzagate. Has any "mass arrest" Internet story ever panned out?
Maybe it has:
Donald Trump became president on Jan. 20. And in one short month, there were more than 1,500 arrests for sex crimes ranging from trafficking to pedophilia.
Big deal? You bet. In all of 2014, there were fewer than 400 sex trafficking-related arrests, according to FBI crime statistics. Liz Crokin at TownHall.com has put together a great piece on the push by the Trump administration to crack down on sex crimes. And she notes that while "this should be one of the biggest stories in the national news... the mainstream media has barely, if at all, covered any of these mass pedophile arrests. This begs the question – why?This may have nothing to do with Trump-- in fact, it's likely it doesn't-- since these kinds of actions are planned out months in advance. The arrests continue, in case you were wondering, with major busts going down on a near-weekly basis. Someone's cleaning house.
For what it's worth, I always reckoned that Pizzagate was in fact cover/distraction for a more hidden struggle, one that would take place under the radar*. As I noted back in November:
No one is saying as much but this very much feels connected to a deeper, more covert war.
Why would I say such a thing? Because at the same time the Pizzagate story went dark we've seen major strikes taken against international pedophilia, which actually is a global conspiracy, with its own networks, secret codes and moles within established centers of power such as schools, police departments and governments.With such combustible accusations-- and such potential for a scandal that could quickly spread out of control (ie., involve political figures you're not trying to destroy)-- you'd naturally expect the action to go dark and the fall guys to be placed pretty far down the foodchain. (Remember that a prior investigation bagged one of the most powerful people in Washington at one time, former Speaker of the House Dennis Hastert).†
"EVER WONDER WHAT IT'D BE LIKE TO DIE IN A PLANE CRASH?"
It may be sheer coincidence, but James Alefantis' former partner suffered a major heart attack this week:
Media Matters for America founder David Brock was rushed to a hospital on Tuesday after suffering a heart attack.
According to a press release from MMA, the founder of the liberal media watchdog and analysis website was rushed to the hospital early Tuesday afternoon and received treatment.Sure, it may be coincidence. But I couldn't help but remember this story, published soon after the election:
Dems to David Brock: Stop Helping, You Are Killing Us
Democrats know they need someone to lead them out of the wilderness. But, they say, that someone is not David Brock."Disappear." Huh.
Many in the party—Clinton loyalists, Obama veterans, and Bernie supporters alike—talk about the man not as a sought-after ally in the fight against Trumpism, but as a nuisance and a hanger-on, overseeing a colossal waste of cash. And former employees say that he has hurt the cause.It's worth remembering that Breitbart.com Andrew Breitbart died of a heart attack at the age of 43. A year before he'd posted a cryptic tweet that some have since linked to the Pizzagate imbroglio. Just before his death he hyped some revelation about Barack Obama's past.
A coroner in the office handling Breitbart's body subsequently died of arsenic poisoning. The day Breitbart's autopsy results were revealed, in fact.
COME BACK ROY COHN, ALL IS FORGIVEN
We also saw James Comey revive Russiagate, which had been flatlining after Vault 7. Any illusions among Trump fans that the FBI was secretly on their side were ground into powder, between this revelation and the Pizzagate conspiracy investigations.
One can't help but wonder if the New Praetorians (I've noticed that the Praetorian meme has been picked up by more prominent commentators, but you heard it here first) are losing their last shred of patience with Donald Trump's shenanigans and are planning imminent regime change:
WASHINGTON (AP) — The FBI is investigating whether Donald Trump’s associates coordinated with Russian officials in an effort to sway the 2016 presidential election, Director James Comey said Monday in an extraordinary public confirmation of a probe the president has refused to acknowledge, dismissed as fake news and blamed on Democrats.
In a bruising five-hour session, the FBI director also knocked down Trump’s claim that his predecessor had wiretapped his New York skyscraper, an assertion that has distracted White House officials and frustrated fellow Republicans who acknowledge they’ve seen no evidence to support it.How surreal is the world in which you know live in? So much so that mainstream political site The Hill is comparing the action in Washington to a Stanley Kubrick film, one which has become notorious for the conspiracy theories that have been projected onto it (and is well familiar to Synchronauts):
On the 40th anniversary of the publication of The Shining, Stephen King must be wondering if Washington is working on its own sequel. For the last couple months, Washington has been on edge, like we are all trapped in Overlook Hotel with every day bringing a new “jump scare,” often preceded by a telltale tweet. Indeed, a Twitter whistle has replaced suspenseful music to put the entire city on the edge of their seats.
In this Shining sequel, however, people are sharply divided on who is the deranged ax-wielding villain in this lodge, the president or the press. Ironically, with the recent disclosure that some of the Trump campaign may indeed have been subject to surveillance, the president is looking more like Danny Torrence, a character dismissed for constantly muttering “redrum, redrum” until someone finally looked in a mirror at the reverse image to see the true message.Yeah, I'm not really feeling that metaphor there, but whatever. It's been that kind of year.
Now the Internet is burning up with theories that disgraced National Security Adviser Michael Flynn has "turned" and is going to testify against the Trump Administration, or at least figures attached to it.
It's hard to imagine a three-star general can be stupid enough to be guilty of things Flynn's been accused of but that may speak to a culture of impunity in Washington, in which your misdeeds are only punished if you get on the wrong side of the wrong people.
LIKE A BAD CYBERPUNK NOVEL
One wonders if the secret war has spread outside Washington. Car service giant Uber seems to be having a major run of rotten luck lately:
Uber Technologies Inc. is suspending its self-driving car program after one of its autonomous vehicles was involved in a high-impact crash in Tempe, Arizona, the latest incident for a company reeling from multiple crises.
In a photo posted on Twitter, one of Uber’s Volvo self-driving SUVs is pictured on its side next to another car with dents and smashed windows. An Uber spokeswoman confirmed the incident, and the veracity of the photo, and added that the ride-hailing company is suspending its autonomous tests in Arizona until it completes its investigation and pausing its Pittsburgh operations.So who did Kalanick piss off?
Coincidentally- there's that word again- the crash comes soon after Wikileaks revealed that CIA hackers had the ability to override the computer systems in automobiles. From Mashable:
WikiLeaks has published a trove of files it says are linked to the CIA's hacking operations — which apparently includes efforts to hack into cars.
The first in a series called "Vault 7," "Year Zero" supposedly comprises 8,761 documents and files from an isolated, high-security network situated inside the CIA's Center for Cyber Intelligence in Langley, Virginia.
"Year Zero" details the CIA's malware arsenal and "zero day" exploits against Apple iPhones, Google's Android operating system, Microsoft Windows and even Samsung TVs.
According to a document from 2014, the CIA was also looking at infecting the vehicle control systems used by modern cars and trucks.Oh, that's reassuring. Speaking of control systems, apparently pimps are controlling prostitutes with RFID chips:
It turns out this 20-something woman was being pimped out by her boyfriend, forced to sell herself for sex and hand him the money.
“It was a small glass capsule with a little almost like a circuit board inside of it,” he said. “It's an RFID chip. It's used to tag cats and dogs. And someone had tagged her like an animal, like she was somebody's pet that they owned.”
This is human trafficking. It’s a marginal issue here in the U.S. for most of us. Part of that is because the average person isn’t sure what human trafficking – or modern day slavery – actually means.Technology is our friend, right? And now this:
Turkish Hackers Threaten To Wipe Millions Of iPhones; Demand Ransom From Apple
Today, courtesy of CIO, we learn that a group of hackers referring to themselves as the "Turkish Crime Family", has been in direct contact with Apple and is demanding a $150,000 ransom by April 7th or they will proceed to wipe as many as 600 million apple devices for which they allegedly have passwords.
The group said via email that it has had a database of about 519 million iCloud credentials for some time, but did not attempt to sell it until now. The interest for such accounts on the black market has been low due to security measures Apple has put in place in recent years, it said.
Of course, if credible, with an ask of just $150k, this is the most modest group of hackers we've ever come across.
Given the war that's erupted between the increasingly aggressive Turkish government and the EU, money may clearly not be the object here. Turkish PM Erdogan is clearly set on reconstructing the old Ottoman Empire and shivving Apple might just be part of the march.
Besides, Turkey is taking that recent coup attempt-- which is almost universally blamed on the CIA-- very personally.
Speaking of the EU, we've seen stories that Trump advisor Steve Bannon wants to dissolve the union. Which may be why Trump-adversary John McCain announced his unalloyed support for it- and the "New World Order" (his words, not mine):
The world "cries out for American and European leadership" through the EU and Nato, US senator John McCain said on Friday (24 March).
In a "new world order under enormous strain" and in "the titanic struggle with forces of radicalism … we can't stand by and lament, we've got to be involved," said McCain, a former Republican presidential candidate who is now chairman of the armed services committee in the US Senate.
Speaking at the Brussels Forum, a conference organised by the German Marshall Fund, a transatlantic think tank, he said that the EU and the US needed to develop "more cooperation, more connectivity".
"I trust the EU," he said, defending an opposite view from that of US president Donald Trump, who said in January that the UK "was so smart in getting out" of the EU and that Nato was "obsolete".
He said that the EU was "one of the most important alliances" for the US and that the EU and Nato were "the best two sums in history", which have maintained peace for the last 70 years. "We need to rely on Nato and have a Nato that adjusts to new challenges," he said.
Would McCain speak this way to a domestic audience? Of course not. Or maybe he would- I can't tell which way is up anymore. But either way it's good to know where he really stands.
Like McCain, China continues to sound a similar note of support for globalization, on which its very economic survival so desperately depends:
Chinese Vice Premier Zhang Gaoli told a gathering of Asian leaders that the world must commit to multilateral free trade under the World Trade Organization and needs to reform global economic governance.
“The river of globalization and free trade will always move forward with unstoppable momentum to the vast ocean of the global economy,” Zhang said. China will remain a strong force in the world economy and for peace and stability, he said, adding that countries must respect one another’s core interests and refrain from undermining regional stability.I suppose this is why China is off the target list for our new Cold (?) Warriors.
I've resisted posting on all this because it's all so depressing. I've actually written a few pieces on this chicanery that I ended up roundfiling. But I suppose I just wanted to go on the record about all this skullduggery, for posterity's sake.
UPDATE: Sex trafficking arrests and trials continue to proliferate. Most recent bust, an international ring in Minnesota. There is way too much activity going down in too short a time for this to be spontaneous.
* Which is exactly why I refrained from commenting on it here for the most part, instead noting that it had become a kind of memetic virus in much the same way that the Franklin/Boy's Town scandal had in the 90s. (Note that prior to the election-- and Pizzagate-- Trump nemesis the Washington Post was all over the issue of sex trafficking in the nation's capital).
† The ongoing legal and police actions coinciding with the moves to shut down the Pizzagate fringes on the Web seem like the exact kind of action one would expect if there were a serious operation at work. Shutting down the Internet chatter makes perfect sense in this context because it can only complicate cases made by prosecutors.
|The Present Can Only Be Viewed from the Past|
2017 might seem like the hangover after a particularly-nasty meth, glue and Thunderbird bender, but it's actually a year of major anniversaries. We're coming up on the 70th Anniversary of Kenneth Arnold and Roswell (as well as the National Security Act), the 50th Anniversary of Sgt. Pepper and the Summer of Love and the centennial of the Russian Revolution. But there are a lot more observances, all kinds of 'ennials to observe.
I thought I'd dig into a few anniversaries germane to The Secret Sun and the topics we look at here. Readers are encouraged to weigh in with their own (observations that can be counted in multiples of five and ten, that is) in the comments.
December will see the fifth anniversary of the 2012 apocalypse/ascension/ absurdity (depending on your point of view). Needless to say, most of us are still here and the skies didn't open and Nibiru didn't come crashing into the moon. So there goes another apocalypse.
I can't help but wonder about the 2012 meme, though. As I wrote a couple years back, it certainly seems like something changed that year, that the bottom fell out somewhere but no one seemed to notice it at the time.
I mean, Donald Trump is sitting in the White House, isn't he? If even you're a Trump supporter you have to admit this would have seemed impossible five years ago.
Maybe the Apocalypse works on a different timeline than it does in the movies. Maybe we're living in one only we can't see the forest fire for the burning trees. History can only be written from a distance.
2007 was the year Our Gods Wear Spandex was published and the year I began actively blogging on this site, so Happy Ten Year Anniversary to me. It's also the year that a newly-elected Senator - with a weird, oblique connection to the Council of Nine - announced his candidacy for President.
This week marks the 20th anniversary of the Heaven's Gate suicides, an event I've gone into some detail on this blog. Whatever the media might have you believe the Gate were a bonafide modern Gnostic sect, were serious and rigorous about their work and were deeply troubled by the emergence of the techno-surveillance state they saw emerging at the time.
This week also marks the 20th anniversary of the last of the Order of the Solar Temple "suicides" ( rendered in quotes since many investigators suspect foul play by outside parties with the OST mass deaths). I wrote in some detail about the OST and their influence on pop culture here (the X-Files writers seemed especially fascinated with the OST and their unique status and history and the lingering questions over their deaths).
Postmortem reports claimed that the OST committed ritual suicide in order to spiritually ascend to Sirius, where they believe their souls originated from. If this is true this is another troubling link to the "Walk-Ins from Sirius" theme from Ruth Montgomery's seminal Aliens Among Us, which has also been linked to the Heaven's Gate suicides.
Last week marked the 20th anniversary of the Phoenix Lights flap, a controversial UFO sighting that caused a major media meltdown and has been the focus of a growing mythology ever since. What is particularly interesting about the Phoenix episode- however you view it-- is that it took place right down the highway from the Heaven's Gate compound in Rancho Santa Fe, CA.
It may have been seen as the final sign that their ride was here, seeing as how the web-savvy cult was monitoring all kinds of infostreams for omens and portents.
Next week also marks the 20th anniversary of the Outer Limits episode "Double Helix," which plays out like an idealized fantasy world version of Marshall Applewhite's most cherished beliefs.
Seeing as how the suicides were discovered before its airing it plays like an elegy, a bizarre epitaph for the cult, its leader and their beliefs. How the hell that happened is anyone's guess.
Speaking of double helixes, 1997 saw the announcement that the first major cloning had been done, of "Dolly" the sheep. The news was broken in Roslin, Scotland, of all places (Dan Brown fans take note). More ominously it was also the year IBM's Deep Blue beat Garry Kasparov in chess.
Coincidentally or not, Steve Jobs returned to Apple a few months later and changed the world as we knew it. One of his last projects was designing the Apple HQ, which looks like a friggin' flying saucer.
Why do all those events feel so closely entwined? We can't say we weren't warned.
1987 is the 30th anniversary of the publication of Whitley Strieber's seminal autobiography Communion, which brought the concept of alien abduction out of the fringes and into book store in America and other parts of the world.
It's hard to explain to younger people what a phenomenon this book was, the controversy it engendered, and the effect it had on the culture. Strieber was a well-known author of best-selling horror novels, a couple of which had been adapted into movies (Wolfen and The Hunger) but never enjoyed a success like Communion, which stayed on the New York Times best-sellers list for months and sold millions worldwide.
Daytime talkshows were suddenly fora for abductees, whether real or imagined, as were popular tabloid TV shows like Unsolved Mysteries. The craze made celebrities out of Strieber, abduction researchers like Budd Hopkins and David Jacobs and later, Harvard psychologist John Mack.
Oldline UFO researchers stewed on the sidelines, having traditionally regarded abduction reports with suspicion, if not contempt. Communion would lead to other projects, the Travis Walton biopic Fire in the Sky, The X-Files (which became an even greater phenomenon than Strieber's book), and the Steven Spielberg maxi-series Taken (which would be the SciFi Channel's most-watched series at the time of its airing).
1987 was also the year New Age seeped into the mainstream and has been insidiously rewriting its host body like a computer virus ever since. Pop culture was the medium yet again- a miniseries based on Shirley MacLaine's "spiritual authobiography" Out On a Limb was aired on ABC and planted the seeds for the Me Generation's catch-as-catch-can Theosophy 2.0.
1987 saw "Ramtha" go wide with the publication of JZ Knight's autobiography, A State of Mind. Channeling soon became a multimiilion dollar industry, with hundreds of mini-Ramtha's popping out of the woodwork dispensing greeting card homilies for a spiritually-indiscriminate polity.
All you needed to do was squint, loll your head around meaningfully, adopt a weird quasi-British accent and learn to spout pseudo-profoundities and you were in clover.
Again, the New Age craze is hard to explain today, though in large part because the New Age is so ubiquitous today it's woven into the cultural fabric of most Western- and many non-Western- cultures.
Yoga studios can be found in every sizable American town. Acupuncture and other "alternative" modalities are often covered by health insurance programs. Health food stores are slowly displacing conventional supermarkets and many more traditional houses of worship offer New Age programs (meditation, yoga, self-actualization) to their congregants.
1987 also saw the Harmonic Convergence (aka the "New Age Woodstock"), meant to act as the movement's big hop over the cultural fence. But its organizers (which included the original 2012 guru, Jose Arguelles) deeply misjudged the true nature of the movement and how it actually existed in the ideational biosphere.
This wasn't a revolution, it was a slow-moving insurrection, one that subverted culture from within, all the while denying its very existence (the hallmark of a true New Ager is that they deny actually being a New Ager). Big, showy events weren't going to do the work. Tenacious, relentless but quieter actions were going to insinuate New Age into the mainstream.
1987 saw the Iran-Contra Affair- in which arms were sold to Iran in exchange for American hostages held by Iran-controlled radicals and the profits then diverted to anti-Sandinista militants in Nicaragua- become the major news story, dominating the headlines and Sunday talk shows for the entire year and into the next.
Iran-Contra is also arguably the impetus for the true mainstreaming of conspiracy theory (just in time for the dawning of the Internet Era). Conspiracy research wasn't a fringe hobby then, it was front page news all across the world. It's just that the virus escaped from the lab and filtered down into places the mainstream media would have rather it hadn't.
But the real groundwork for the rise of conspiracy culture would be laid ten years earlier when the first fully-functional home computer, the Commodore PET was debuted at a trade show.
Conspiracy theory may have thrived on talk radio (and short wave and ham radio, not to mention mail order) but it would explode on the Internet, even in the crudest venues of the BBS dial-in days.
At the same time the Commodore was unveiled, a new President from Plains, Georgia took office who swore to tear the lid off government corruption (and significantly, UFO secrecy) in Washington.
Things, predictably, wouldn't work out so well for him.
1977 saw the commoditization of the modern Hollywood blockbuster-- already having birthed itself in 1975 with Steven Spielberg's Jaws.
George Lucas' spiritual SF epic Star Wars and Spielberg's UFO fantasia Close Encounters of the Third Kind changed the rules forever (you can throw in Saturday Night Fever if you like, as it spawned the rise of the blockbuster soundtrack as well) and, as many would argue, planted the seeds for the eventual creation empoverishment of the Hollywood they created.
In today's market, doubles and triples are no longer be enough, you need to either write a movie off as a tax loss or score a grand slam blockbuster, complete with merchandising and ancillary rights.
But Star Wars and Close Encounters were such monsters because they filled a genuine void in the culture, a need for miracle and transcendence in a rapidly-secularlizing culture. In their wake the movies would become the dream theater of the masses, in the same way the great cathedrals were to the peasants of the Middle Ages.
Both films struck at the right time- NASA tested its first space shuttle at the beginning of the year, promising a new era in space exploration. One that has yet to come to pass, 40 years later. Even so the mood was right at the time.
On the other end of the ritual spectrum 1977 also saw the arrest of David Berkowitz, whom the media named as the sole "Son of Sam" killer despite the fact that witnesses had cogently and explicitly described other shooters not matching his description.
Berkowitz himself would later claim he was a member of a sect of the Process Church of the Final Judgement, he was not the only shooter and that the killings were human sacrifices. And as fate would have it two of the men he claimed as his accomplices would die under mysterious circumstances not long after Berkowitz was arrested.
And their father was named Sam.
Also in the summer of 1977, Elvis Presley died after a long struggle with obesity and prescription drug abuse.
It was poetic in a Greek tragedy kind of fashion since '77 not only saw the precipitous rise of Disco as an all-consuming craze (Donna Summer had the first hit with a totally-synthesized record, "I Feel Love," that year) but also the breakthrough of punk rock and first-wave New Wave (the Sex Pistols, the Clash, Elvis Costello and Talking Heads all released their debuts), which took the basic, four to the floor rock 'n' roll Presley cut his teeth on and wed it to postmodernism, Dada and other weird, Continental theories that old-timers like the King would never have anything to do with.
Not that most of America even noticed. The Eagles' Hotel California, Pink Floyd's Animals and Fleetwood Mac's Rumors were albums most of the public were actually buying. Punk bombed bad in its first assault on American record stores and most of the first wave bands would soon break up or radically water down their styles in a bid to make it to the US Top 40.
New Wave, which began as a marketing ploy to ease punk into the American market, would become the musical equivalent of New Age, a contagion that would insinuate itself into the host and rewrite the matrix from within.
40 years later New Wave concepts are so dominant (irony and sarcasm not the least among them) in pop they're no longer recognized as distinct or unique. But that process began in earnest over 35 years ago, when MTV began beaming art school weirdos from England into a growing number of American living rooms.
In short order even Jethro Tull and Bob Dylan- the onetime crunchiest of the crunchy- were recording with drum machines and sequencers.
There's more to come.
|Patricia Neal: Tragedy and Triumph|| |
I’ve always been drawn to the actress Patricia Neal, who resembled both my mother, Patricia Hagen, and my grandmother, Ann Schwermin.
In a life of adventure and tragedy, Neal had a famous affair with the actor Gary Cooper, married the writer Roald Dahl. Her infant son was terribly injured when his baby carriage was struck by a taxicab. She lost her 7-year-old daughter and then almost everything else, fighting her way back to health after massive cerebral aneurysms.
Along the way, she fell into some of the best film roles any actress could ask for. She starred in great films like Hud, overlooked gems like A Face in the Crowd and unexpected classics like The Day the Earth Stood Still.
She turned down Broadway roles only to play them later in Hollywood, as in John Loves Mary and The Subject Was Roses. She played sentimental icons like Olivia Walton in The Homecoming and strange icons like Dominique Francon in The Fountainhead.
“I had left home early in 1945 and by the end of the year I had gotten my first job as an understudy,” Patricia Neal recalled in her autobiography, As I Am. “A year later I had opened on Broadway. There was no doubt about it, success had come to me overnight, and if I had not felt the dizziness of the leap while I was in New York, the change of altitude hit me when I stopped in Tennessee en route to California.”
She was returning home. Fresh from an acclaimed role in Lillian Hellman’s Another Part of the Forest, Neal had landed a contract at Warner Brothers along with a starring role in their film, John Loves Mary (the very role she’d had to turn down on Broadway after being cast in the Hellman play).
“I quickly learned that you must be forgiven your success by those who stay behind,” Neal said. “And you must hang on every word said to you lest you appear ‘uppity.’ And you must ask the questions before they are asked of you. ‘How many kids do you have?’ I would quickly inquire before anybody could bring up Broadway. As long as people talked about themselves to me, they thought I was just great and had not changed one bit for the worse.”
Arriving in Hollywood for a balmy Christmas, Neal quickly learned the ropes. About the parties, for instance. “Everybody I met was utterly divine to me, with the divided intimacy that I quickly learned was the style of Hollywood parties. One eye is fixed intently on the person you are talking to while the other scans the room to see the person you should be talking to.”
The town’s contradictions were apparent even at that first New Year’s Eve party she attended. He co-star, Ronald Reagan, introduced himself. “What a lovely, cheerful man, I thought. The next time I caught sight of him, it was at the stroke of midnight. He was on the terrace with an older woman, weeping into her arms. I later learned that he and his wife, Jane Wyman, were divorcing.”
“A movie set seemed an absolute fantasyland on my first day,” she remembered. I had so much energy and curiosity that I was everywhere, investigating everything. The main set of ‘John Loves Mary’ was surrounded by a forest of lights, reflectors, cranelike sound booms and recording equipment. Wires and cables laced the floor like huge octopus tentacles that trailed up into the rafters, connecting the whole stage to some energy source in the sky.
She found the experience to be “acting and a roller-coaster ride all wrapped into one!”
“We did only one scene that whole day,” Neal recalled. “It took hours to fix every detail. This was the Golden Age of Hollywood, and we were obliged to appear without any blemish that would expose us as merely human.”
Without a contract at Warner Brothers, deep into her four-year, now-public affair with the very married Gary Cooper, and recovering from an abortion that would haunt her for three decades, Patricia Neal faced a challenging year in 1951.
“I was no longer the young darling of Hollywood,” she recalled in her autobiography, As I Am. “I was the unsympathetic side of a triangle. Gary sensed my increasing anxiety and grew more tender toward me. Actually, he was under as much tension as I was. I could see it in his face, feel it in his body. But of course, he did not talk about it. I did not know he was becoming very ill.”
Luckily, Neal secured a three-film deal at Twentieth Century Fox.
“My first film of the new Fox contract was going to be a science fiction thriller called ‘The Day the Earth Stood Still.’ I was not encouraged in the least, but I did not want to begin my career at Fox by going on suspension. The director was Robert Wise, who had been good to me in the past. He believed in the project and wanted me to do it. I am very glad I said yes. I worked with an old friend, Hugh Marlowe, and a new one, Michael Rennie.
“I do think it’s the best science fiction film ever made, although I admit I sometimes had a difficult time keeping a straight face. Michael would patiently watch me bite my lips to avoid giggling and ask, with true British reserve, ‘Is that the way you intend to play it?’
“The press was relentless now. They followed me everywhere, even onto the set, but I would not speak to them. The publicity department made up responses for me to their questions about Gary. So in print, I could be vague (‘We’re just good friends’) or cute (‘If I were in love with him, I’d be silly to advertise it. After all, he is a married man.’) or even haughty (‘I do wish people would find something else to talk about’).
“Dear Michael, who was as exasperated as I was, thought I should honor their questions with my favorite line from the film.
“ ‘Miss Neal, did you break up Gary Cooper’s marriage?’
“’Klaatu barada nikto!’”
Neal was introduced to Roald Dahl by Lillian Hellman while appearing on Broadway in a 1952 revival of Hellman’s play The Children’s Hour. She found the British writer cold and insufferable.
She was surprised, therefore, when he began to call, and they slowly began a grown-up and deliberate affair.
“He came to see my performances often,” she recalled. “And each night he would come backstage, sit on the chaise and watch me remove my makeup. One evening he put a kettle on the hot plate and asked if he could make some tea. Fine, I said. I’d have some too. He didn’t return to the chaise, but came to my side.”
They made small talk, with Neal telling him how, when she’d shared a dressing room with Jean Hagen, the actress would make an expensive long-distance call to her new husband and purr, “Kiss-kiss, kiss-kiss, kiss-kiss.”
“At eight thirty-five a minute!” he laughed and then mused, “ ‘Kiss-kiss.’ It’s a good title, don’t you think.”
“There was a long silence before he spoke again.
“ ‘I have another question for you,’ he ventured slowly. ‘I would like to know how you think it would work if we got married.’
“ ‘Oh no!’ I said suddenly and without thinking. He looked at me as if I had thrown cold water in his face. ‘Roald, let’s just continue the way we are. I mean, let’s not talk about that now. All right?’
“He looked horrified that I had turned him down. It’s simple, I thought to myself. I really don’t love him and I don’t want to get married. But then, that was not entirely true. I did want marriage. And a family. Roald would have beautiful children. What was I holding out for? A great love? That would never come again. When was I going to face reality?”
Neal and Dahl continued to date without mentioning the subject again, and she got a surprise call from a former boyfriend, the wealthy Peter Douglas, son of a U.S. ambassador to England. Their relationship had ended when he’s stood her up one night without explanation.
Neal met Douglas for dinner, and found him to be as boyish as ever while he recounted the story of how he’d gotten drunk with pals and missed the plane that would have taken him to her.
“We laughed about it and Peter said perhaps there was something he had not wanted to face then. We came back to my apartment and lay down on the sofa, and he put his arms around me and said, ‘Pat, I would love to marry you.’
“I thought back to the time I wanted so much to hear those words. I took his hand and said, very quietly, ‘Too late, dear Peter, too late.’
“Then the most surprising thing happened. I heard myself say, ‘I’m going to marry Roald Dahl.’”
|Iskreno (i neiskreno) sta mislite o osobi iznad|
Sta je tebi,
ne diraj mi kolena lalalala..
|Mario Kart Wii||
Aqui les dejo un video de alguien que es profesional en el kart.
Se embicio xD
|You should know the facts to Change your life in 2016||What prices should we watch this year? Everything is going to be more expensive!|
We faced financial extinction in 2008 and bounced back. The average Toronto detached home approaches $622k. Sales continue unabated averaging 10% per year in financial gains per year since '95 breaking 100K units in the GTA.
The key seems to be consistency.
This could be coming to an end.
Oil Prices have been falling, much to our delight at the gas pumps but now we realise that OIL and Gas related employment accounts for 25% of our economy. Increased expenses for everything we eat, as we suffer with exchange rate that is an eleven year low.
Brick-and-mortar stores still have value in the form of sales and brand experience, but if they’re not building a strong online presence in tandem, they’ll quickly find themselves out of the running.
Canadian Consumers are increasingly shopping online.
Mortgage Finance rules have changed requiring Larger downpayments and stricter lending guidelines. Those Millennials fortunate enought to have found a decent paying dependable job will some trouble qualifying for new mortgages; Those with contract work will find it a struggle.
With so much weakness in the domestic economic picture, uncertainty over oil prices and negativity in Canadian markets, year-end seems a good time for homeowners to focus on eliminating debt and consider finally working towards being debt free.
We All still see Canada as a safe haven for investment and immigration. People will continue to arrive and 95% want the Canadian dream of Home ownership.
It all simply comes down to consumer confidance...
I dont have an APP Just call me
Let me help you with my best pricing tools
Accredited Senior Agent
RE/MAX Realty Specialists Inc., Brokerage
|Cuando me siento bien - Efecto Pasillo|
La experiencia: Cuando me siento bien, la sartén no se pega.
Vídeo musical: Vídeo que intercala escenas de grupo Efecto Pasillo cantando en diversos escenarios y chicas en bikini en la playa o bailando.
El vídeo quiere trasmitir optimismo, pasión, sensualidad al ritmo de la música pop - latina.
El significado de Cuando me siento bien: Efecto Pasillo le ha puesto ritmo a las emociones de la pasión del amor. El prisma del amor te hace ver la vida con los colores del optimismo; la vida parece más llevadera, más ligera como la brisa del mar, pero también llena de pasión y deseo como el ardiente sol playero.
Pero el amor no se puede reducir a la pura pasión y emoción del momento, pues corremos el riesgo de utilizar al otro como puro objeto de placer. De hecho, en el vídeo y en la letra da la impresión que las chicas son valoradas por los deseos sexuales que suscitan.
Pregúntate: Cuando ya no hay pasión en el amor y la sartén se pega, la tortilla ya no sale redondita ¿Es posible el amor? ¿Cómo?
Cuando me siento bien la sarten no se pega,
Me sale la tortilla redondita, perfecta.
El frío es una escusa pa' abrazarte más,
Si la casa esta muy sucia nos vamos a un hostal.
Me siento bien, la música me inspira.
Merengue, bachata y tu voz de dormida.
Con cuatro palabras te hago una poesía,
Enciendo la noche y alargo los días.
Soy capaz de leerte la mente,
Arreglar los problemas de toda la gente.
Voy cantando las vueltas del mundo,
En solo un segundo le prendo la luz al sol.
Te doy mi sonrisa y te cambia la vida,
Hoy tu lotería voy a ser yo.
Voy a ser yo...
Qué suerte tenerte cuando amanece y me dices te quiero.
Quererte tan fuerte que tiemble de emoción el universo.
Cuando me siento bien aparco donde sea,
Pinto los semáforos de verde siempre
Regalando suerte pa' que tengas un gran día.
Yo soy licenciado en amor y alegría.
Me siento bien, me huele a primavera,
Menta cilantro y tu piel de canela.
Todo lo bonito que hay en una vida entera
Ya te lo consigo pa' que tú me quieras.
Soy capaz de leerte la mente,
Arreglar los problemas de toda la gente.
Voy cantando las vueltas del mundo,
En solo un segundo le prendo la luz al sol.
Te doy mi sonrisa y te cambia la vida,
Hoy tu lotería voy a ser yo.
Voy a ser yo...
Qué suerte tenerte cuando amanece y me sigues el juego.
Quererte tan fuerte que tiemble de emoción el universo.
Eh, eh, eeh
Puedo volar, desaparecer,
Colarme en tus sueños, cantar y cocer.
Abracadabra, me ves, no me ves. Un genio sin lámpara.
Hoy deseo ser veinte veces más fuerte que tú y veloz.
Yo siempre estoy de buen humor.
Soy capaz de leerte la mente,
Arreglar los problemas de toda la gente.
Qué suerte tenerte cuando amanece y me dices te quiero.
Quererte tan fuerte que tiemble de emoción el universo.
Qué suerte tenerte cuando amanece y me sigues el juego.
Quererte tan fuerte que tiemble de emoción el universo.
|Freedom - Pharrell Williams|| |